Latest articles by Ned Soseman
One of today’s truest tests of leading-edge optical glass technology is high resolution digital imaging.
Chema used Sola 6 LED Fresnels and the Litepanels Croma to shoot a recent music video.
Boeing's Constant Resolution Visual System incorporates JVC e-Shift 8K projectors.
"The Mightiest Wind" exhibit includes an area engineered by ABS, where visitors can act like a meteorologist by standing in front of a green screen and creating a video weather report.
The live production company uses the units as part of two portable production flypacks for live coverage of events.
The post-production company chose the UTAH-400/XL to interconnect its equipment and systems that record and monitor SDI video with embedded audio and timecode.
TNDV used a special slo-mo camera to clearly capture dramatic shots and up-close reactions at 1000fps, with instantaneous live replay of super slo-mo footage.
The biggest story never reported may be headed to your newsroom.
The project will spread services into more sparsely populated rural areas and represents the completion of Bulgaria's TV digitization strategy.
Reality TV powerhouse Warm Springs Productions shoots rugged History Channel and Travel Channel series with P2 HD.
After gathering data from more than 900 service providers and more than 60 IPTV vendors around the world, MRG determined that Harmonic is the top global headend solutions provider.
The archive and restoration company digitizes and converts film with a Teranex 2D Processor.
A new Orlando megachurch facility builds on the HVS-350HS video switcher.
Hidden DPA lavalieres were used to record the unique film sound of "Les Misérables."
The animated opener allows Sky News to take viewers on a journey through its entire branded environment.
A factor in selecting the Granite was its minimal latency.
Mobeon used Telestream and Matrox to live stream the World Latin Dance Cup Finals to millions of online viewers.
Five of the cameras are used for ENG coverage, while one is used in the studio as a handheld unit during broadcasts.
A LiveU LU70 unit allowed Streaming Factory to closely follow the race using a motorcycle and cameraman.
Their durability and adjustable color temperature was a plus as the production was shot both inside and outside.
The near future promises significant changes in the way we live and work that likely won’t be on display at this year’s NAB.
