The New York Giants have begun training in a new facility fully equipped with Sony professional HD production technology.
Sony’s XDCAM HD422 optical camcorders, model PDW-700, will be used as EFP cameras to capture a variety of video elements for the team and the fans. PDW-HD1500 XDCAM decks will also serve as the Giants’ house recording format.
The facility will open in June within the Meadowlands Sports Complex where the Giants play home games, and will house a full HD control room including Sony HDC-1400 studio cameras, an MFS-2000 production switcher, HDCAM decks and LUMA LCD monitors.
“As an organization, we always try to stay on the cutting edge,” said Mike Stevens, senior vice president/chief marketing officer at the New York Giants. “This approach not only applies to the team we put on the field and our training methods, but also to the technology we use to create entertainment content with the highest level of production values for our fans. These systems fit our needs perfectly and will make our video production extremely efficient.”
The new HD control room will handle a range of video production duties, including developing content for playback on video and LED screens during games, video features and podcasts for the team Web site, interviews with players and coaches, original programming, highlight videos, specials, PSAs and promotional spots.
In-game video will be produced for the current Giants Stadium, as well as for the new stadium being built for the 2010 season. According to Don Sperling, vice president/executive producer, the team will need more HD content and enhanced technical capabilities, especially as its video production requirements increase with future growth.
“We were looking for a strong internal video production system as well as increased video capture flexibility,” he said. “Sony’s state-of-the-art HD technologies were a logical choice for us both now and in the long term.”
The team’s video production department will use the XDCAM HD optical camcorders and decks to shoot and edit a variety of video elements.
According to Sperling, the XDCAM system allows crews to capture high-quality footage from which they can easily edit. He added that the system’s optical workflow and long archival capabilities of the Professional Disc media were the main reasons for choosing the system.
“The system’s ability to do file transfers without having to first digitize data is a big time-saver,” he said. “We can bring clips directly into our NLE system, start editing and very quickly have finished spots that we can use, internally or externally.”
Thank you for signing up to TV Tech. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.