Jay Ankeney

Crucial to the 3D look of “Avatar” is the extensive use of the Fusion Camera System.

Part of “Survivor’s” impact comes from the powerful dramatic arc editors Grieve and Brodie gave to it.

"We needed to show the interwoven tensions on every level to let the viewers follow all the different conflicts involved."

Producing 3D shows calls for a small-screen budget.

The demand for visual effects will not go away, of course.

Releasing a major new turnkey digital editing system during this time of turmoil in our industry takes some guts.

You’re an editor right at the scene of the action, riding an adrenaline rush, cutting a breaking story from within a packed remote truck.

Company Puts New Emphasis on Streaming Technology

The annual NAB convention is a chance for edit system manufacturers to float out new ideas, technologies and, ultimately, new products.

Super Bowl XXXVI was a bittersweet broadcast this year, given the pallor of 9/11 looming over everything from the coin toss to the halftime ceremonies.

Sometimes it's not only the big splashy award-winning products you see introduced at the annual NAB fest that catch your eye.

Not every editor felt the earth rumble, but our universe changed at NAB2003 when Editware announced that it would no longer develop its DPE line of linear edit systems.