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RGEAR Deploys RAD in ‘Cutthroat’ Business - TvTechnology

RGEAR Deploys RAD in ‘Cutthroat’ Business

We opened RGEAR in 2006 with the goal of becoming the premier boutique audio and video rental house with a specialty in reality television.
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BURBANK, CALIF.—We opened RGEAR in 2006 with the goal of becoming the premier boutique audio and video rental house with a specialty in reality television. Founded by technical supervisor Steve Abrego and audio supervisor Gregg Kita, REGEAR has exceeded expectations and continues to grow due in part to a constant eye on new products and technology.

When production companies come to us with their show, we help them figure out how to technically make that happen on the production side. The idea is to let our customer concentrate on the creative while we handle all of their technical needs, including providing the skilled professionals necessary to pull it all together.

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Isaac Abrego and Josh Duran, an audio tech for RGEAR, on the set of “cutthroat Kitchen.”LIGHTENING THE RF LOAD
Lately, the RF bands we use for production audio have become more crowded as we continue to increase the amount of wireless needed for each show. At the same time, the usable UHF range is decreasing. Staying ahead of the curve and addressing complications early is one of the reasons we have been so successful. So we evaluated the amount of RF required and started looking for products that might lighten our RF load. During this process we were introduced to the UV-1G wireless intercom system from Radio Active Designs. We started using it immediately on one of our major projects, Food Network’s popular television show “Cutthroat Kitchen” and its spinoff “Camp Cutthroat.”

The UV-1G wireless system is unique in that the base station uses only a sliver of UHF while the beltpacks operate solely in the mostly uninhabited VHF range. With the available amount of RF spectrum getting smaller, our first goal was to free up available UHF frequencies. By having the transmit signal from the beltpack to the base station operate in VHF we are able to open up space in our UHF coordination needed for cast and camera sends, while also limiting the quantity of RX antennas used per install.

In addition, by operating on a larger wave length (VHF), the signal from each individual beltpack can transmit further and with greater penetration. This is helpful on set but we have also found it equally beneficial in conference applications. It allows the signal to propagate through a room filled with people (usually a problem for frequency coordination in a higher spectrum) with little signal loss; an excellent bonus to having the system in our inventory.

RESTRUCTURING
Another perk is that we can quickly “restructure” the system to match it to the ability of our clients. For instance, “Cutthroat Kitchen” and “Camp Cutthroat” are two very different setups. However, we are easily able to structure the system so they can be utilized for both productions in a way that is seamless for the user and requires minimal labor on the installation end.

Keeping a thumb on technology is extremely important in this industry—and these days there is plenty to keep an eye on. The Radio Active Design gear has proven to not only help minimize potential RF difficulties, but has also helped us stay ahead of the RF technology curve.

Isaac Abrego is the audio manager at RGEAR after joining the company in 2015. He can be contacted at iabrego@rgear.com.

For more information, please visit www.radioactiverf.comor call 402-477-0695.