Julia Swain

Freedom of movement and proper exposure go hand in hand

Advances in technology offer new options and expanded usage

They give the punch to balance exposure between interior and exterior

Compact size and versatility enable illumination in areas difficult to access

DMX lighting has become a popular solution to carry out dramatic changes in frequency, color and more

Some go-to techniques for interior lighting

Social distancing has required new ways to set up a shot

Lighting Technology The on-the-go style of shooting requires different skills and practices than studio production.

Lighting Technology The lighting in news studios is designed to achieve a nondramatic look without needing to make adjustments.

Lighting Technology To create a consistent look, it's all about the tools.

Lighting Technology Film lighting tubes are becoming more common in lighting packages as they become more versatile.

Lighting Technology Invisible cinematography is actually quite advanced, and here's how I tackle it.

Lighting Technology Julia Swain changes up her shooting style for a Chantelle Paris production.

The beauty of lighting from above is that you get a supply of ambient light, which many sets and locations naturally call for.

Mixing color temperatures in a scene can help you create depth, visual interest and visual tension

We all want huge, powerful lights on set, but we have to keep in mind the beauty and versatility of small units as well.

Presenting talent in the most flattering light.

With advancing lighting technology, there are some beautiful daylight LEDs on the market that can be used to extend light throughout daytime interiors.

Lighting Technology When shooting in the style of electronic newsgathering, especially as a solo journalist on location, there is so much to take into consideration.

Getting your key light just right can get complicated when considering the blocking of the actors, the space and what units you have at your disposal.

We have a lot of tools to measure exposure, but to me, the light meter is the simplest and truest.

A big misconception in our industry is that daytime exteriors are the easiest time to shoot because of the amount of available light.

Something that seems a bit underestimated is the power that practicals have.