Craig Johnston

Mobile video has been rolled out in other countries already.

The evolution of studio consoles

Integrating new broadcast technology into church facilities

When 3D video production was gaining steam several years ago, there was much made of the need for precisely matching zoom lenses for 3D shooting.

A fairly recent NAB Show tradition has been to play “Who’da thunk they’d start building cameras?”

Once again, lens makers are faced with the challenge of building lenses that handle increased demands of higher resolution sensors, this time 4K units.

JVC’s aim for the 2014 is to show television news departments that there’s no reason for a news crew to go on a story without the ability to deliver a live shot back to the studio

As cellular network providers continue to build out their high-bandwidth infrastructures, cellular liveshot units can be expected to become more and more popular.

As camera makers make strides to 4K imaging, lens makers are challenged to provide high resolution prime and zoom lenses to deliver high-quality images to the camera sensor.

The news shooter’s video tools may be a long way from a Hollywood movie crew’s collection of equipment.

Lens makers, who have been similarly challenged to lower the prices of their professional HD optical wares, have found their task more difficult.

Asian markets to be targeted initially

One constant challenge for video camera makers has been sensitivity, the ability to capture a quality, or at least usable image in low-light conditions.

Here's a sampling of what you will find on the show floor. 

NTSB issues report on fatal 2007 Phoenix crash

New generation of cameras take divergent paths to achieving hi-def replays