Andy Ciddor

It seems that the world is conspiring against the traditional keylight.

One of the great joys of working with complex equipment is the total unpredictability of the ways that it may choose not to work as expected.

The television business is honeycombed with small clans of specialists who neither understand, nor particularly care about, what’s going on in the neighboring clan’s patch.

Every new medium presents its range of technical, cultural and aesthetic constraints and freedoms. The constant need to adapt and learn new skills is what has made it all so much fun.

I am forced to admit that we in the lighting profession can be a source of unwanted noises for our audio brethren.