Latest articles by Mary C. Gruszka
New York area stations are back at full power with new Dielectric combiner
How can you find out if your audio equipment has the dreaded pin 1-problem?
While I've seen coverage of this topic in the commercial sound realm, I don't think it's gotten as much attention in the broadcast world.
The AES3 digital audio signal is composed of frames, with each frame containing a digital sample from each of two audio channels.
The channel status bits provide a wealth of information about its associated audio channel, which can be used by an AES receiver/decoder for subsequent processing.
Ensuring quality of cable, satellite and telecom distributed broadcast signals.
For any kind of loudspeaker system to be practical, the drivers need to be mounted in some kind of enclosure.
Loudspeaker and loudspeaker enclosure design aren’t haphazard processes if done right.
A brilliant decision in developing the recent audio-over-IP standard, AES67-2013, was basing it on existing protocols.
It’s still the early days for mobile DTV, so it shouldn’t be a surprise that some audio issues are making themselves heard.
But how meaningful are these specs? Do they provide the information we need to differentiate performance among competing models?
This summer I’ve been revisiting the classics—some of my favorite audio references, but in their latest editions.
Annual show tackles audio for DTV, newsgathering, streaming
While a podcast need not necessarily be of "broadcast quality," neither should audio quality be ignored.
