A decade ago the BBC natural history series, Planet Earth, mesmerized viewers worldwide with some of the world’s most amazing wildlife footage and HD imagery of any kind yet broadcast in HD.
One of the benefits of downsizing broadcast and digital cinema cameras is the size and cost of much of the support gear needed to make them fully functional can also be downsized.
These days it isn’t unusual to use several different cameras on a production, each with its own codecs and media.
Getting ahead of the technology curve is tough enough under the best of circumstances, let alone 37,000 feet under the sea, in a submersible only 43-inches in diameter.
A couple of years ago when Blackmagic Design first announced their original Cinema Camera that captured raw 2K imagery for only $2,000 it seemed like a tough act to follow, value-wise.
Once upon a time (barely a decade ago), it wasn’t unusual to shoot many projects—large and small— with a single, medium-to-large video camera and tripod.
There are multiple sets of prime lenses now available for use with DSLRs and large sensor digital cine cameras at various price points.
For some two decades, Steadicams and their imitators have been the cutting edge of mobile, off-tripod camera support with little challenge from new technology.
At the 2013 Jackson Hole Wildlife Film Festival, “Earthflight,” a six-part series produced for the BBC and aired on PBS last Fall, received a special jury award for technical achievement.
LED technology has revolutionized our industry with cooler, lighter, brighter, softer and more efficient lighting than is feasible with traditional sources.
Wireless microphone advocates are banding together to push for protections in next year’s broadcast spectrum incentive auctions.
The Nautilus, which incorporates a revolutionary design from nature, has the potential to become a breakthrough audio support product.
What makes for a really good field monitor, and what distinguishes an exceptional one from the rest of the pack?
LEDs have changed the lighting landscape in many ways—from hot to cool, and from tungsten to daylight temperatures.
It’s dubbed Scarlet X in recognition of its Mysterium X sensor that enables the capture of 4K and even limited 5K raw video.
Most video cameras and DSLRs have only one onboard utility for mounting a small monitor, camera light, wireless receiver, or other accessory
Similar to existing models made for small- to medium-sized camcorders, but incorporates features designed especially for DSLR HD capture.
Future US's leading brands bring the most important, up-to-date information right to your inbox
Thank you for signing up to TV Tech. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.