Jay Ankeney

The Ki Pro portable digital recorder from AJA Video Systems rocked the 2009 NAB Show, winning several major awards.

"Basically, we built this film on cardboard before we even started final editing."

3D is popping out all over in movies these days, and as usual, it is up to the post-production pros to ride herd on all the magic that is coming out of Z-space.

This will be my 25th NAB, and I am as excited as a teenager about it.

Sound the trumpets.

"We needed to show the interwoven tensions on every level to let the viewers follow all the different conflicts involved."

Producing 3D shows calls for a small-screen budget.

The demand for visual effects will not go away, of course.

If you're going to spend $3.5 million to air a 30-second TV commercial during the Super Bowl, you are going to want to max out its impact far beyond the confines of the grid iron.

An opportunity to witness the finest artistry in the craft of editing.

Crucial to the 3D look of “Avatar” is the extensive use of the Fusion Camera System.

We’re seeing a growing interest in what we call ‘editing for engaging experiences’ in Internet distribution.

Part of “Survivor’s” impact comes from the powerful dramatic arc editors Grieve and Brodie gave to it.

It's streamlined, and made for an artist who needs to work through a variety of challenges all in one system.

Today it seems ready to be considered a viable contender in the accelerating NLE competition for broadcast and high-end post.