Postproduction
Latest about Postproduction

Netflix Film `Don’t Look Up’ Graded with DaVinci Resolve Studio
By George Winslow published
`Don’t Look Up,’ which was nominated for four Oscars, was graded by Matt Wallach at Company 3 using DaVinci Resolve Studio

VRT Deploys the OOONA Integrated Platform for Localization
By George Winslow published
Flemish public broadcaster is using OOONA to manage and fulfill all its localization needs

Digital Anarchy Releases Latest Update For Transcriptive Rough Cutter
By Phil Kurz published
Rough Cutter v.3.1 offers a new A.I.-powered Premium option for Adobe Premiere Pro editors

Formosa Group, Fox Post Production Form Strategic Alliance
By Phil Kurz published
The alliance will broaden the creative talent pool for producers and use the Fox sound facilities

Avid Introduces NEXIS | EDGE For Remote Post-Production Workflows
By Phil Kurz published
Editors can collaborate on projects sharing media and metadata regardless of where they are

Telestream Launches Stanza Captioning and Subtitling Solution
By George Winslow published
New subscription-based offering enables proxy-less workflows from any location regardless of where media files are stored

Blackmagic Design Used on 40+ Projects For 2022 Sundance Film Festival
By George Winslow published
Creators used its digital film cameras, editing, grading, visual effects (VFX) and audio post production software

Dalet Releases Significant Updates to Dalet AmberFin
By George Winslow published
The update enables customers to expand streaming workflows and offers enhanced media processing capabilities
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