Every year the edit system introductions released at NAB Show continue to reflect the technological evolutions affecting the whole production chain.
The survey of NLE representatives revealed a post production community that is aggressively tackling the challenges arising from rapidly evolving digital production technology.
It was the best of times, the worst of times, and a real puzzlement. The best was for Super Bowl XLVII MVP Joe Flacco, the worst was for whoever paid the lighting bill.
Few people saw the 3D broadcast of the MTV Video Music Awards on Sept. 6 from the Staples Center in Los Angeles.
Session presenter Al Caudullo said he’s convinced certain 3D technology enables the production of quality 3D on an indie budget.
The broadcast industry could be at a significant watershed in the development of 3D broadcasting to the home.
Walking into the facilities of Legend3D Inc. is like entering a darkened beehive that is buzzing with creativity.
If you're going to spend $3.5 million to air a 30-second TV commercial during the Super Bowl, you are going to want to max out its impact far beyond the confines of the grid iron.
For this editor's eye, it contains some of the most fascinating use of the editing art of any film I saw last year.
Future US's leading brands bring the most important, up-to-date information right to your inbox
Thank you for signing up to TV Tech. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.