Latest articles by Jim DeFilippis
How do today's TV sets make pictures look better than they should?
This is the second installment of a contribution from Jim DeFilippis on SDI versus IP. For Part 1, see “Which Switch is Which?”
If you’ve spent more than a microsecond in TV, you know something about time code.
My last post introduced High Dynamic Range (HDR) concepts and some background to the technology.
So we’ve all been there, watching a TV show and the actor’s lips are moving but the words are just not coming out at the right time.
As OTT viewership has increased, internet limitations have become bottlenecks. T
Sports broadcasting is one of the more demanding activities in television.
As 2015 was wrapping up, new developments in IP transport of live uncompressed (or mezzanine compressed) video have compelled me to continue on with this theme of video-over-IP.
Who could argue from a creative perspective or from the viewer’s perspective, the ability to capture and delivery stunning video imagery with a dynamic range far in excess of the current HDTV system.
Immersive audio goes beyond 5.1 surround sound and uses more channels to create the sensation of height (sound above). Where this gets interesting is, how many more channels?
SMPTE 2022 has been around for a while and gee, IP switches that can do 10 or 25 Gbps are available, with 40 Gbps just around the corner, so why not?
