Latest about Live production

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Vizrt Selects Matrox X.mio5 Q25 Cards to Power Viz Engine 4

By Matrox Media Relations published

The Wire
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The Tangible Changes IP Brings to Live Production

By Matt Allard published

The entire media landscape is changing.

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ATEM Constellation 8K Used for Live Production at Country Music’s WE Fest

By nick@zazilmediagroup.com published

The Wire
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Flexible Feature Set and 4K Production Capabilities of New Switcher Set Hawaiian Production Co. Apart

By Robin Hoffman, Pipeline Communications published

The Wire
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Grøn Festival Series IMAG Powered by Blackmagic Design Live Workflow

By nick@zazilmediagroup.com published

The Wire
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Simple Minds and The Pretenders UK Tour Powered by Blackmagic Design Live Production Workflow

By nick@zazilmediagroup.com published

The Wire
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Josh Groban’s ‘Bridges’ Tour Delivered by Blackmagic Design Live Workflow

By nick@zazilmediagroup.com published

The Wire
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Live IP: The Live Debate

By Holly Ashford published

Audiences were able to see the workings of a complete IP-based ecosystem recently, when a “Live IP” debate was broadcast online directly from the VRT Live IP Studio.

Broadcast Engineering
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Association of Paddlesurf Professionals World TourUses Blackmagic Design Live Production Workflow

By nick@zazilmediagroup.com published

The Wire
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Media 4.0: Using AI to Meet Viewers’ Preferences

By Tom Butts published

MediaMind puts the concept of Media 4.0 into practice by using AI, and object and speech recognition to maximize the use of media assets, particularly in live production.

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