Gary Eskow
Latest articles by Gary Eskow
AES expands into China
By Gary Eskow published
A series of presentations led to an AES inclusion offer.

Audio in post
By Gary Eskow published
Audio post has gone through some significant changes over the years. Once upon a time, the technologies used to create video and audio were separate and

Retooling
By Gary Eskow published
She remains an icon, one of the most recognized celebrities on the planet, and her decision to pull the plug on her wildly popular television show sent

A Q&A with TSL Professional Products’ Martin Dyster
By Gary Eskow published
Dyster gives his views on topics ranging from future trends for the broadcasting industry to if the days of a PC being dedicated to a single task are over.
AES Standards Committee addresses compression hardware with AES-X196
By Gary Eskow published
One of the latest standards projects is based on the idea that eight 48kHz signals can be ported across a single 192kHz link.
Leader Instruments releases optional audio card
By Gary Eskow published
The card's new loudness measurement feature is designed to help crews insure that content is compliant with the CALM Act and its European equivalent, EBU Recommendation 128.
Audio Precision’s Bruce Hofer discusses analog’s future
By Gary Eskow published
His company having just turned 25, Audio Precision' co-founder takes a peek into the future.

Changing Mic Market Still Demands Quality
By Gary Eskow published
Multichannel delivery to the home continues to expand, increasing the need for microphones that have at least two-channel capabilities.
The language of digital audio workstations
By Gary Eskow published
Digital Audio Workstations provide the ultimate in flexibility and rapid production.

Audio consoles
By Gary Eskow published
Prices have been slashed, and building an up-to-date, cost-effective post house is an attainable goal

Audio consoles
By Gary Eskow published
The move toward smaller mixing boards has clearly reached the on-air market.
audio monitoring systems
By Gary Eskow published
The old maxim that tells us to watch what we ask for applies to the audio post community in spades these days. Complete mixes, including dialog, effects
audio monitoring systems
By Gary Eskow published
Monitoring issues multiply as we move from stereo to 5.1. Today, mixes that contain 100 or more channels of audio are not uncommon, and as a result, phase
digital audio console update
By Gary Eskow published
Standards for the broadcast industry are in a state of flux that forces the manufacturing industry - who in some cases must apply years of research before
CueCast console file-conversion service goes online
By Gary Eskow published
Users are invited to try the service at no cost; two free file conversions will be available for 30 days upon sign up.
RH Signature Series loudspeakers earn InfoComm 2012 Best Of Show
By Gary Eskow published
The series features a ranges of two- and three-way enclosures.
Dyneaudio releases stereo monitors aimed at desktop market
By Gary Eskow published
Dyneaudio’s new DBM50 monitors are designed specifically for the desk top market.
Prism Sound releases dScope Series IIIE audio analyzer
By Gary Eskow published
The new analyzer runs on a PC.

Steve Lillywhite to give keynote address at 133rd AES Convention
By Gary Eskow published
The producer will give his insights and tips on the art of producing contemporary records.

Sound steps
By Gary Eskow published
While the essential functions of broadcast boards are executed in 2007 much as they were in previous years, there are several significant differences

Microphones for surround sound
By Gary Eskow published
As content providers and TV stations begin producing in HD, the used of surround, 5.1 audio, is no longer an option — it’s a requirement
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