Mary C. Gruszka

As new technologies emerge they add to and complement what’s come before, or replace existing structures.

As audio systems designers, we rely on manufacturers' specifications not only for a list of features, but for how a piece of equipment can be integrated into a system.

For any kind of loudspeaker system to be practical, the drivers need to be mounted in some kind of enclosure.

Loudspeaker and loudspeaker enclosure design aren’t haphazard processes if done right.

It’s still the early days for mobile DTV, so it shouldn’t be a surprise that some audio issues are making themselves heard.

Head-related transfer functions are essential to creating a realistic immersive (or 3D) audio experience over headphones.

At the broadcast, production or origination end of the spectrum, we’ll need to rethink our audio systems to accommodate the growing requirements of next-generation audio.

File-based loudness processing, as one might expect, operates on audio files, either standalone, or extracted from an audio/video file such as MXF.

How do file-based and real-time loudness processors fit into an overall facility audio system?

The CALM Act is a reality.

When you think of an acoustical material, what comes to mind? Maybe some kind of dark gray foam glued to a wall? Perhaps orange shag carpeting?

Sound has dimension, and it's sometimes easy to forget just how big sound can be.