editing

Latest about editing

Avid rundown in Content Core
Avid to Demo New Avid Content Core Features at IBC2026

By George Winslow Published

New capabilities give media companies a clearer view of production costs, resources, and investment throughout the content lifecycle

Production
Adobe
Adobe To Feature New AI-Powered Features For Premiere, After Effects At IBC2026

By Phil Kurz Published

Premiere editors can tap the new AI to generate audio, video or both to fill timeline gaps

Production
Adobe
Adobe and Speechmatics Deliver `Cloud-Grade’ On-Device Speech Recognition for Premiere

By George Winslow Published

The upgrade means that users can run on-device transcription locally in ways that it is powerful enough for professional work

Production
Photo showing Oscars statues.
Avid: Vast Majority of Oscar-Winning Films Used Its Editing and Sound Tools

By George Winslow Published

87% of the award-winning pictures, including `One Battle After Another', `F1: The Movie', and `KPop Demon Hunters' were crafted using its solutions, Avid reported

Production
EditShare AI user interface
EditShare To Highlight Analytical AI Capabilities At 2026 NAB Show

By Phil Kurz Published

Analytical AI focuses on understanding existing content to generate rich metadata

Production
A man using Dalet Flex on a computer
Dalet Releases Flex LTS Update

By Phil Kurz Published

The new release offers smarter search, faster editing and an AI-ready foundation for the future

Production
The Sky Group built a unified cloud platform with MediaMesh to better tie together its operations across the group.
How Sky's MediaMesh Transformed Content Processing Across Europe

By Ashley Ross Published

Telestream helped European pay TV giant build a unified cloud platform

Case Studies
We start and finish everything on “The Voice” inside of Avid solutions, including color, final online and output of the master.
Producers of NBC’s ‘The Voice’ Rely on Avid From Start to Finish

By Robert M. Malachowski Jr., ACE BFE Published

User Reports Why a unified Avid ecosystem is central to the show’s massive editorial load, remote workflow and signature look

User Reports
Jim Lange of Hearst Television
Florical’s Asset Management, Ingest Builds Reliability at Hearst Television

By Jim Lange Published

User Reports Vendor’s ingest and asset-management backbone is standardizing workflows and reducing errors across Hearst’s 35 stations

User Reports
Mark Warman, famed restorer of late 1960s/early 1970s Mopar muscle cars and host of the long-running reality TV show “Graveyard Carz,” at his eponymous auto-restoration shop.
The Division Pre-Edits Reality TV With Solutions From Blackmagic

By Phil Kurz Published

User Reports How DaVinci Resolve Studio fuels production of MotorTrend Network’s ‘Graveyard Cars’

User Reports
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