Latest articles by Ned Soseman
Clouds and Crowds in the Newsroom
Technically, the root of most of the controlled chaos in today’s TV newsrooms is the need for speed, one of the two common denominators among local newsrooms that are otherwise unique.
HD upgrades include Hitachi cameras
Systems integrator Encore Broadcast Solutions relies on Hitachi HDTV cameras for recent upgrades.
Mean streets get meaner
TV cameras attract all kinds of people. Some want to be on TV. Others want to steal the camera.
Volicon exceeds expectations
Quincy Newspapers stations find added value in Volicon Observer for live news and weather promos.
LED studio lighting advantages
New LED studio lighting brings new life and savings to Portland Community Media.
AmberFin sports support
Timeline Television selects the AmberFin iCR to help support the new BT Sport production hub.
Dalet efficiencies improve operations
Dalet MAM, video production and playout tools manage end-to-end, live broadcasts and multiplatform services at The Weather Channel.
Blackmagic Design maintains image
PBS’s “Mel Brooks: Make a Noise” was completed with a Teranex 2D Processor and DaVinci Resolve.
Upgrade includes Fujinon Cabrio
DP Jon Nelson discovers many advantages with a Cabrio on a Sony F55.
JVC brings magic to KOAA
Competing stations dub KOAA’s new GY-HM650 'Magic Cam' for good reason.
Five local TV opportunities
Your future is in the clicker-holding, subscription-paying hands of your friends and neighbors.
Streaming HD improves communications for growing sales organization
ABS installed three Panasonic AW-HE60SN HD PTZ cameras, two for the dais and one for audience shots.
USAF Museum Theater features Qube 4K 3D
The new system brings high frame rate 3D movies to the largest screen in southwest Ohio.
The Player Channel chooses Playbox Technology's EdgeBox
The new installation gives The Player Channel dynamic playlist and graphics control from its operations center in London.
SMPTE to receive 2013 Technology and Engineering Emmy Award
The honor is in recognition of the society's work on development, standardization and productization of the HD-SDI standard.
KTLA 5 selects Riedel Artist 32 for new mobile production truck
Within the mobile production truck, the Riedel equipment supports both news and production operations.
WRC’s new Storm Team 4x4 vehicle based around Blackmagic ATEM Television Studio
The ATEM Television Studio provides the ability to switch cameras and graphics in motion and on location.
Fixing what isn’t broken
You might think that with all the new digital this and automated that, stations would be experiencing fewer so-called “technical difficulties.”
Texas high school employs MultiDyne's SilverBACK-II with JUICE
The fiber transport system supports cameras up to 300m.
Riedel keeps IBC talking
Riedel is supporting IBC2013 with a comprehensive intercom system.
Calrec announces U.S. training tour
The training sessions, which are free of charge, consist of operational training on the Bluefin2 range of consoles.
GlobeCast delivers Tour de France
Some GlobeCast technicians have been involved in the annual race coverage for up to 30 years
