Latest articles by Ned Soseman
Technically, the root of most of the controlled chaos in today’s TV newsrooms is the need for speed, one of the two common denominators among local newsrooms that are otherwise unique.
Systems integrator Encore Broadcast Solutions relies on Hitachi HDTV cameras for recent upgrades.
TV cameras attract all kinds of people. Some want to be on TV. Others want to steal the camera.
Quincy Newspapers stations find added value in Volicon Observer for live news and weather promos.
New LED studio lighting brings new life and savings to Portland Community Media.
Timeline Television selects the AmberFin iCR to help support the new BT Sport production hub.
Dalet MAM, video production and playout tools manage end-to-end, live broadcasts and multiplatform services at The Weather Channel.
PBS’s “Mel Brooks: Make a Noise” was completed with a Teranex 2D Processor and DaVinci Resolve.
DP Jon Nelson discovers many advantages with a Cabrio on a Sony F55.
Competing stations dub KOAA’s new GY-HM650 'Magic Cam' for good reason.
Your future is in the clicker-holding, subscription-paying hands of your friends and neighbors.
ABS installed three Panasonic AW-HE60SN HD PTZ cameras, two for the dais and one for audience shots.
The new system brings high frame rate 3D movies to the largest screen in southwest Ohio.
The new installation gives The Player Channel dynamic playlist and graphics control from its operations center in London.
The honor is in recognition of the society's work on development, standardization and productization of the HD-SDI standard.
Within the mobile production truck, the Riedel equipment supports both news and production operations.
The ATEM Television Studio provides the ability to switch cameras and graphics in motion and on location.
You might think that with all the new digital this and automated that, stations would be experiencing fewer so-called “technical difficulties.”
The fiber transport system supports cameras up to 300m.
Riedel is supporting IBC2013 with a comprehensive intercom system.
The training sessions, which are free of charge, consist of operational training on the Bluefin2 range of consoles.
Some GlobeCast technicians have been involved in the annual race coverage for up to 30 years
