Grid List Latest articles by The advantages of object-based storage By Christopher Walker 01 October 2012 Frame-rate CONVERSION By Christopher Walker 01 May 2012 Frame-rate conversion is necessary almost always. It is needed in cinema when projecting 24fps material at 48fps or 72fps. In post-production, it comes Frame-rate conversion By Christopher Walker 01 March 2012 Frame-rate conversion is necessary almost always. It is needed in cinema when projecting 24fps material at 48fps or 72fps. In post-production, it comes Editing systems By Christopher Walker 01 February 2012 As a broadcast consultant and college media instructor, I'm often asked about NLEs. Probably no other product technology has had such a huge effect on The latest product and technology information Future US's leading brands bring the most important, up-to-date information right to your inbox Contact me with news and offers from other Future brands Receive email from us on behalf of our trusted partners or sponsors I consent the use of my personal data in accordance with Future's privacy policy, including its cookie policy. * To subscribe, you must consent to Future’s privacy policy. Thank you for signing up to TV Tech. You will receive a verification email shortly. There was a problem. Please refresh the page and try again. MOST READMOST SHARED1New WhatCulture Studios Leverage Blackmagic Design-Based Production Workflow2The Broadcasters Foundation Is Asking For `Giving Tuesday’ Donations3BB&S Introduces Compact Bicolor Fresnel Light4Gray’s Origin Sports Network Expands Distribution5ViacomCBS, NENT Partner for Pluto TV's Launch in the Nordics1New WhatCulture Studios Leverage Blackmagic Design-Based Production Workflow2The Broadcasters Foundation Is Asking For `Giving Tuesday’ Donations3BB&S Introduces Compact Bicolor Fresnel Light4Gray’s Origin Sports Network Expands Distribution5ViacomCBS, NENT Partner for Pluto TV's Launch in the Nordics
Frame-rate CONVERSION By Christopher Walker 01 May 2012 Frame-rate conversion is necessary almost always. It is needed in cinema when projecting 24fps material at 48fps or 72fps. In post-production, it comes
Frame-rate conversion By Christopher Walker 01 March 2012 Frame-rate conversion is necessary almost always. It is needed in cinema when projecting 24fps material at 48fps or 72fps. In post-production, it comes
Editing systems By Christopher Walker 01 February 2012 As a broadcast consultant and college media instructor, I'm often asked about NLEs. Probably no other product technology has had such a huge effect on
