Live Production
Latest about Live Production

ARRI Introduces the new Orbiter Beam
By George Winslow published
The brightest full-color LED spot light on the market is designed for long throw distances and cinematic applications

ONTV Taps ENCO enCaption for Automated Captioning
By Ian Locke published
USER REPORT Even though we're not bound by FCC rules, we think it's important to make our programming more accessible to the deaf and hard of hearing

Wohler Adds to i VAM Product Range
By George Winslow published
The new i VAM2-12G can monitor and meter up to 16 channels of 12G-SDI audio and video, plus 2 channels of analog audio in a compact 2U format

Review: Blackmagic Design URSA Mini Pro 12K OLPF
By Chuck Gloman and Stephen Furry published
REVIEW Is it time to upgrade your cinema camera to something better than 4K?

Vizrt Announces TriCaster Flex Dual Control Panel
By Phil Kurz published
The dual-stripe panel can be customized to meet specific workflow requirements

Shakespeare’s Globe Relies On Riedel Bolero Intercom Across Two Theaters
By Phil Kurz published
The Bolero intercom system has delivered high-quality audio and the ability to roam

AJA Announces DRM2 Frame for AJA Mini-Converters
By George Winslow published
The new frame will be on display this week in Tokyo at Inter BEE 2023

Kolrom Multimedia Hits the Right Note With Blackmagic Audio Monitor 12G
By CJ Kramer published
USER REPORT With such a diverse portfolio of services, accuracy is key
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