As content providers and TV stations begin producing in HD, the used of surround, 5.1 audio, is no longer an option — it’s a requirement
Standards for the broadcast industry are in a state of flux that forces the manufacturing industry - who in some cases must apply years of research before
The old maxim that tells us to watch what we ask for applies to the audio post community in spades these days. Complete mixes, including dialog, effects
The card's new loudness measurement feature is designed to help crews insure that content is compliant with the CALM Act and its European equivalent, EBU Recommendation 128.
Studio designer John Storyk is committed to providing a learning-rich environment for the next generation of audio engineers.
The rules may not change—check that, the NFL is always tinkering—but broadcasters continue to look for ways to make sports programming more compelling for the home audience.
Considering the costs of attending sporting events, it’s no wonder more consumers are investing in high-end home audio and video systems to follow their favorite teams.
Multichannel delivery to the home continues to expand, increasing the need for microphones that have at least two-channel capabilities.
As broadband device manufacturers continue to grow their positions in the market, the demand for wireless microphone systems that are fast and agile will escalate.
Demands placed on audio engineers who work in the television industry continue to escalate, and the vendors who serve their needs continue to refine their products.
She remains an icon, one of the most recognized celebrities on the planet, and her decision to pull the plug on her wildly popular television show sent
Audio post has gone through some significant changes over the years. Once upon a time, the technologies used to create video and audio were separate and
Once a relatively simple task, monitoring audio has become increasingly complex for professionals in the broadcast industry.
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