Jenny Priestley
Jenny has worked in the media throughout her career, joining TVBEurope as editor in 2017. She has also been an entertainment reporter, interviewing everyone from Kylie Minogue to Tom Hanks; as well as spending a number of years working in radio. She continues to appear on radio every week and occasionally pops up on TV.
Latest articles by Jenny Priestley

By Jenny Priestley Published
Take part in the first global, industry-wide survey of how artificial intelligence is being used in the broadcast and media industry

By Jenny Priestley Published
WEBCAST ITN's director of technology, production and innovation Jon Roberts and Johnny McGuigan, the BBC's director of news streaming, discuss the evolution of technology in the newsroom

By Jenny Priestley Published
TriCaster Mini X allows users to easily pull any web page elements into a production without the need of third party applications, including graphics, images and videos

By Jenny Priestley last updated
OBS said it is aiming to produce an "unprecedented" amount of content and deliver it to RHBs in a wider range of options

By Jenny Priestley Published
SVTA executive director Jason Thibeault said the new brand 'clearly supports' the story that the Alliance wants to convey: that is a technical association focusing solely on technical challenges

By Jenny Priestley Published
BT Sport and Eurosport UK will initially retain their separate brands before being brought together under a single brand in the future

By Jenny Priestley last updated
Viewers have been advised not to retune their TV during this time as reception will be restored once the high pressure passes

By Jenny Priestley Published
Lockheed Martin has developed a new technique for bonding the camera's optics mounts together, ensuring it will continue to work in temperatures as low as -400 degrees F

By Jenny Priestley Published
The rendering software runs in the streaming service’s cloud-based encoding pipelines and produces AMBEO 2-Channel Spatial Audio from existing ADM or IAB files

By Jenny Priestley Published
An expert panel will discuss how 5G is expected to unlock higher resolution video services and new forms of media, such as volumetric content, and enable new audiovisual experiences for audiences at live events

By Jenny Priestley last updated
Director general Tim Davie said: “This is our moment to build a digital-first BBC. Something genuinely new, a Reithian organisation for the digital age, a positive force for the UK and the world"

By Jenny Priestley Published
IBC 2022 will take place at RAI Amsterdam, Sept. 9-12

By Jenny Priestley Published
However, 65% of users said they are moving original high-res media files around the internet to support remote editing workflows

By Jenny Priestley Published
Olympic Broadcasting Services produced 3,300 hours of UHD/HDR coverage, and 10,200 hours of content in total

By Jenny Priestley Published
Dual streaming outputs allow users to create assets with different parameter settings per output (bit rate, GOP length, frame rate, picture geometry, b-frame cadence, etc.), and feed each into one of two destinations

By Jenny Priestley Published
Solution is designed to provide content providers with a private, dedicated secure gateway between AWS and the Intelsat global media distribution network

By Jenny Priestley Published
Survey, conducted by telecommunications, media and technology consulting firm Altman Solon, spoke to industry executives across productions in 30+ countries

By Jenny Priestley Published
OBS reveals details around its production workflows, use of 5G and AI, and how Beijing 2022 is the first Winter Games in UHD HDR

By Jenny Priestley Published
In a first for Canon, the EOS R5 C has been fitted with a dedicated Timecode In/Out terminal for integrating into a professional multi-camera solution

By Jenny Priestley Published
He will oversee the strategic alignment of the company

By Jenny Priestley Published
UHD Alliance offers update on developing the new TV setting at CES

By Jenny Priestley Published
Survey shows on average, TV and film crews are working at least 11 hours per day, not counting 'prep time'

By Jenny Priestley Published
Core networking capabilities will be an integral part of the ATSC 3.0 broadcast system architecture
The professional video industry's #1 source for news, trends and product and tech information. Sign up below.
