Andy Ciddor

I suppose that it's just another example of market forces at work, but still I'm troubled by the constant escalation of what are usually referred to as "production values" in the shows that we make.

It seems that the world is conspiring against the traditional keylight.

One of the great joys of working with complex equipment is the total unpredictability of the ways that it may choose not to work as expected.

The television business is honeycombed with small clans of specialists who neither understand, nor particularly care about, what’s going on in the neighboring clan’s patch.

I am forced to admit that we in the lighting profession can be a source of unwanted noises for our audio brethren.