Latest articles by Gary Eskow
The rules may not change—check that, the NFL is always tinkering—but broadcasters continue to look for ways to make sports programming more compelling for the home audience.
Smaller, cheaper, less obtrusive. That pretty much sums up the trajectory that mojo (mobile journalism) has been following in the last year.
Once they served simply to connect inputs to outputs, but over the years the function of the audio console has expanded dramatically.
Keeping football fans happy both at home and in the stadium.
While wireless mic vendors await the impact of the spectrum auctions that commenced last month, manufacturers are forging ahead with new product development.
Once a relatively simple task, monitoring audio has become increasingly complex for professionals in the broadcast industry.
TV Technology recently spoke with a panel of highly experienced sports audio broadcast engineers about the challenges they face and the developing trends in the industry.
Considering the costs of attending sporting events, it’s no wonder more consumers are investing in high-end home audio and video systems to follow their favorite teams.
Digital Audio Workstations provide the ultimate in flexibility and rapid production.
The move toward smaller mixing boards has clearly reached the on-air market.
Prices have been slashed, and building an up-to-date, cost-effective post house is an attainable goal
Users are invited to try the service at no cost; two free file conversions will be available for 30 days upon sign up.
The series features a ranges of two- and three-way enclosures.
Dyneaudio’s new DBM50 monitors are designed specifically for the desk top market.
The producer will give his insights and tips on the art of producing contemporary records.
While the rules are set, the methods continue to be enhanced
The old maxim that tells us to watch what we ask for applies to the audio post community in spades these days. Complete mixes, including dialog, effects
