A couple of decades ago—before the development of file based workflow—the Holy Grail for broadcasters was being able to dub content with no degradation.
It doesn’t really matter what is broken these days, it’s either deemed disposable or worthy of repair.
It wasn’t that long ago that getting monitors to “agree” in a production control room was a full-time job.
With 4K solidly here and 8K on the horizon, test gear capable of 12 Gbps data rates is now on the table.
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