NASHVILLE, Tenn.—As the founder of TNDV, a Nashville-based live event and broadcast production company specializing in multicamera television, music specials and large-scale live events, I know how recording and capturing content is one of the most crucial tasks we face on any project.
For more than two decades, our team has supported everything from concert broadcasts and awards shows to network television and corporate productions. As our company has grown, our technology choices have always been driven by reliability, efficiency and the ability to scale alongside increasingly complex productions.
Practical and Affordable
My relationship with AJA’s Ki Pro line goes back to the very beginning. I was an extremely early adopter of the original Ki Pro in 2009, and it fundamentally changed the trajectory of my career and my company. At the time, recording HD content meant relying almost exclusively on tape-based HDCAM systems that could easily cost six figures per unit, and it was preventing me from moving beyond an SD-SDI workflow. The Ki Pro introduced a practical, affordable way to record broadcast-quality HD using a file-based, disc-based workflow, arriving at exactly the moment our industry was ready for change.
We quickly recognized that the Ki Pro was not only just a recorder, it was a workflow solution. As our young company expanded from a single HD production truck to three and eventually to 12, we purchased as many Ki Pro units as we could. They became a core part of our technical infrastructure and a key differentiator when pitching new clients.
As the industry transitioned away from tape formats, we were already prepared to deliver file-based media that quickly entered postproduction pipelines in file formats our clients were asking for, like ProRes.
Deployment was straightforward. Ki Pro units integrated cleanly into our trucks, worked seamlessly with a wide range of cameras and switchers and proved themselves reliable in demanding live environments. On a typical production, we use Ki Pro recorders for ISO recording, program capture, backup recording and deliverables. The ability to hand off high-quality media immediately after a show without real-time tape transfers saved hours on every production and helped our clients move faster.
When AJA introduced the Ki Pro Rack, we immediately began purchasing dozens of units. The rack-mounted form factor was a natural evolution for mobile production and control-room environments. It allowed us to consolidate recording systems, improve cable management and expand channel counts without increasing complexity. The Ki Pro Rack was built upon everything we appreciated about the original Ki Pro while offering greater flexibility for larger shows.
Ready for the Future
A few years later, we were just as eager to adopt the Ki Pro Ultra, followed closely by the Ki Pro Ultra Plus. As our productions moved into higher frame rates and 4K workflows, these units provided the performance and consistency we needed. Today, we own and operate over 100 different Ki Pro recorders across our fleet. They are trusted tools for both HD and 4K shows, whether we are covering a live concert, televised awards show or high-profile corporate event.
Over 15 years after the original Ki Pro was introduced, the Ki Pro family remains a crucial part of our workflow. We have evaluated and tested many alternative recording solutions over the years, but the Ki Pro continues to stand out for its reliability, image quality and ease of use. In live production, failure is not an option, and AJA’s recorders have consistently delivered dependable performance show after show.
For our team, Ki Pro is not just a piece of gear—it represents a turning point in how we work and how we serve our clients. From our earliest HD productions to today’s multi-truck, multiformat broadcasts, AJA Ki Pro recorders have helped us grow, adapt and stay competitive in an ever-evolving industry.
More information is available on the AJA Video Systems website.
