Blackmagic to Launch Camera For Live Production on Apple Immersive Video at 2026 NAB Show

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(Image credit: BMD)

Blackmagic Design announced a range of new products it will launch at the 2026 NAB Show, April 18-22 in Las Vegas, led by its first immersive camera system for Apple Vision Pro.

The Blackmagic URSA Cine Immersive 100G is being billed as the world’s first immersive cinema camera designed for live production with Apple Immersive Video. Featuring dual 8Kx8K RGBW sensors with 16 stops of dynamic range, URSA Cine Immersive 100G uses 100G Ethernet to deliver the bandwidth needed to output live immersive video for the first time.

Also new for the camera is the Blackmagic URSA Live Encoder, a live processor module that compresses live immersive video into Apple ProRes for output as SMPTE-2110-22 IP video, allowing customers to combine the stereo, high frame rate image streams into a single 100G Ethernet connection.

“Live immersive production is here, and it’s extraordinary,” said Grant Petty, Blackmagic Design CEO. “URSA Cine Immersive 100G makes it possible, and the images from this camera are just incredible to watch. It truly feels like you’ve been transported to the middle of the action. From sports to concerts, this opens up an entirely new world in live production!”

URSA Cine Immersive 100G features new sensors designed for incredible quality images at 8K x 8K per eye. Using the same revolutionary RGBW sensor design as URSA Cine, the new dual sensor layout features larger photo-sites, delivering 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color super sampling. This means it is optimized to deliver incredibly rich colors and provide the ultimate in image quality and flexibility, even at the high frame rates live immersive video requires, the company said.

The Blackmagic URSA Live Encoder enables the Blackmagic URSA Cine Immersive 100G to be used for live immersive production. It encodes live video into ProRes for output as SMPTE-2110 IP video via the high-speed 100G Ethernet port, creating an entirely new live immersive viewing experience. Plus, the camera data rate is under 50 Gb/s, so customers can combine two cameras into a single 100G Ethernet connection.

The URSA Cine Immersive 100G was recently used for Spectrum Front Row, a series of live Lakers games in Apple Immersive during the 2025-2026 season, which are now available to watch on demand using the Spectrum SportsNet and NBA apps for Apple Vision Pro.

Blackmagic’s first immersive camera, the URSA Cine Immersive has been used on a number of high-profile immersive productions, including MotoGP: Tour De Force, Debut at the BBC Proms, an upcoming documentary featuring Real Madrid, and NASA’s recent Artemis II launch.

Blackmagic will also debut its Blackmagic URSA Cine 12K LF 100G, with 100G Ethernet for high frame rate SMPTE-2110 live production output up to 440fps. Building on the digital film features of the URSA Cine 12K LF, including the large format RGBW 36x24mm sensor, the new model adds dramatically faster networking for cinematic live production workflows.

The camera will be available Q3 from US$8,995.

Software Updates
DaVinci Resolve 21 will be demo-ed at the Blackmagic booth, updated with a new Photo page,which enables colorists and photographers to use Hollywood’s most advanced color tools for still photos.

Other updates include new AI tools such as IntelliSearch for fast content searching, CineFocus for focal point adjustment, tools for facial refinement, and more. The Krokodove toolset adds over 70 new graphics to Fusion, Fairlight folders simplify audio track management, plus there are improvements to keyframing, MultiMaster trim passes, layer list node graphs and more.

DaVinci Resolve 21 public beta is available for download now from the Blackmagic Design website

Also new is Fairlight Live, a new software-based live audio mixer with spatial audio mixing and SMPTE-2110 broadcast workflows. Fairlight Live easily handles thousands of audio channels, working with standard computer audio or USB audio from ATEM live production switchers. Fully customizable, it has built-in effects and professional features such as a cue player, talkback busses, snapshots and more.

(Fairlight Live public beta is available immediately from the Blackmagic Design website free of charge)

Switchers
Two new additions to Blackmagic’s ATEM live production switchers platform, the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus are fully SMPTE-2110 native. They retain the features of the existing ATEM Constellation SDI based switchers, so they are familiar to users, allowing a seamless transition between SMPTE-2110 and SDI based switchers in facilities that have both.

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ATEM 4 M/E Constellation IP (Image credit: BMD)

Designed for high end broadcast and live production, the new design features front-to-back cooling, extensive redundancy, support for SMPTE-2022-7 on all 100G video ports, redundant PTP clock connections, 2 x 10G Ethernet for control ports and redundant AC power supplies.

The ATEM 4 M/E Constellation IP will be available in June from US$7,995.

Also new is the ATEM Monitoring Rack Panel, a new combination monitoring converter and control panel that can be used with ATEM Constellation IP live production switchers. It converts SMPTE 2110 IP to HDMI and 12G-SDI for connecting to monitors, however it also has front panel input buttons for controlling the switcher as well as an LCD and talkback connections.

It will be available in June from US$995.

Storage, Recording and Cloud
The new HyperDeck ISO Recorder 100G is a new SMPTE 2110 IP video recorder with 100G Ethernet that lets customers record all their cameras for live production. This means customers can also use DaVinci Resolve for live action replay. HyperDeck ISO Recorder 100G uses a single 100G Ethernet connection to connect all 8 video channels, plus it records high-quality Apple ProRes video to network storage via 100G Ethernet.

It will be available in June from US$4,995.

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HyperDeck ISO Recorder 100G (Image credit: BMD)

Blackmagic Cloud Store Ultra provides ultra-high performance flash storage with up to 48TB capacity and two independent 100G Ethernet connections that lets customers record and edit simultaneously without either workflow interfering with the other. Available in 24TB and 48TB models, it also features RAID 5 support, dual redundant power supplies and Blackmagic Cloud sync.

It will be available in June from US$8,835.

Conversion and Connectivity
The Blackmagic SDI Expander 8x12G converter lets customers connect all their 12G-SDI gear to the latest 100G Ethernet SMPTE-2110 IP systems. The converter supports 8 bi-directional 12G-SDI connections and has 2 separate 100G Ethernet connections allowing SMPTE-2022-7 redundancy.

It will be available in June from US$2,995.

The Blackmagic Media Dock Ultra is a new high performance dock for Blackmagic Media Modules with two fully independent 100G Ethernet ports. It also features SDI and HDMI status monitoring and Blackmagic Cloud sync that lets customers use Blackmagic Media Modules as extremely high performance removable storage.

It will available in June from US$2,995.

The new Blackmagic StudioBridge 10G PWR lets customers bridge eight separate 10G Ethernet SMPTE-2110 connections into modern 100G SMPTE-2022-7 redundant systems, allowing users to combine up to 8 separate cameras or converters into a 100G Ethernet IP video system. If the 10G Ethernet products use a single connection, then the Blackmagic StudioBridge 10G PWR will also bridge into the 2 x 100G Ethernet connections for a redundant broadcast system. Plus this converter has four separate internal power supplies so it can provide each of the 10G Ethernet connections with 90W PoE++ power.

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Blackmagic StudioBridge 10G PWR (Image credit: BMD)

It will be available in June from US$2,495.

The Blackmagic UpDownCross 100G standards converter lets customers simultaneously convert up to eight separate channels of SD, HD and Ultra HD video to any other standard. The new converter has redundant 100G Ethernet for full SMPTE 2022-7 compliance and a dedicated NMOS control port.

It will be available in June from US$2,435

The Blackmagic Ethernet Switch 820 is a new high performance, low latency model designed for advanced broadcast systems. It includes 8 x 100G and 2 x 10G Ethernet connections plus simple front panel SMPTE-2110 routing. Blackmagic Ethernet Switch 820 also has two redundant PTP clock Ethernet connections, a separate NMOS control port and a dedicated management port.

It will be available in June from US$2,295

Blackmagic Design will be in Booth N2502 in the North Hall of the LVCC.

Tom Butts

Tom has covered the broadcast technology market for the past 25 years, including three years handling member communications for the National Association of Broadcasters followed by a year as editor of Video Technology News and DTV Business executive newsletters for Phillips Publishing. In 1999 he launched digitalbroadcasting.com for internet B2B portal Verticalnet. He is also a charter member of the CTA's Academy of Digital TV Pioneers. Since 2001, he has been editor-in-chief of TV Tech (www.tvtech.com), the leading source of news and information on broadcast and related media technology and is a frequent contributor and moderator to the brand’s Tech Leadership events.