Ned Soseman

Technically, the root of most of the controlled chaos in today’s TV newsrooms is the need for speed, one of the two common denominators among local newsrooms that are otherwise unique.

Editing for sports programming used to be all about providing highlights after the game. Not anymore.

What's new for automation and asset management products on the 2014 NAB Show floor.

The technical side of television requires more than good eyes. Broadcast engineers must make objective, repeatable observations of signals, waveforms and values using test gear.

Many stations are moving from automating legacy infrastructure to station-in-a-box designs but most are somewhere in between. Few share many technical similarities.

Nearly everyone in Las Vegas holds their cards near the vest, including many 2014 NAB Show exhibitors.

What’s the difference between rows of gaming machines in Las Vegas casinos and today’s broadcast facility?

One of today’s truest tests of leading-edge optical glass technology is high resolution digital imaging.

Don’t let the transition to digital distract you.

GreenWaves III was produced with a Broadcast Pix switcher.

The newscast automation system operates with minimal staff.

The MLS team rebuilds its control room for efficiency.

The companies collaborate to raise the profile of Jamaica's Red Stripe Premier League broadcasts.

TNDV has standardized on ChromaDuMonde color calibration charts across its mobile production business.

Bob Poole’s “War Elephants” was shot with Fujinon lenses.

Gray Television Group builds a new technology strategy around Vizrt.

The ABC affiliate rolls out 20 new JVC camcorders.