
Chuck Gloman
Chuck Gloman is Associate Professor with the TV/Film Department at DeSales University.
Latest articles by Chuck Gloman

Moving Up to Cinema Series Lenses
By Chuck Gloman published
In my opinion, the two most important elements in the capturing of a digital image are the sensor and the lens.

Red Giant’s Magic Bullet Suite 12
By Chuck Gloman published
For more than 10 years, Red Giant has offered real-time grading and color correction software that allows filmmakers to create a distinct look to their films.

Flashpoint’s CoolVee 7 Fluorescent Fixture
By Chuck Gloman published
Flashpoint CoolVee 7 is an inexpensive fluorescent softlight that includes a reflector and softbox, providing a lot of bang for the buck.

Hitachi’s Z-HD6000 HDTV Production Camera
By Chuck Gloman published
Studio-configuration cameras have advanced technologically a great deal in the last few years, and Hitachi is a strong contender in this area.

The Orion DVC200 Jib
By Chuck Gloman published
Jibs have evolved and changed over the last few years and ProAm USA’s Orion DVC200 eight-foot model is no exception.

Panasonic’s AJ-PX270 Micro P2 Camcorder
By Chuck Gloman published
Panasonic has now released VariCam technology in a much smaller, less expensive package.

Review: Core SWX Lithium Ion Battery
By Chuck Gloman published
Battery technology has vastly changed in the last few years.

Three Strikes at HD Lighting
By Chuck Gloman published
Proper techniques for skin tone, reflection and diffusion

Creating Your Own Sun
By Chuck Gloman published
When shooting outdoors and moving from bright sunlight into deep shadow you may need a little extra illumination to help smooth the transition.

Anton Bauer Stasis Flex
By Chuck Gloman published
Using your shoulder as support, the Stasis Flex permits the camera to be handheld, but operated within a stabilized environment.

CMR Blackbird Camera Stabilizer
By Chuck Gloman published
Camera Research Motion’s Blackbird camera stabilizer supports cameras up to eight pounds, helping shooters wade through the sea of gimbal stabilizers.

Anton/Bauer’s Digital Battery Series
By Chuck Gloman published
Anton/Bauer has been supplying DC power to cameras and other devices since the early 1970s.

The Padcaster ‘Portable Broadcasting Center’
By Chuck Gloman published
We all have mobile devices at our fingertips and it’s difficult to remember when we didn’t have one.

K5600's Joker Bug 800 HMI
By Chuck Gloman published
Comes with an 800 Watt SE HMI head and lamp, weatherproof ballast, barn door, four Fresnel lenses, and a sturdy carrying case

Dougmon Camera Support System
By Chuck Gloman published
When you’re required to shoot for long periods of time without the benefit of a tripod, you must learn quickly how to keep your shots steady so as not to make the viewer ill.

Rosco LitePads 24 x 24 Axiom
By Chuck Gloman published
Their small weight, cool operation, and low power consumption make them ideal for both location and studio applications

The Arri Alexa XT Plus Cinema Camera
By Chuck Gloman published
It’s not often I get the chance to review a camera of this stature—the last time I used an Arriflex camera in this magnitude was when I shot 35 mm motion picture film.

K5600’s Joker 1600 Zoom Beamer
By Chuck Gloman published
K5600’s literature says, “The Joker 1600—Not just another HMI.”

Atomos Ninja 2 HD Field Recorder
By Chuck Gloman published
Australia’s Atomos Ninja 2 is a high-definition field recorder and monitor that’s compatible with both PC and Mac platforms.

Canon’s EOS C100
By Chuck Gloman published
Canon’s entry into the Cinema Series begins with the EOS C100.

Broadcast Pix Flint Video Production System
By Chuck Gloman published
Broadcast Pix’s Flint V2 is a production and streaming system that allows others to see your video creations.
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