Sue Sillitoe
Latest articles by Sue Sillitoe
Jünger Audio Launches A Groundbreaking Audio Processing Platform At NAB 2018
By Sue Sillitoe published
DPA Invests in New German Sales Subsidiary By Adding Key Appointments
By Sue Sillitoe published
Axon Demonstrates Latest IP Control & Multiviewer Solutions At Broadcast Asia 2018
By Sue Sillitoe published
PMC’s result6 Monitors Give Confetti Institute Students The Benefit Of Great Sound
By Sue Sillitoe published
DPA Microphones Boosts Its Presence in Singapore and Thailand With Two New Appointments
By Sue Sillitoe published
White Mark Designs The Sanctuary At Albany - A Destination Studio In The Bahamas
By Sue Sillitoe published

DPA Microphones Chosen For The Irish President’s Inauguration
By Sue Sillitoe published
DPA Microphones Deliver Clear and Consistent Sound on Mission: Impossible - Fallout
By Sue Sillitoe published
Malaysia’s TV3 Uses Jünger Audio Processing To Deliver A Successful Live Digital Television Trial
By Sue Sillitoe published
Axon and Arista to demonstrate live sports IP infrastructure at NAB2018
By Sue Sillitoe published
File-based Loudness Control Software from Jünger Audio and Tecom Group to Debut at NAB 2018
By Sue Sillitoe published
NEP UK deploys Axon Cerebrum at Wimbledon 2018 To Control & Monitor Fully-IP Sports Production
By Sue Sillitoe published
ITV Completes The Roll-Out of Six HD Regional News Centres Using Axon Cerebrum Control
By Sue Sillitoe published
Red TX Boosts Its Team With A Key Promotion
By Sue Sillitoe published
Award-winning sound engineer Ollie Nesham is now Chief Engineer for the company, which specialises in recording live music events for broadcast.
DK-Technologies Ships First DK T7 Meters To Calrec
By Sue Sillitoe published
The company's new 'everything included' audio meter is now shipping in a variety of useful formats including rack mounted and stand-alone.
Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014
By Sue Sillitoe published
The company's new Voice Processor is proving a huge hit with radio stations, TV voice over facilities and feature film ADR studios that need to achieve a consistent sound.
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