Growing post facility selects EditShare XStream EFS 300 single node scale out storage platform, EFS 40NL nearline storage and Flow media asset management for expanding business needs
Blackmagic Design announced today that Tokyo Sound Production installed a number of Blackmagic products to create a set of new post production studios.
Blackmagic Design today announced that the thriller “My Daughter Was Stolen” used a variety of its gear throughout production and post, including URSA Mini Pro, URSA Mini 4.6K and Pocket Cinema Camera digital film cameras, DaVinci Resolve 14 Studio for color grading, editing and sound design and Fusion 9 Studio for visual effects (VFX).
OWNZONES Media Network has integrated two of its most powerful tools into one formidable solution. The OTT EntTech company has unified its cloud-based OWNZONES Connect™ media logistics platform with its consumer video applications. This allows content creators to cut costs and manage content discovery by leveraging OWNZONES’ app framework no matter what technology they are currently using.
In yet another series of industry firsts, OWNZONES Media Network, the OTT EntTech company, is leading the charge to revolutionize cloud-based distribution of content by consistently introducing cost and time saving measures for its clients. In the world of digital distribution, the biggest challenge for studios and rights holders is prepping content to comply with today’s digital format distribution standards. Until now, sending the content to such platforms as Netflix, Amazon and Hulu has been extremely inefficient and incredibly costly. Taking a disruptive stance, OWNZONES has now cracked the code by unveiling ProRes IMF support to its Post Production suite of features in the cloud for IMF (Interoperable Master Format).
In a recent interview with TV Technology, Darryl Jefferson, vice president for Post Operations & Digital Workflow, NBC Sports & Olympics,discussed his role at the Rio Games and how NBC is ramping up its technical infrastructure to deliver more than 6,000 hours of Olympic linear programming across 11 networks and streaming outlets.
The 38-year post-production veteran to be honored during November ceremony.
Production facilities have many reasons to consider moving: more space, a better layout, cost savings.
Film editors have three great tools at their disposal: context, contrast and rhythm.