control room

Welcome to part two of our look at audio control room acoustics and the reasons we expend so much effort to build great sounding rooms.

When we last looked at ATSC A/85 we were primarily concerned with the key issue addressed by the document: loudness management.

How do we create a decent control room when the space is too small; the floor is raised; the space above the drop ceiling is open; and the walls are as thin as those of a cheap motel?