Tim Carroll

We will wrap up our look at how to monitor almost every type of audio signal in a DTV plant by briefly exploring how to deal with baseband audio and separate metadata.

Last time I left you with a question: What is the problem with sending six channels of audio via three two-channel MPEG streams?

In coming months, I will try to cover the "nuts and bolts" of audio for both digital and analog television, focusing on the issues and applications within the broadcast plant.