Production switchers have evolved from their predecessors in that it no longer takes great engineering skill to set up and operate the unit.
You would be hard pressed to find any Hollywood film or television series that is not shot with an ARRI camera.
As the lighting enthusiast in film school in the late 1970s, my friends and colleagues suggested I invent a light and call it the “glow light” after my last name.
The Zylight Newz is a small, camera-mountable, dimmable LED fixture that is quite powerful for its diminutive size.
In my opinion, the two most important elements in the capturing of a digital image are the sensor and the lens.
For more than 10 years, Red Giant has offered real-time grading and color correction software that allows filmmakers to create a distinct look to their films.
Flashpoint CoolVee 7 is an inexpensive fluorescent softlight that includes a reflector and softbox, providing a lot of bang for the buck.
Camera Research Motion’s Blackbird camera stabilizer supports cameras up to eight pounds, helping shooters wade through the sea of gimbal stabilizers.
You’d think that a good quality, fluid head tripod would be one of the first things a filmmaker would buy.
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