Dave Moulton

Stable, consistent and predictable bass is one of the hardest things to obtain in a monitoring situation.

As we've discussed, low frequencies don't do well coming out of small loudspeakers into smallish rooms.

A key ingredient of almost any successful stereo production

This is not easy to do, and impossible to do perfectly.

As I noted last month, audio authority John Woram has said, "Audio is a hallucination where the sufferer believes that he or she hears music coming from a small wooden box."

Ahh, the mysteries of the wooden box, aka the loudspeaker. There are a couple of ways to consider loudspeakers.

I promised last month I’d talk a little more about the design of control rooms, as part of our inquiry into the care and feeding of loudspeakers.

Last month I ranted about the state of loudspeaker design and performance, and promised you that I’d devote several columns to this worthy topic.

As I noted a couple months back, we tend to devalue the more familiar and prosaic items in our technology toolkit. It seems to me that we’re particularly indifferent to loudspeakers.

An exciting array of new microphones and related technology will be introduced at NAB this year.

I recently attended the Audio Engineering Society's Technical Conference on Multichannel Audio, held in late June in Banff, Canada.

Music and film are quite different from a production standpoint, and a one-system-plays-all modality has to serve multiple sets of needs, often simultaneously.