Chuck Gloman
Chuck Gloman is Associate Professor with the TV/Film Department at DeSales University.
Latest articles by Chuck Gloman
Review: Litepanels Gemini 2x1 Bi-color LED Panels
By Chuck Gloman published
LED lighting is the new wave in studio and location lighting.
Review: BBS Lighting Area 48 LED Fixture
By Chuck Gloman published
LED technology has taken over the industry as more people want long lasting lamps stingy on power.
Anton Bauer Stasis Flex
By Chuck Gloman published
Using your shoulder as support, the Stasis Flex permits the camera to be handheld, but operated within a stabilized environment.
Rosco LitePads 24 x 24 Axiom
By Chuck Gloman published
Their small weight, cool operation, and low power consumption make them ideal for both location and studio applications
Rosco’s Litepad Loop
By Chuck Gloman published
I’ve been anxious to get my hands on a “ring light” for quite a while.
Zacuto EVF Flip Portable Monitor
By Chuck Gloman published
I can’t count the number of times I’ve needed to see the camera’s viewfinder and I was on the opposite end of a jib.
JVC’s GY-HM650U ProHD Mobile News Camera
By Chuck Gloman published
With competition being fierce among news teams, the first crew to get the story on the air wins the prize.
Canon XA10 Camcorder
By Chuck Gloman published
The 1/3-inch CMOS camcorder shoots 1080p video and stores footage onto a 64 gig internal hard drive.
Petrol PC301 Deca Campack
By Chuck Gloman published
The Petrol PC301 will be a very useable addition to anyone's camera transporting system.
Primera's Bravo Pro Xi2 Duplicator
By Chuck Gloman published
The Xi2 can automatically record and print up to 100 discs.
K5600’s Joker 1600 Zoom Beamer
By Chuck Gloman published
K5600’s literature says, “The Joker 1600—Not just another HMI.”
Creating Your Own Sun
By Chuck Gloman published
When shooting outdoors and moving from bright sunlight into deep shadow you may need a little extra illumination to help smooth the transition.
The Arri Alexa XT Plus Cinema Camera
By Chuck Gloman published
It’s not often I get the chance to review a camera of this stature—the last time I used an Arriflex camera in this magnitude was when I shot 35 mm motion picture film.