Latest articles by Joey Gill
The physical world has its limitations—things can only get so small.
We all know how fast this industry is changing, especially the technology.
NewTek’s new Tricaster 855 is well worth exploring if you want a complete video production setup at a bargain price.
A couple of decades ago—before the development of file based workflow—the Holy Grail for broadcasters was being able to dub content with no degradation.
It doesn’t really matter what is broken these days, it’s either deemed disposable or worthy of repair.
It wasn’t that long ago that getting monitors to “agree” in a production control room was a full-time job.
There didn’t appear to be any lack of interest around “connectivity” exhibitors at this year’s NAB Show.
Talk about options for moving content around—there was just about any flavor that you could want at the 2014 NAB Show.
There was no shortage of transmission hardware at this year’s NAB Show, with plenty of transmitters, transmission line and antennas.
I like balance as it makes me comfortable, and comfortable is how I feel as a broadcaster having many tools at my disposal.
For as long as I’ve been in the broad- cast engineering business, there have been small “brick” pieces of gear.
In managing a broadcast facility, many things have changed during the past few years.
Believe what you like, but the data that I have supports the idea that over-the-air television is nowhere near dead.
Broadcasters now have three choices for moving content: satellite, microwave, or IP connectivity.
When asked if I’d like to review a digital television exciter, I had flashbacks to an old Radio Corporation of America tube-type low-band VHF exciter from yesteryear.
