Latest articles by Jay Ankeney
High Frame Rate—What Is Enough?
Hollywood is all aflutter over a new leap forward in technology.
Super Bowl Ads Gravitate to A Higher Level
It was the best of times, the worst of times, and a real puzzlement. The best was for Super Bowl XLVII MVP Joe Flacco, the worst was for whoever paid the lighting bill.
State of the Edit 2013
The survey of NLE representatives revealed a post production community that is aggressively tackling the challenges arising from rapidly evolving digital production technology.
Avid Looks to Inspire
Interplay Central allows users in different media production areas to access tools needed to boost collaboration.
AJA Touts Growth, Unveils New Gear
The company announced the launch of FS2, a universal frame synchronizer and converter with two completely independent channels.
NAB Product Preview: Monitors
New display technologies, including OLED and RGB backlighting, will provide plenty of eye candy for NAB Show attendees.
NAB Product Preview: Editing and Graphics
The arena in which all the new technological production innovations come together.
Hollywood Recognizes 3D Excellence
3D Creative Arts Awards shot live in 3D, to be shown on 3net
Two Super Bowl Spots Stand Out
For those of us who watch the annual gridiron classic mostly for the ads, Super Bowl XLV was multidimensional.
'Modern Family' Editing Earns Emmy
Ryan Case has cut every other episode of "Modern Family" in its two-season run.
3D for the Rest of Us
If stereoscopic 3D is ever going to become a mainstream medium it will have to get out of the studio financial system and into the hands of adventurous independents.
Editing and Graphics at the 2013 NAB Show
Every year the edit system introductions released at NAB Show continue to reflect the technological evolutions affecting the whole production chain.
