ANTHONY R. GARGANO
Latest articles by ANTHONY R. GARGANO

Livestation goes mobile
By ANTHONY R. GARGANO published
Watch out for this ATSC-M/H competitor
Never say never
By ANTHONY R. GARGANO published
For years, analog NTSC just chugged along with relatively simple routing and switching requirements. The future-proofing challenge when laying out a new

A test pattern for DTV
By ANTHONY R. GARGANO published
Sarnoff’s new test pattern is a DTV Swiss Army knife.

Flipping the switch
By ANTHONY R. GARGANO published
We are days away from completing the long journey to the promise of DTV. Originally, the great analog switch-off was never planned to be such. The initiative
Mobile finally in gear
By ANTHONY R. GARGANO published
Last month, the ATSC announced the elevation of its Draft Document A153, Specification for Mobile Digital Television, to the status of candidate standard.
I hate to be the Grinch
By ANTHONY R. GARGANO published
Having spent the bulk of a career on the equipment supply side of the broadcast industry, I have been through a number of business cycles. One lesson
Content is king
By ANTHONY R. GARGANO published
Put the financial geniuses in charge of the asylum, and they will invariably come up with the worst of ideas that favor short-term, bottom-line results.
Mobile DTV
By ANTHONY R. GARGANO published
For a while, it appeared the Mobile DTV Pavilion at this year's NAB show was, in reality, a geocache. In order to find it, it seemed one needed to sign
Mobile DTV
By ANTHONY R. GARGANO published
For a while, it appeared the Mobile DTV Pavilion at this year's NAB show was, in reality, a geocache. In order to find it, it seemed one needed to sign
The tease of ATSC M/H
By ANTHONY R. GARGANO published
From time to time, the world of advertising hits a home run by producing memorable television commercials with catchy sayings that eventually join the
Strange bedfellows
By ANTHONY R. GARGANO published
It is a presidential election year the quadrennial event that all broadcasters look forward to with great relish. For many broadcasters, it is their version
TV: the original social network
By ANTHONY R. GARGANO published
Welcome to yet another installment of what I refer to as Broadcast Engineering's Andy Rooney segment. It's fun to be given the final page of this great
Threats vs. opportunities
By ANTHONY R. GARGANO published
The history of entertainment media is rife with portents of gloom upon the advent of the next newest entertainment delivery technology. Sixty years ago,

Micro Four Thirds for video
By ANTHONY R. GARGANO published
Video capture tools get curiouser and curiouser.
HPA Technology Retreat
By ANTHONY R. GARGANO published
The event offered demonstrations of a variety of advanced technologies, as well as glimpses of the future.

3-D HDTV predictions
By ANTHONY R. GARGANO published
3-D TV is overhyped and not ready for prime time — yet.
Back to the desert
By ANTHONY R. GARGANO published
Incredible! Another year is quickly slipping by. We're already a few weeks removed from yet another annual sojourn to the southern California desert.
The evolving screen size
By ANTHONY R. GARGANO published
Displays have gone from small to large and back again

DSLR video production
By ANTHONY R. GARGANO published
In the February 2010 edition of Broadcast Engineering, I wrote a column about nontraditional tools for use in broadcast and production applications. One
Improving workflow
By ANTHONY R. GARGANO published
The supply chain of content from its initial acquisition to final delivery to the viewer has been revolutionized as a function of the digital era in which
Is 3-D another fad?
By ANTHONY R. GARGANO published
When it comes to 3-D, there is nothing new under the sun
The digital era is here
By ANTHONY R. GARGANO published
Someday history will probably reflect the late 20th and early 21st centuries as the era of the Digital Revolution. And, certainly the life-changing consequences

The fate of a TV treasure
By ANTHONY R. GARGANO published
A peaceful, tree-lined setting across from a softball field seems like a wonderful locale to house artifacts from the storied, early years of television.
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