Latest articles by Mary C. Gruszka
As new technologies emerge they add to and complement what’s come before, or replace existing structures.
Using specialized displays to monitor colorimetry
As audio systems designers, we rely on manufacturers' specifications not only for a list of features, but for how a piece of equipment can be integrated into a system.
At the broadcast, production or origination end of the spectrum, we’ll need to rethink our audio systems to accommodate the growing requirements of next-generation audio.
Head-related transfer functions are essential to creating a realistic immersive (or 3D) audio experience over headphones.
Provides video thumbnails and playback controls to identify specific content
File-based loudness processing, as one might expect, operates on audio files, either standalone, or extracted from an audio/video file such as MXF.
Audio and video fingerprints are bits of data derived from certain characteristics of each type of content.
As Discovery Communications launches more feeds around the globe, the volume of audio work at the Discovery Creative and Technology Center in Silver Spring, Md. is increasing
How do file-based and real-time loudness processors fit into an overall facility audio system?
It's said that nature abhors a void, so it didn't take long for other types of data to fill this space, digital audio being the most common.
This month we'll wind up our series on the structure of AES audio with a discussion of embedded audio in a SMPTE 292M high-definition signal.
FCC propagation models work, but not in every case
