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Olympics control room

Olympics Broadcasts to Rely More on Remote Production

By Michael Balderston

NBC, and international broadcasters, have shifted their strategies for the rescheduled 2021 Tokyo Olympics

HPA Tech Retreat 2021 Broadcasters Panel

HPA Tech Retreat: IP Is the Key for Broadcast’s Evolution

By Michael Balderston

IP opens many new doors for broadcasters, from ATSC 3.0 to remote production

KASW SFN transmitter

Broadcast TV’s Future May Lie in Single Frequency Networks

By James O'Neal

SFNs seen as important part of ATSC 3.0 equation

RailCam Robotic Systems Super Bowl Halftime Show

RailCam Robotic Cams Part of Super Bowl Halftime Show

By Michael Balderston

Five RailCam units were used to capture The Weeknd’s performance

Ethics

The Integrity and Ethics of Broadcast Engineers

By Chris Imlay

SBE’s general counsel expresses concern over language from the FCC Audio Division

Lawo mc2

How Has COVID Impacted Audio At-Home Production?

By Kevin Hilton

Vendors respond with updated features

ENG news production

New ENG Gear for ‘Socially Distanced’ Reporting

By Craig Johnston

Fewer crew members, longer hours mean adapting to new workflows, tech

Brent Marchenski wireless comms

The New Role of Comms in Production Environments

By James Schaller

Wireless intercom systems enable safety and health compliance and enhance collaboration and creativity

Vislink remote production

How Media Is Using Technology to Cater to Audiences During the Global Pandemic

By Mickey Miller

In bringing a televised event to a consumer, video content passes through many processing stages, and within each stage, the processing takes time to complete

SBE logo

SBE Announces ATSC3 Specialist Certification

By Phil Kurz

Deadline for registration for first 3.0 certification tests is Dec. 31

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