Whether it's for a newly constructed broadcast or video production facility or an upgrade to an existing studio, selecting a studio production audio mixer
Despite the wondrous range of new gizmos and gadgets currently available to bend, shape, twist and color sound signals, there is still nothing that can
For decades now, a central component of many live television broadcasts has been an interface with telephone lines. Frequently used to send mix-minus
Static multipath is tricky enough, but when an attempt is made to move the transmitter, dynamic multipath problems cause such wireless links to be tenuous.
The typical ENG/EFP crew carries a wide array of battery-operated devices. Find out which battery is best for each application.
Find out the best ways to protect your video and audio equipment from the slings and arrows of outrageous fortune.
This article focuses on the more robust and hardware-driven systems currently joining traditional broadcast machinery in the racks at video production firms.
After decades of promises, predictions, hype and experimentation, it appears that the technology, standards and content for the bundle of ideas collectively
Building a truck for broadcast remotes is an expensive and time-consuming task. Anyone embarking on such a venture must start the process with good reason.
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