Latest articles by Mary C. Gruszka
Creating a next-generation EAS system involves not only technology but operational workflows, cross-agency cooperation, and not a small amount of politics. Nevertheless, the process has begun.
We casually speak of digital audio, often referring to it as AES audio, perhaps AES3 (for the number of the AES standard), or by an older term AES/EBU. But what exactly is this AES3 signal?
As much as I like test and measurement equipment, sometimes the best troubleshooting tools for a job are two good ears and the gray matter between them.
An Audio By Design reader named "Bro Duke," writes in about his microphone pet peeve, "their lack of internal filters.
Accurately monitoring 5.1 surround sound involves more than just adding four more loudspeakers to a stereo system.
Annual show tackles audio for DTV, newsgathering, streaming
The new control room was designed to take in many more simultaneous feeds than before, accepting feeds arriving on fiber as data circuits or via satellite.
Once analog TV transmissions cease, it’s going to be a different spectrum landscape for the makers and users of wireless microphones and intercoms.
As the shift to 5.1 and beyond surround sound mixing rooms continues—with the potential for immersive audio on the horizon—there have been some new thoughts on the internal acoustical design.
