Arguably the hottest topic in television these days is loudness. The subject has been beaten to death since the serious introduction of legislation to
With or without additional government regulations, ATSC standards published back in the mid-1990s and adopted as the law by the FCC mandate that loudness
New formats such as e2 provide an efficient way to maintain high-quality audio, protect audio metadata and manage latency to prevent lip-sync errors.
Loudness issues have plagued television broadcast for decades, and digital television is turning out to be no different. Luckily, the audio format specified
This month, I'll take a look at an enhanced version of AC-3 (Dolby Digital), the coding standard developed primarily to support the new enhanced version of the ATSC digital television standard.
The two major themes of broadcast these days, programming aside, seem to be either loudness or lip sync.
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