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                    <title><![CDATA[ Latest from Tv Technology in User-reports ]]></title>
                <link>https://www.tvtechnology.com/tag/user-reports</link>
        <description><![CDATA[ All the latest user-reports content from the Tv Technology team ]]></description>
                                    <lastBuildDate>Wed, 22 Apr 2026 17:25:45 +0000</lastBuildDate>
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                                                            <title><![CDATA[ MATC Elevates Production Training With Vinten Versine 360 Heads ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/matc-elevates-production-training-with-vinten-versine-360-heads</link>
                                                                            <description>
                            <![CDATA[ Enhanced camera support improves precision and reliability for students learning in a live broadcast studio setting ]]>
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                                                                        <pubDate>Wed, 22 Apr 2026 17:25:45 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ browd281@matc.edu (Kevin F. Pulz) ]]></author>                    <dc:creator><![CDATA[ Kevin F. Pulz ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/7DUNjBe29jMuqyR3YjNmQA-1280-80.jpg">
                                                            <media:credit><![CDATA[MATC]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Milwaukee Area Technical College students working at public TV stations get hands-on professional training using broadcast-quality equipment like the Vinten Versine 360 pan and tilt heads. ]]></media:description>                                                            <media:text><![CDATA[Milwaukee Area Technical College students working at public TV stations get hands-on professional training using broadcast-quality equipment like the Vinten Versine 360 pan and tilt heads. ]]></media:text>
                                <media:title type="plain"><![CDATA[Milwaukee Area Technical College students working at public TV stations get hands-on professional training using broadcast-quality equipment like the Vinten Versine 360 pan and tilt heads. ]]></media:title>
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                                                            <title><![CDATA[ Frezzi’s PocketLight LED Kit for DJI Osmo Pocket 3: the Perfect Match ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/frezzis-pocketlight-led-kit-for-dji-osmo-pocket-3-the-perfect-match</link>
                                                                            <description>
                            <![CDATA[ Lightweight, portable kit helped influencer lighten her load while covering CES ]]>
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                                                                        <pubDate>Wed, 22 Apr 2026 17:04:34 +0000</pubDate>                                                                                                                                <updated>Wed, 22 Apr 2026 17:26:20 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ ashley@rowdyskeleton.com (Ashley Esqueda) ]]></author>                    <dc:creator><![CDATA[ Ashley Esqueda ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Ff2aPVtNu6GfeEjzvjti8G-1280-80.jpg">
                                                            <media:credit><![CDATA[Rowdy Skeleton]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[I struggled to find a lighting solution that matched the capabilities and portability of the DJI Osmo Pocket 3 until I discovered Frezzi’s PocketLight LED Kit.]]></media:description>                                                            <media:text><![CDATA[Ashley Esqueda of Rowdy Skeleton using the Frezzi Pocket Light]]></media:text>
                                <media:title type="plain"><![CDATA[Ashley Esqueda of Rowdy Skeleton using the Frezzi Pocket Light]]></media:title>
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                                                            <title><![CDATA[ Nashville’s TNDV Television Builds Disc-Based Legacy With AJA Ki Pro ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/nashvilles-tndv-television-builds-disc-based-legacy-with-aja-ki-pro</link>
                                                                            <description>
                            <![CDATA[ Disc-based recorders have proven reliable across a host of specials and live events ]]>
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                                                                        <pubDate>Mon, 02 Feb 2026 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Remote Production]]></category>
                                                    <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ nic@multycam.com (Nic Dugger) ]]></author>                    <dc:creator><![CDATA[ Nic Dugger ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/3oRuHYMEd9XDJWnMzPUoeK-1280-80.png">
                                                            <media:credit><![CDATA[TNDV]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Today, we own and operate over 100 different Ki Pro recorders across our fleet, where they are trusted tools for both HD and 4K productions.]]></media:description>                                                            <media:text><![CDATA[TNDV founder Nic Dugger]]></media:text>
                                <media:title type="plain"><![CDATA[TNDV founder Nic Dugger]]></media:title>
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                                                            <title><![CDATA[ ENCO enCaption Proves a Versatile Problem-Solver for Dougall Media ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/enco-encaption-proves-a-versatile-problem-solver-for-dougall-media</link>
                                                                            <description>
                            <![CDATA[ Solution helps Canadian local broadcaster factor captioning into its digital TV transition ]]>
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                                                                        <pubDate>Mon, 02 Feb 2026 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
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                                                                                                <author><![CDATA[ cdorota@dougallmedia.com (Chris Dorota) ]]></author>                    <dc:creator><![CDATA[ Chris Dorota ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/GxNy7DJZ5NjACUF47hzC48-1280-80.png">
                                                            <media:credit><![CDATA[Dougall Media]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[ENCO’s enCaption solution helped Dougall Media establish a complete captioning workflow. ]]></media:description>                                                            <media:text><![CDATA[ENCO’s enCaption solution helped Dougall Media establish a complete captioning workflow. ]]></media:text>
                                <media:title type="plain"><![CDATA[ENCO’s enCaption solution helped Dougall Media establish a complete captioning workflow. ]]></media:title>
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                                                            <title><![CDATA[ Sony 5G Takes CBS Sports to New Places ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/sony-5g-takes-cbs-sports-to-new-places</link>
                                                                            <description>
                            <![CDATA[ Company's 5G ecosystem helps the broadcaster make space in increasingly crowded frequency spectrums ]]>
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                                                                        <pubDate>Mon, 02 Feb 2026 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Sports Production]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ gmcoppa@cbs.com (Greg Coppa) ]]></author>                    <dc:creator><![CDATA[ Greg Coppa ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/xeDV3arhKQi6eFqgMY7Uzm-1280-80.png">
                                                            <media:credit><![CDATA[Sony]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Sony PDT-FP1 portable data transmitter was used in CBS Sports’ coverage of the PGA Championship, May 15-18, 2025  at Quail Hollow Club in Charlotte, N.C.]]></media:description>                                                            <media:text><![CDATA[The Sony PDT-FP1 portable data transmitter was used in CBS Sports’ coverage of the PGA Championship, May 15-18, 2025  at Quail Hollow Club in Charlotte, N.C.]]></media:text>
                                <media:title type="plain"><![CDATA[The Sony PDT-FP1 portable data transmitter was used in CBS Sports’ coverage of the PGA Championship, May 15-18, 2025  at Quail Hollow Club in Charlotte, N.C.]]></media:title>
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                                                            <title><![CDATA[ Inside MASN’s 60-Day Shift From Satellite to IP Delivery ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/inside-masns-60-day-shift-from-satellite-to-ip-delivery</link>
                                                                            <description>
                            <![CDATA[ LTN helped Beltway regional sports net slash distribution costs while gaining flexibility and control ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[Satellite]]></category>
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                                                    <category><![CDATA[Platform]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ kstiver@masnsports.com (Ken Stiver) ]]></author>                    <dc:creator><![CDATA[ Ken Stiver ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/2VuLwsqdgGMNn8VAS8FveQ-1280-80.jpg">
                                                            <media:credit><![CDATA[LTN]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Working with LTN, we were able to complete the transition from satellite to IP distribution in just 60 days, including a dual-illumination phase where satellite and IP ran in parallel to ensure an effortless switchover.]]></media:description>                                                            <media:text><![CDATA[Working with LTN, we were able to complete the transition from satellite to IP distribution in just 60 days, including a dual-illumination phase where satellite and IP ran in parallel to ensure an effortless switchover.]]></media:text>
                                <media:title type="plain"><![CDATA[Working with LTN, we were able to complete the transition from satellite to IP distribution in just 60 days, including a dual-illumination phase where satellite and IP ran in parallel to ensure an effortless switchover.]]></media:title>
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                                                            <title><![CDATA[ MMO Scales Cloud Operations Using TAG’s Realtime Monitoring Platform ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/mmo-scales-cloud-operations-using-tags-realtime-monitoring-platform</link>
                                                                            <description>
                            <![CDATA[ Realtime monitoring helps MMO manage live ingest, playout and SRT workflows at scale ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                                                                <author><![CDATA[ andreas.goettl@mmo-media.com (Andreas Göttl) ]]></author>                    <dc:creator><![CDATA[ Andreas Göttl ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/WRpXHm2dwQeevfui898w59-1280-80.jpg">
                                                            <media:credit><![CDATA[MMO]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The container house, where one of our remote workers lives, is an example of how we can rely on remote workflows and capitalize on the flexibility of TAG’s Realtime Monitoring Platform. ]]></media:description>                                                            <media:text><![CDATA[The container house, where one of our remote workers lives, is an example of how we can rely on remote workflows and capitalize on the flexibility of TAG’s Realtime Monitoring Platform.]]></media:text>
                                <media:title type="plain"><![CDATA[The container house, where one of our remote workers lives, is an example of how we can rely on remote workflows and capitalize on the flexibility of TAG’s Realtime Monitoring Platform.]]></media:title>
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                                                            <title><![CDATA[ BRIC Streamlines Playout and Contribution With TelVue Cloud ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/bric-streamlines-playout-and-contribution-with-telvue-cloud</link>
                                                                            <description>
                            <![CDATA[ Brooklyn community media org finds company’s Hypercaster AIO, Connect and CloudCast offer room to grow ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Streaming]]></category>
                                                    <category><![CDATA[Cloud]]></category>
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                                                                                                <author><![CDATA[ ltaylor@bricartsmedia.org (Leon Taylor) ]]></author>                    <dc:creator><![CDATA[ Leon Taylor ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/k3V7xsxYwstGUHWgZR9Ao6-1280-80.jpg">
                                                            <media:credit><![CDATA[BRIC]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[With over 100 active content contributors sending BRIC hundreds of video files each week, TelVue’s cloud-based workflow is a huge timesaver for our operations.]]></media:description>                                                            <media:text><![CDATA[With over 100 active content contributors sending BRIC hundreds of video files each week, TelVue’s cloud-based workflow is a huge timesaver for our operations.]]></media:text>
                                <media:title type="plain"><![CDATA[With over 100 active content contributors sending BRIC hundreds of video files each week, TelVue’s cloud-based workflow is a huge timesaver for our operations.]]></media:title>
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                                                            <title><![CDATA[ Weigel Reimagines Broadcast Distribution With Harmonic ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/weigel-reimagines-broadcast-distribution-with-harmonic</link>
                                                                            <description>
                            <![CDATA[ Broadcaster shifts stations, diginets from hardware-heavy playout to centralized software ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                <updated>Thu, 08 Jan 2026 14:23:46 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ kwalker@metv.com (Kyle Walker) ]]></author>                    <dc:creator><![CDATA[ Kyle Walker ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/U6Dk2Umw65ZKvYUc9ny6FM-1280-80.jpg">
                                                            <media:credit><![CDATA[Weigel]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Weigel Broadcasting logo]]></media:description>                                                            <media:text><![CDATA[Weigel Broadcasting logo]]></media:text>
                                <media:title type="plain"><![CDATA[Weigel Broadcasting logo]]></media:title>
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                                                            <title><![CDATA[ PTN Makes Cloud-Powered Shift to Multiplatform Distribution ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/ptn-makes-cloud-powered-shift-to-multiplatform-distribution</link>
                                                                            <description>
                            <![CDATA[ Regional tourism network taps Imagine for upgrade to broadcast-quality, cloud-powered delivery ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Broadcast]]></category>
                                                    <category><![CDATA[Streaming]]></category>
                                                    <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                                                                <author><![CDATA[ cbarrett@poconos.org (Chris Barrett) ]]></author>                    <dc:creator><![CDATA[ Chris Barrett ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/WUdWcUosn9gugiNBCv2PV-1280-80.jpg">
                                                            <media:credit><![CDATA[PTN]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Versio platform’s cloud capabilities have enabled us to expand PTN’s cable footprint to nearly a dozen providers across Pennsylvania, allowing us to build a strong OTT presence through Vimeo’s enterprise platform.]]></media:description>                                                            <media:text><![CDATA[The Versio platform’s cloud capabilities have enabled us to expand PTN’s cable footprint to nearly a dozen providers across Pennsylvania, allowing us to build a strong OTT presence through Vimeo’s enterprise platform.]]></media:text>
                                <media:title type="plain"><![CDATA[The Versio platform’s cloud capabilities have enabled us to expand PTN’s cable footprint to nearly a dozen providers across Pennsylvania, allowing us to build a strong OTT presence through Vimeo’s enterprise platform.]]></media:title>
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                                                            <title><![CDATA[ How Visaic Uses Zixi to Power High-Volume Live Sports Streaming ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/insights/case-studies/how-visaic-uses-zixi-to-power-high-volume-live-sports-streaming</link>
                                                                            <description>
                            <![CDATA[ API-first live video backbone supports large-scale sports streaming on Visaic’s VIP platform ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[IP &amp; Networking]]></category>
                                                    <category><![CDATA[Streaming]]></category>
                                                    <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[Sports Production]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                    <category><![CDATA[Platform]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ ashivadas@visaic.com (Abhishek Shivadas) ]]></author>                    <dc:creator><![CDATA[ Abhishek Shivadas ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/CyNSpg5LHL3wDHyM2N3ANM-1280-80.jpg">
                                                            <media:credit><![CDATA[Visaic]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We turned to Zixi to help our platform process hundreds of simultaneous games during the fall sports season. ]]></media:description>                                                            <media:text><![CDATA[We turned to Zixi to help our platform process hundreds of simultaneous games during the fall sports season.]]></media:text>
                                <media:title type="plain"><![CDATA[We turned to Zixi to help our platform process hundreds of simultaneous games during the fall sports season.]]></media:title>
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                                                            <title><![CDATA[ How Sky's MediaMesh Transformed Content Processing Across Europe ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-sky-mediamesh-transformed-content-processing-across-europe</link>
                                                                            <description>
                            <![CDATA[ Telestream helped European pay TV giant build a unified cloud platform ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:48:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:02 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ Ashley.Ross@sky.uk (Ashley Ross) ]]></author>                    <dc:creator><![CDATA[ Ashley Ross ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/noSe5YFr5vsiA73Hb8dckY-1280-80.png">
                                                            <media:credit><![CDATA[Sky]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Sky Group built a unified cloud platform with MediaMesh to better tie together its operations across the group.]]></media:description>                                                            <media:text><![CDATA[The Sky Group built a unified cloud platform with MediaMesh to better tie together its operations across the group.]]></media:text>
                                <media:title type="plain"><![CDATA[The Sky Group built a unified cloud platform with MediaMesh to better tie together its operations across the group.]]></media:title>
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                                                            <title><![CDATA[ Florical’s Asset Management, Ingest Builds Reliability at Hearst Television ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/floricals-asset-management-ingest-builds-reliability-at-hearst-television</link>
                                                                            <description>
                            <![CDATA[ Vendor’s ingest and asset-management backbone is standardizing workflows and reducing errors across Hearst’s 35 stations ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:02 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ JLange@Hearst.com (Jim Lange) ]]></author>                    <dc:creator><![CDATA[ Jim Lange ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/zDTUVuQBsj9CKdazk69SFa-1280-80.jpg">
                                                            <media:credit><![CDATA[Hearst Television]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Jim Lange]]></media:description>                                                            <media:text><![CDATA[Jim Lange of Hearst Television]]></media:text>
                                <media:title type="plain"><![CDATA[Jim Lange of Hearst Television]]></media:title>
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                                                            <title><![CDATA[ The Division Pre-Edits Reality TV With Solutions From Blackmagic ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/the-division-pre-edits-reality-tv-with-solutions-from-blackmagic</link>
                                                                            <description>
                            <![CDATA[ How DaVinci Resolve Studio fuels production of MotorTrend Network’s ‘Graveyard Cars’ ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:03 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                                    <dc:creator><![CDATA[ Phil Kurz ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RnLSV65K7WNVad52mpp7xT-1280-80.jpg">
                                                            <media:credit><![CDATA[The Division]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Mark Warman, famed restorer of late 1960s/early 1970s Mopar muscle cars and host of the long-running reality TV show “Graveyard Carz,” at his eponymous auto-restoration shop. ]]></media:description>                                                            <media:text><![CDATA[Mark Warman, famed restorer of late 1960s/early 1970s Mopar muscle cars and host of the long-running reality TV show “Graveyard Carz,” at his eponymous auto-restoration shop. ]]></media:text>
                                <media:title type="plain"><![CDATA[Mark Warman, famed restorer of late 1960s/early 1970s Mopar muscle cars and host of the long-running reality TV show “Graveyard Carz,” at his eponymous auto-restoration shop. ]]></media:title>
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                                                            <title><![CDATA[ BMG Redefines Remote Production Through Cloud-Connected Workflows ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/bmg-redefines-remote-production-through-cloud-connected-workflows</link>
                                                                            <description>
                            <![CDATA[ Grass Valley’s AMPP, Framelight X helps company reach its goal of making high-end production accessible from anywhere ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:04 +0000</updated>
                                                                                                                                            <category><![CDATA[Remote Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ tmason@broadcastmgmt.com (Todd Mason) ]]></author>                    <dc:creator><![CDATA[ Todd Mason ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/oGJTCvUkDkRYnH6afF2VdM-1280-80.jpg">
                                                            <media:credit><![CDATA[BMG]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Grass Valley’s AMPP and Framelight X are at the core of our new Network Operations Center, which we call the BMG Cloud Control Center, in Washington, D.C.  ]]></media:description>                                                            <media:text><![CDATA[Grass Valley’s AMPP and Framelight X are at the core of our new Network Operations Center, which we call the BMG Cloud Control Center, in Washington, D.C.]]></media:text>
                                <media:title type="plain"><![CDATA[Grass Valley’s AMPP and Framelight X are at the core of our new Network Operations Center, which we call the BMG Cloud Control Center, in Washington, D.C.]]></media:title>
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                                                            <title><![CDATA[ WFMZ Streamlines Workflow, Upgrades Automation and Graphics ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/wfmz-streamlines-workflow-upgrades-automation-and-graphics</link>
                                                                            <description>
                            <![CDATA[ Imagine provides Maranatha Broadcasting-owned independent station with a cohesive platform ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:05 +0000</updated>
                                                                                                                                            <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ israela@wfmz.com (Israel Alejandro) ]]></author>                    <dc:creator><![CDATA[ Israel Alejandro ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/FPy8y4GyVGsP6gwdouyzSD-1280-80.jpg">
                                                            <media:credit><![CDATA[Maranatha Broadcasting]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[With the deployment of solutions from Imagine Communications, we’ve streamlined workflows and opened up opportunities for new revenue streams.]]></media:description>                                                            <media:text><![CDATA[With the deployment of solutions from Imagine Communications, we’ve streamlined workflows and opened up opportunities for new revenue streams]]></media:text>
                                <media:title type="plain"><![CDATA[With the deployment of solutions from Imagine Communications, we’ve streamlined workflows and opened up opportunities for new revenue streams]]></media:title>
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                                                            <title><![CDATA[ Producers of NBC’s ‘The Voice’ Rely on Avid From Start to Finish ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/producers-of-nbcs-the-voice-rely-on-avid-from-start-to-finish</link>
                                                                            <description>
                            <![CDATA[ Why a unified Avid ecosystem is central to the show’s massive editorial load, remote workflow and signature look ]]>
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                                                                        <pubDate>Mon, 01 Dec 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 15 Dec 2025 10:35:02 +0000</updated>
                                                                                                                                            <category><![CDATA[Postproduction]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ RobertM.TheVoice@gmail.com (Robert M. Malachowski Jr., ACE BFE) ]]></author>                    <dc:creator><![CDATA[ Robert M. Malachowski Jr., ACE BFE ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/97FHLhHXRbDgi3xTKAXf94-1280-80.jpg">
                                                            <media:credit><![CDATA[MGM Television]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We start and finish everything on “The Voice” inside of Avid solutions, including color, final online and output of the master.]]></media:description>                                                            <media:text><![CDATA[We start and finish everything on “The Voice” inside of Avid solutions, including color, final online and output of the master.]]></media:text>
                                <media:title type="plain"><![CDATA[We start and finish everything on “The Voice” inside of Avid solutions, including color, final online and output of the master.]]></media:title>
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                                                            <title><![CDATA[ How Triveni Digital Helps A3SA Secure the Future of ATSC 3.0 ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-triveni-digital-helps-a3sa-secure-the-future-of-atsc-3-0</link>
                                                                            <description>
                            <![CDATA[ Cloud-based solutions power testing, monitoring and secure NextGen TV transmissions ]]>
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                                                                        <pubDate>Mon, 03 Nov 2025 11:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ winston@mail.a3sa.com (Winston Caldwell) ]]></author>                    <dc:creator><![CDATA[ Winston Caldwell ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/s5pBRDMA6MW2R8NHDMKpWj-1280-80.jpg">
                                                            <media:credit><![CDATA[Triveni Digital]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[A3SA uses Triveni Digital’s StreamScope XM Analyzer to verify the encryption status of ATSC 3.0 broadcast streams.]]></media:description>                                                            <media:text><![CDATA[Triveni Digital StreamScope XM]]></media:text>
                                <media:title type="plain"><![CDATA[Triveni Digital StreamScope XM]]></media:title>
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                                                            <title><![CDATA[ TAG Platform Powers Live Production Monitoring for Creative Technology ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/tag-platform-powers-live-production-monitoring-for-creative-technology</link>
                                                                            <description>
                            <![CDATA[ Company relies on TAG for low-latency, cloud-ready multiviewing that adapts instantly to any production need ]]>
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                                                                        <pubDate>Mon, 03 Nov 2025 11:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ mhenning@ctus.com (Marty Henning) ]]></author>                    <dc:creator><![CDATA[ Marty Henning ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RAqJcGBFfRtxeuyPdQ5ktU-1280-80.jpg">
                                                            <media:credit><![CDATA[Shawn Oatey]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Marty Henning says the TAG Realtime Monitoring Platform’s flexibility makes it an “ideal fit” for Creative Technology’s use cases. ]]></media:description>                                                            <media:text><![CDATA[Marty Henning says the TAG Realtime Monitoring Platform’s flexibility makes it an “ideal fit” for Creative Technology’s use cases. ]]></media:text>
                                <media:title type="plain"><![CDATA[Marty Henning says the TAG Realtime Monitoring Platform’s flexibility makes it an “ideal fit” for Creative Technology’s use cases. ]]></media:title>
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                                                            <title><![CDATA[ WUFT Deploys Actus to Enhance Monitoring and Quality Control ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/news/wuft-deploys-actus-to-enhance-monitoring-and-quality-control</link>
                                                                            <description>
                            <![CDATA[ University of Florida’s PBS station adopts Actus tools for real-time monitoring, faster troubleshooting and verifiable compliance across TV and radio ]]>
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                                                                        <pubDate>Mon, 03 Nov 2025 11:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ bkrieger@ufl.edu (Brian Krieger) ]]></author>                    <dc:creator><![CDATA[ Brian Krieger ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Bpre2dKoY6gFhLb9zysEae-1280-80.jpg">
                                                            <media:credit><![CDATA[WUFT-TV]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Actus allows our engineers to maintain high-quality broadcasts while training our students on the same state-of-the-art systems they will find in broadcast operations after graduation.]]></media:description>                                                            <media:text><![CDATA[Brian Krieger of WUFT-TV with the Actus Multiviewer]]></media:text>
                                <media:title type="plain"><![CDATA[Brian Krieger of WUFT-TV with the Actus Multiviewer]]></media:title>
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                                                            <title><![CDATA[ Lead-ing the Way Towards Perfect Production Quality ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/lead-ing-the-way-towards-perfect-production-quality</link>
                                                                            <description>
                            <![CDATA[ PRG relies on Leader Phabrix signal-measurement tech to deliver its live productions ]]>
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                                                                        <pubDate>Mon, 03 Nov 2025 11:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Case Studies]]></category>
                                                    <category><![CDATA[Insights]]></category>
                                                                                                <author><![CDATA[ J.Bagtatlyan@prg.com (John Bagtatlyan) ]]></author>                    <dc:creator><![CDATA[ John Bagtatlyan ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/zikfejxAf2dBjYN9myYyuc-1280-80.jpg">
                                                            <media:credit><![CDATA[PRG]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The PRG engineering team, which relies entirely on Leader signal measurement kits, with the author pictured third from the left. ]]></media:description>                                                            <media:text><![CDATA[The PRG engineering team, which relies entirely on Leader signal measurement kits, with the author pictured third from the left. ]]></media:text>
                                <media:title type="plain"><![CDATA[The PRG engineering team, which relies entirely on Leader signal measurement kits, with the author pictured third from the left. ]]></media:title>
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                                                            <title><![CDATA[ Blackmagic Workflows Hit Right Notes for Van Cliburn Piano Competition ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/blackmagic-workflows-hit-right-notes-for-van-cliburn-piano-competition</link>
                                                                            <description>
                            <![CDATA[ Blackmagic Cloud helped Front Row Productions deliver 130 hours of performances from classical music event ]]>
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                                                                        <pubDate>Mon, 06 Oct 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ brenton@frontrow.co (Brenton Henry) ]]></author>                    <dc:creator><![CDATA[ Brenton Henry ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/LRyJ6DZCb2kpdVvG55aQT9-1280-80.jpg">
                                                            <media:credit><![CDATA[Brandon Wade]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Cloud-based workflows allowed us to deliver more than 130 hours of multicamera HDR footage for the prestigious classical music competition.]]></media:description>                                                            <media:text><![CDATA[Cloud-based workflows allowed us to deliver more than 130 hours of multicamera HDR footage for the prestigious classical music competition.]]></media:text>
                                <media:title type="plain"><![CDATA[Cloud-based workflows allowed us to deliver more than 130 hours of multicamera HDR footage for the prestigious classical music competition.]]></media:title>
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                                                            <title><![CDATA[ How Terrible Herbst Motorsports Handles Remote Production With TVU ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-terrible-herbst-motorsports-handles-remote-production-with-tvu</link>
                                                                            <description>
                            <![CDATA[ Remote workflows cut crews and gear while scaling live coverage ]]>
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                                                                        <pubDate>Mon, 06 Oct 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Remote Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ bmoore@terribleherbstmotorsports.com (Bryan Moore) ]]></author>                    <dc:creator><![CDATA[ Bryan Moore ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/g5gbsqMWkMEdmUSyCCWCHC-1280-80.jpg">
                                                            <media:credit><![CDATA[To overcome the challenges of producing live events from a desert, we implemented a remote, cloud-based workflow using TVU Producer, TVU MediaHub and TVU Anywhere. ]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[To overcome the challenges of producing live events from a desert, we implemented a remote, cloud-based workflow using TVU Producer, TVU MediaHub and TVU Anywhere.   ]]></media:description>                                                            <media:text><![CDATA[Brian Moore of Terrible Herbst Motorsports]]></media:text>
                                <media:title type="plain"><![CDATA[Brian Moore of Terrible Herbst Motorsports]]></media:title>
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                                                            <title><![CDATA[ World Archery Takes Control of Live Coverage With Appear’s X ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/world-archery-takes-control-of-live-coverage-with-appears-x</link>
                                                                            <description>
                            <![CDATA[ X Platform delivers control, quality and scalability to global sports federation ]]>
                                                                                                            </description>
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                                                                        <pubDate>Mon, 06 Oct 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Sports Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ cwells@archery.sport (Chris Wells) ]]></author>                    <dc:creator><![CDATA[ Chris Wells ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/rJhg982cwBjxSUQ54ovZm5-1280-80.jpg">
                                                            <media:credit><![CDATA[World Archery]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The international federation World Archery has achieved cost savings, improved quality and full content control through IP-based production of its live events using Appear’s X Platform.]]></media:description>                                                            <media:text><![CDATA[The international federation World Archery has achieved cost savings, improved quality and full content control through IP-based production of its live events using Appear’s X Platform]]></media:text>
                                <media:title type="plain"><![CDATA[The international federation World Archery has achieved cost savings, improved quality and full content control through IP-based production of its live events using Appear’s X Platform]]></media:title>
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                                                            <title><![CDATA[ Dalet Flex Helps Streamer KOCOWA Deliver Korean Content to the World ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/dalet-flex-helps-streamer-kocowa-deliver-korean-content-to-the-world</link>
                                                                            <description>
                            <![CDATA[ Platform delivers programming to audiences in 73 countries ]]>
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                                                                        <pubDate>Mon, 06 Oct 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Storage]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ obindo@kocowa.com (Robin Do) ]]></author>                    <dc:creator><![CDATA[ Robin Do ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/oc7dpKEisWXVsXPjFy5buA-1280-80.jpg">
                                                            <media:credit><![CDATA[Dalet]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Our deployment of Dalet Flex has allowed us to streamline operations and rapidly expand into 73 countries.]]></media:description>                                                            <media:text><![CDATA[Our deployment of Dalet Flex has allowed us to streamline operations and rapidly expand into 73 countries.]]></media:text>
                                <media:title type="plain"><![CDATA[Our deployment of Dalet Flex has allowed us to streamline operations and rapidly expand into 73 countries.]]></media:title>
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                                                            <title><![CDATA[ Sony’s Ci Media Cloud Powers Newsday’s Modern Newsroom ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/sonys-ci-media-cloud-powers-newsdays-modern-newsroom</link>
                                                                            <description>
                            <![CDATA[ Powered newspaper’s transformation into a multiplatform digital media organization ]]>
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                                                                        <pubDate>Mon, 06 Oct 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Cloud]]></category>
                                                    <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ Gregory.Inserillo@newsday.com (Greg Inserillo) ]]></author>                    <dc:creator><![CDATA[ Greg Inserillo ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/anDbL2ifeJXq7zbsMGr2kM-1280-80.jpg">
                                                            <media:credit><![CDATA[Newsday]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We deployed Sony’s Ci to help our newsroom evolve into a multiplatform digital-media operation.  ]]></media:description>                                                            <media:text><![CDATA[We deployed Sony’s Ci to help our newsroom evolve into a multiplatform digital-media operation.]]></media:text>
                                <media:title type="plain"><![CDATA[We deployed Sony’s Ci to help our newsroom evolve into a multiplatform digital-media operation.]]></media:title>
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                                                            <title><![CDATA[ How Calrec Powers the Sound of Hollywood’s Biggest Night ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-calrec-powers-the-sound-of-hollywoods-biggest-night</link>
                                                                            <description>
                            <![CDATA[ Calrec Apollo console handles rigors of complex Oscars telecast ]]>
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                                                                        <pubDate>Mon, 01 Sep 2025 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ paul@sounddesigncorporation.com (Paul Sandweiss) ]]></author>                    <dc:creator><![CDATA[ Paul Sandweiss ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Y4LabYTxT6GXLgU3RihKSN-1280-80.jpg">
                                                            <media:credit><![CDATA[The Oscars]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[With the Calrec Apollo desk, I can preview RFs and line up the next act while mixing the current one, which is critical for live television.]]></media:description>                                                            <media:text><![CDATA[With the Calrec Apollo desk, I can preview RFs and line up the next act while mixing the current one, which is critical for live television.]]></media:text>
                                <media:title type="plain"><![CDATA[With the Calrec Apollo desk, I can preview RFs and line up the next act while mixing the current one, which is critical for live television.]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ How Riedel Bolero Changed the Way We Work on Set ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-riedel-bolero-changed-the-way-we-work-on-set</link>
                                                                            <description>
                            <![CDATA[ Comfort, ability to divide conversations led to improved communications ]]>
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                                                                        <pubDate>Mon, 01 Sep 2025 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ statemediaservices@gmail.com (Craig Kief) ]]></author>                    <dc:creator><![CDATA[ Craig Kief ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RTeMyMfsgXy5ujg98DAJ4L-1280-80.jpg">
                                                            <media:credit><![CDATA[State Media]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Bolero intercom system produces hundreds of microefficiencies that more than make up for the cost of the system’s rental.]]></media:description>                                                            <media:text><![CDATA[Craig Kief of State Media using Riedel&#039;s Bolero intercom system]]></media:text>
                                <media:title type="plain"><![CDATA[Craig Kief of State Media using Riedel&#039;s Bolero intercom system]]></media:title>
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                                                            <title><![CDATA[ CineLive Taps Lawo mc²56 Console for Immersive Audio ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/cinelive-taps-lawo-mc256-console-for-immersive-audio</link>
                                                                            <description>
                            <![CDATA[ HOME platform delivers high-end sound for high-end events ]]>
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                                                                        <pubDate>Mon, 01 Sep 2025 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                                    <dc:creator><![CDATA[ Zack Pittman ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/PFMZph8PfaPe7gUAa4brN6-1280-80.jpg">
                                                            <media:credit><![CDATA[CineLive]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Lawo’s mc²-based mixing system is part of the HOME platform that sits at the heart of our mobile truck’s infrastructure.  ]]></media:description>                                                            <media:text><![CDATA[Zach Pittman of CineLive with Lawo console]]></media:text>
                                <media:title type="plain"><![CDATA[Zach Pittman of CineLive with Lawo console]]></media:title>
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                                                            <title><![CDATA[ Migrate Sound Becomes Go-To for Promos With Assist From DaVinci Resolve Studio ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/migrate-sound-becomes-go-to-for-promos-with-assist-from-davinci-resolve-studio</link>
                                                                            <description>
                            <![CDATA[ Blackmagic Design product helps studio tighten its turnarounds and sharpen the sound of its spots ]]>
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                                                                        <pubDate>Mon, 01 Sep 2025 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Postproduction]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ laurent@migratesound.com (Laurent Jouvin) ]]></author>                    <dc:creator><![CDATA[ Laurent Jouvin ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/UiZGq9CNLdTE3TxpJ8FgwQ-1280-80.jpg">
                                                            <media:credit><![CDATA[Migrate Sound]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[I recently upgraded my studio, migrating to DaVinci Resolve Studio for audio post just in time to tackle radio promos for Fox. ]]></media:description>                                                            <media:text><![CDATA[Laurent Jouvin of Migrate Sound]]></media:text>
                                <media:title type="plain"><![CDATA[Laurent Jouvin of Migrate Sound]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ Texas A&M Athletics Ups Its Game With Cameras From Grass Valley ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/texas-a-and-m-athletics-ups-its-game-with-cameras-from-grass-valley</link>
                                                                            <description>
                            <![CDATA[ SEC member’s busy in-house production team looks for 1080p resolution, signal-routing flexibility ]]>
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                                                                        <pubDate>Mon, 04 Aug 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Sports Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ jkerr@athletics.tamu.edu (Jonathan Kerr) ]]></author>                    <dc:creator><![CDATA[ Jonathan Kerr ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/K9RK4HQPLCsWhdM7hKguyA-1280-80.jpg">
                                                            <media:credit><![CDATA[12th Man Productions]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We acquired 10 LDX 135s and four LDX 150s from Grass Valley to help us expand and improve our production capabilities.   ]]></media:description>                                                            <media:text><![CDATA[We acquired 10 LDX 135s and four LDX 150s from Grass Valley to help us expand and improve our production capabilities. ]]></media:text>
                                <media:title type="plain"><![CDATA[We acquired 10 LDX 135s and four LDX 150s from Grass Valley to help us expand and improve our production capabilities. ]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ Kokusai Denki 4K Cameras Help Lynx Productions Bring Events to Life ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/kokusai-denki-4k-cameras-help-lynx-productions-bring-events-to-life</link>
                                                                            <description>
                            <![CDATA[ From Mardi Gras to Jazzfest, New Orleans-based firm relies on SK-UHD-7000 4K cameras for color-accurate, broadcast-quality capture ]]>
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                                                                        <pubDate>Mon, 04 Aug 2025 10:00:00 +0000</pubDate>                                                                                                                                <updated>Thu, 21 Aug 2025 17:08:15 +0000</updated>
                                                                                                                                            <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ george@thetomatoes.net (George Ortolano) ]]></author>                    <dc:creator><![CDATA[ George Ortolano ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/eZidyiSeUYxonEJR9ZzGnE-1280-80.jpg">
                                                            <media:credit><![CDATA[Skyler Manley]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We use Kokusai Denki SK-UHD-7000 4K/UHD cameras for events like the New Orleans Jazz and Heritage Festival and Mardi Gras, where we capture and live-stream 29 parades over eight days.]]></media:description>                                                            <media:text><![CDATA[We use Kokusai Denki SK-UHD-7000 4K/UHD cameras for events like the New Orleans Jazz and Heritage Festival and Mardi Gras, where we capture and live-stream 29 parades over eight days.]]></media:text>
                                <media:title type="plain"><![CDATA[We use Kokusai Denki SK-UHD-7000 4K/UHD cameras for events like the New Orleans Jazz and Heritage Festival and Mardi Gras, where we capture and live-stream 29 parades over eight days.]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ Sony’s HXC-FZ90 Cameras Are a Grand Slam for the Reno Aces ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/sonys-hxc-fz90-cameras-are-a-grand-slam-for-the-reno-aces</link>
                                                                            <description>
                            <![CDATA[ Versatile, durable cameras check all the boxes for minor league team’s multifeed gameday production ]]>
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                                                                        <pubDate>Mon, 04 Aug 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Sports Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ sam.f@renoaces.com (Sam Farnsworth) ]]></author>                    <dc:creator><![CDATA[ Sam Farnsworth ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/McX8BxQQ6chrQTmDuzZ7Pn-1280-80.jpg">
                                                            <media:credit><![CDATA[Sony]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We selected four of Sony’s HXC-FZ90 camera system chains, with the compatible CCUs, that are used in center field and at home plate, first base and third base.   ]]></media:description>                                                            <media:text><![CDATA[Sam Farnsworth of the Reno Aces with Sony gear.]]></media:text>
                                <media:title type="plain"><![CDATA[Sam Farnsworth of the Reno Aces with Sony gear.]]></media:title>
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                                                            <title><![CDATA[ Capturing Korn’s 30th Anniversary Concert With Blackmagic Camera ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/capturing-korns-30th-anniversary-concert-with-blackmagic-camera</link>
                                                                            <description>
                            <![CDATA[ App helped the band turn its audience into a film crew to document milestone performance ]]>
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                                                                        <pubDate>Mon, 04 Aug 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Live Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ seb@sebastienpaquet.net (Sébastien Paquet) ]]></author>                    <dc:creator><![CDATA[ Sébastien Paquet ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/R7fxhrwnFQbpfnwZ4PhJ8c-1280-80.jpg">
                                                            <media:credit><![CDATA[Sébastian Paquet]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The concert video combined footage I shot on the Blackmagic Pocket Cinema Camera 6K Pro with content from the film crew and video created by 200 fans using the Blackmagic Camera app.  ]]></media:description>                                                            <media:text><![CDATA[Korn concert shot on Blackmagic Design cameras and apps]]></media:text>
                                <media:title type="plain"><![CDATA[Korn concert shot on Blackmagic Design cameras and apps]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ PTN Transforms Operations With Take One Productions, Imagine Versio ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/ptn-transforms-operations-with-take-one-productions-imagine-versio</link>
                                                                            <description>
                            <![CDATA[ Helps Poconos-focused, around-the-clock tourist network to grow and gain traction ]]>
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                                                                        <pubDate>Tue, 08 Jul 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                                    <dc:creator><![CDATA[ Kevin Martorana ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/DhdqoTbquqvVNN2iA7GbS-1280-80.jpg">
                                                            <media:credit><![CDATA[PTN]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[For PTN, we’re using the Versio Control dashboard to switch between live production, clip-based feedback and live weather from the Poconos area.]]></media:description>                                                            <media:text><![CDATA[For PTN, we’re using the Versio Control dashboard to switch between live production, clip-based feedback and live weather from the Poconos area.]]></media:text>
                                <media:title type="plain"><![CDATA[For PTN, we’re using the Versio Control dashboard to switch between live production, clip-based feedback and live weather from the Poconos area.]]></media:title>
                                                    </media:content>
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                                                            <title><![CDATA[ Live Stream King Delivers High-Quality Projects With Blackmagic Videohub ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/live-stream-king-delivers-high-quality-projects-with-blackmagic-videohub</link>
                                                                            <description>
                            <![CDATA[ Blackmagic tech powers OB truck that helped Toronto-based provider expand its offerings ]]>
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                                                                        <pubDate>Tue, 08 Jul 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ admin@thelivestreamking.com (Ajeet Siewarine) ]]></author>                    <dc:creator><![CDATA[ Ajeet Siewarine ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/qRsAYbDjayWPRyhLhwZBHW-1280-80.jpg">
                                                            <media:credit><![CDATA[The Live Stream King]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[To expand our livestreaming operations, we deployed a new OB truck with Blackmagic solutions with a modular design.]]></media:description>                                                            <media:text><![CDATA[To expand our livestreaming operations, we deployed a new OB truck with Blackmagic solutions with a modular design.]]></media:text>
                                <media:title type="plain"><![CDATA[To expand our livestreaming operations, we deployed a new OB truck with Blackmagic solutions with a modular design.]]></media:title>
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                                                            <title><![CDATA[ Crispin Upgrade Enhances Continuity for Wisconsin Public Media Outlets  ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/crispin-upgrade-enhances-continuity-for-wisconsin-public-media-outlets</link>
                                                                            <description>
                            <![CDATA[ Master control tech delivers for 6 public TV stations and 6 translators across the state ]]>
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                                                                        <pubDate>Tue, 08 Jul 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ al.ritchie@ecb.org (Al Ritchie) ]]></author>                    <dc:creator><![CDATA[ Al Ritchie ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/W3bcWTLctc39dfDaFy6VdQ-1280-80.jpg">
                                                            <media:credit><![CDATA[Crispin]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Wisconsin Educational Communications Board (ECB) relies on Crispin’s RapidPlayX 2000 and CORE master-control automation to operate six TV stations and 39 radio stations.]]></media:description>                                                            <media:text><![CDATA[Wisconsin Educational Communications Board (ECB) relies on Crispin’s RapidPlayX 2000 and CORE master-control automation to operate six TV stations and 39 radio stations.]]></media:text>
                                <media:title type="plain"><![CDATA[Wisconsin Educational Communications Board (ECB) relies on Crispin’s RapidPlayX 2000 and CORE master-control automation to operate six TV stations and 39 radio stations.]]></media:title>
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                                                            <title><![CDATA[ Addis Media Networks Taps Apantac for Scalable KVM System ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/addis-media-networks-taps-apantac-for-scalable-kvm-system</link>
                                                                            <description>
                            <![CDATA[ Addis Media Networks Taps Apantac for Scalable KVM System ]]>
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                                                                        <pubDate>Tue, 08 Jul 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ jody.dresner@si-media.tv (Jody Dresner) ]]></author>                    <dc:creator><![CDATA[ Jody Dresner ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/aoBH4KXyJKJqCtCpmbAefg-1280-80.jpg">
                                                            <media:credit><![CDATA[AMN]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[As part of a major upgrade project, AMN selected Apantac’s KVM over IP system to tie together multiple operations.]]></media:description>                                                            <media:text><![CDATA[As part of a major upgrade project, AMN selected Apantac’s KVM over IP system to tie together multiple operations.]]></media:text>
                                <media:title type="plain"><![CDATA[As part of a major upgrade project, AMN selected Apantac’s KVM over IP system to tie together multiple operations.]]></media:title>
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                                                            <title><![CDATA[ Kentucky’s WPSD-TV Turns to Bitcentral to Modernize Local News Operations ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/kentuckys-wpsd-tv-turns-to-bitcentral-to-modernize-local-news-operations</link>
                                                                            <description>
                            <![CDATA[ Solutions helped Paducah station manage storage, launch FAST channels and reimagine story production ]]>
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                                                                        <pubDate>Tue, 08 Jul 2025 10:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ Bevans@WPSDLocal6.com (Bill Evans) ]]></author>                    <dc:creator><![CDATA[ Bill Evans ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/E6Q3ciHerhPx68KZThSoJg-1280-80.jpg">
                                                            <media:credit><![CDATA[WPSD]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[WPSD-TV deployed a variety of solutions from Bitcentral to help us improve the way we create and deliver news to multiple platforms.]]></media:description>                                                            <media:text><![CDATA[WPSD-TV deployed a variety of solutions from Bitcentral to help us improve the way we create and deliver news to multiple platforms.]]></media:text>
                                <media:title type="plain"><![CDATA[WPSD-TV deployed a variety of solutions from Bitcentral to help us improve the way we create and deliver news to multiple platforms.]]></media:title>
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                                                            <title><![CDATA[ How TVU Helps FloSports Stream 40,000 Live Events Every Year ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/how-tvu-helps-flosports-stream-40-000-live-events-every-year</link>
                                                                            <description>
                            <![CDATA[ Streamer uses TVU’s IP video solutions to power remote live production efforts ]]>
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                                                                        <pubDate>Tue, 03 Jun 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Platform]]></category>
                                                                                                <author><![CDATA[ lou.pantoja@flosports.tv (Lou Pantoja) ]]></author>                    <dc:creator><![CDATA[ Lou Pantoja ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/tQs3sk6jnHFLkzupW8ShXn-1280-80.jpg">
                                                            <media:credit><![CDATA[FloSports]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[FloSports is now doing REMI productions utilizing TVU’s IP video solutions to produce live programming for sports like dirt racing, where traditional broadcast infrastructure may be lacking, says Lou Pantoja, senior director of live production.]]></media:description>                                                            <media:text><![CDATA[FloSports is now doing REMI productions utilizing TVU’s IP video solutions to produce live programming for sports like dirt racing, where traditional broadcast infrastructure may be lacking, says Lou Pantoja, senior director of live production.]]></media:text>
                                <media:title type="plain"><![CDATA[FloSports is now doing REMI productions utilizing TVU’s IP video solutions to produce live programming for sports like dirt racing, where traditional broadcast infrastructure may be lacking, says Lou Pantoja, senior director of live production.]]></media:title>
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                                                            <title><![CDATA[ WLMB-TV Expands Its Reach With Rohde & Schwarz TE1 R&S Transmitter ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/wlmb-tv-expands-its-reach-with-rohde-and-schwarz-te1-r-and-s-transmitter</link>
                                                                            <description>
                            <![CDATA[ Helped nonprofit station make a cost-efficient move to UHF ]]>
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                                                                        <pubDate>Tue, 03 Jun 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Platform]]></category>
                                                                                                <author><![CDATA[ jschmitz@wlmb.com (Dr. Jamey Schmitz) ]]></author>                    <dc:creator><![CDATA[ Dr. Jamey Schmitz ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/THEGPt8cXhqtmkkncigHm5-1280-80.jpg">
                                                            <media:credit><![CDATA[WLMB-TV]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[My wife Rachel and I inspect the new Rohde &amp; Schwarz R&amp;S TE1 liquid-cooled transmitter, which is significantly reducing our overall energy costs.]]></media:description>                                                            <media:text><![CDATA[My wife Rachel and I inspect the new Rohde &amp; Schwarz R&amp;S TE1 liquid-cooled transmitter, which is significantly reducing our overall energy costs.]]></media:text>
                                <media:title type="plain"><![CDATA[My wife Rachel and I inspect the new Rohde &amp; Schwarz R&amp;S TE1 liquid-cooled transmitter, which is significantly reducing our overall energy costs.]]></media:title>
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                                                            <title><![CDATA[ Dejero’s Smart Blending Transforms Streaming of World Ocean Series ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/dejeros-smart-blending-transforms-streaming-of-world-ocean-series</link>
                                                                            <description>
                            <![CDATA[ All-remote, cable-free workflow helps handle challenges of covering a growing surf sport event ]]>
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                                                                        <pubDate>Tue, 03 Jun 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Platform]]></category>
                                                                                                <author><![CDATA[ cody@codyrichardson.com (Cody Richardson) ]]></author>                    <dc:creator><![CDATA[ Cody Richardson ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/CMTSQTUJftXmbwpaUoKMbK-1280-80.jpg">
                                                            <media:credit><![CDATA[Creative Illusion]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[Our decision to deploy Dejero Smart Blending Technology has allowed us to implement an all-remote, cable-free production workflow that has reduced costs and improved production quality.]]></media:description>                                                            <media:text><![CDATA[Cody Richardson of Creative Illusion]]></media:text>
                                <media:title type="plain"><![CDATA[Cody Richardson of Creative Illusion]]></media:title>
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                                                            <title><![CDATA[ Wisycom RF-Over-Fiber System Keeps ‘Fear the Walking Dead’ Set Connected ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/wisycom-rf-over-fiber-system-keeps-fear-the-walking-dead-set-connected</link>
                                                                            <description>
                            <![CDATA[ System’s audio capabilities evolved alongside the creative needs of AMC’s zombie apocalypse series ]]>
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                                                                        <pubDate>Tue, 03 Jun 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ mtsoundmixer@gmail.com (Marlowe Taylor) ]]></author>                    <dc:creator><![CDATA[ Marlowe Taylor ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/5teCc9mhZe9CBn4FFbzXCo-1280-80.jpg">
                                                            <media:credit><![CDATA[Wisycom]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Wisycom solution allowed us to capture audio from a valley, &lt;br&gt;with antennas placed high on a hill without running hundreds of feet of coaxial cable. ]]></media:description>                                                            <media:text><![CDATA[The Wisycom solution allowed us to capture audio from a valley, with antennas placed high on a hill without running hundreds of feet of coaxial cable. ]]></media:text>
                                <media:title type="plain"><![CDATA[The Wisycom solution allowed us to capture audio from a valley, with antennas placed high on a hill without running hundreds of feet of coaxial cable. ]]></media:title>
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                                                            <title><![CDATA[ Quincy’s WGEM-DT Transitions to UHF Liquid-Cooled System With GatesAir ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/quincys-wgem-dt-transitions-to-uhf-liquid-cooled-system-with-gatesair</link>
                                                                            <description>
                            <![CDATA[ New transmitters eased Illinois NBC affiliate’s transition from VHF, improving its coverage ]]>
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                                                                        <pubDate>Tue, 03 Jun 2025 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ BClingingsmith@wgem.com (Brent Clingingsmith) ]]></author>                    <dc:creator><![CDATA[ Brent Clingingsmith ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/VswyvsGaQmb8aGUH8YcJwh-1280-80.jpg">
                                                            <media:credit><![CDATA[WGEM-DT]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We installed a Maxiva ULXTE-80 UHF transmitter about seven months ago, along with a new antenna and combiner.]]></media:description>                                                            <media:text><![CDATA[We installed a Maxiva ULXTE-80 UHF transmitter about seven months ago, along with a new antenna and combiner.]]></media:text>
                                <media:title type="plain"><![CDATA[We installed a Maxiva ULXTE-80 UHF transmitter about seven months ago, along with a new antenna and combiner.]]></media:title>
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                                                            <title><![CDATA[ Beverly Hills Aerials Elevates Video Production With DJI’s Inspire 3 Drone ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/beverly-hills-aerials-elevates-video-production-with-djis-inspire-3-drone</link>
                                                                            <description>
                            <![CDATA[ Inspire series updates bring substantial upgrades to camera quality,  sensors and workflows ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 20:49:24 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ michael@beverlyhillsaerials.com (Michael Izquierdo) ]]></author>                    <dc:creator><![CDATA[ Michael Izquierdo ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Q5axheWaPjMjkPdRxVdiD4-1280-80.jpg">
                                                            <media:credit><![CDATA[DJI]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The drone we use for production most often right now is DJI’s Inspire 3, which is the most capable and versatile drone we have at Beverly Hills Aerials.]]></media:description>                                                            <media:text><![CDATA[The drone we use for production most often right now is DJI’s Inspire 3, which is the most capable and versatile drone we have at Beverly Hills Aerials.]]></media:text>
                                <media:title type="plain"><![CDATA[The drone we use for production most often right now is DJI’s Inspire 3, which is the most capable and versatile drone we have at Beverly Hills Aerials.]]></media:title>
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                                                            <title><![CDATA[ Ease of Use and Interoperability Make CueScript a Perfect Fit at UTA ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/ease-of-use-and-interoperability-make-cuescript-a-perfect-fit-at-uta</link>
                                                                            <description>
                            <![CDATA[ University’s system seamlessly integrates with Ross Video’s Inception News ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 20:40:58 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ julian.rodriguez@uta.edu (Julian Rodriguez) ]]></author>                    <dc:creator><![CDATA[ Julian Rodriguez ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/73UgQuxcX2j6Vo98ZnkLmj-1280-80.jpg">
                                                            <media:credit><![CDATA[CueScript]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[At our broadcast television studio we rely on CueScript solutions to help us produce Arlington Sentinel News (ASN) and Arlington Sentinel News en Español (ASNE).]]></media:description>                                                            <media:text><![CDATA[At our broadcast television studio we rely on CueScript solutions to help us produce Arlington Sentinel News (ASN) and Arlington Sentinel News en Español (ASNE).]]></media:text>
                                <media:title type="plain"><![CDATA[At our broadcast television studio we rely on CueScript solutions to help us produce Arlington Sentinel News (ASN) and Arlington Sentinel News en Español (ASNE).]]></media:title>
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                                                            <title><![CDATA[ Game-Changing Stability: My Experience With the Vinten Versine 36 ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/game-changing-stability-my-experience-with-the-vinten-versine-36</link>
                                                                            <description>
                            <![CDATA[ Tripod head enhances camera operator’s ability to capture fast-paced sports action ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 20:24:07 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ steve@thesailingcameraman.com (Steve Cole) ]]></author>                    <dc:creator><![CDATA[ Steve Cole ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/cV92RdPz4S52PCibiNjDrS-1280-80.jpg">
                                                            <media:credit><![CDATA[The Sailing Cameraman]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[With the Versine 360, it’s like the head anticipates my movement. I can follow a player, horse, or car seamlessly without that initial stiffness or hesitation.]]></media:description>                                                            <media:text><![CDATA[With the Versine 360, it’s like the head anticipates my movement. I can follow a player, horse, or car seamlessly without that initial stiffness or hesitation.]]></media:text>
                                <media:title type="plain"><![CDATA[With the Versine 360, it’s like the head anticipates my movement. I can follow a player, horse, or car seamlessly without that initial stiffness or hesitation.]]></media:title>
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                                                            <title><![CDATA[ Wide+Close x ARRI Equals Live Cinematic Multicam for Streaming ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/wide-close-x-arri-equals-live-cinematic-multicam-for-streaming</link>
                                                                            <description>
                            <![CDATA[ Imaging tech plays a key role in ‘Live Cinema’ approach to shooting concerts ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 20:06:51 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ kenny@wide-close.com (Kenny Stoff) ]]></author>                    <dc:creator><![CDATA[ Kenny Stoff ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/VVWWVjKkikeqpMimqkfDCM-1280-80.jpg">
                                                            <media:credit><![CDATA[Wide+Close]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[ARRI camera, lens and stabilization systems, including TRINITY and SRH-360 EVOs, play a central role in our “Live Cinema” approach to live music streaming productions.]]></media:description>                                                            <media:text><![CDATA[ARRI camera, lens and stabilization systems, including TRINITY and SRH-360 EVOs, play a central role in our “Live Cinema” approach to live music streaming productions.]]></media:text>
                                <media:title type="plain"><![CDATA[ARRI camera, lens and stabilization systems, including TRINITY and SRH-360 EVOs, play a central role in our “Live Cinema” approach to live music streaming productions.]]></media:title>
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                                                            <title><![CDATA[ Redwood Light Relies on BB&S to Light Up KION and KWTV ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/redwood-light-relies-on-bb-and-s-to-light-up-kion-and-kwtv</link>
                                                                            <description>
                            <![CDATA[ Integration company regularly uses the lighting vendor’s solutions ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 19:36:30 +0000</pubDate>                                                                                                                                <updated>Mon, 14 Apr 2025 16:38:44 +0000</updated>
                                                                                                                                            <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ erikrodgers@redwoodlight.com (Erik Rodgers) ]]></author>                    <dc:creator><![CDATA[ Erik Rodgers ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/XEkvLzJxQA5ZpBEtz4CAre-1280-80.jpg">
                                                            <media:credit><![CDATA[BB&amp;S Lighting]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[We found that the BB&amp;S Reflect fixtures were the perfect solution for the challenges of lighting the KION-TV’s studio with low ceilings and a compact layout.]]></media:description>                                                            <media:text><![CDATA[We found that the BB&amp;S Reflect fixtures were the perfect solution for the challenges of lighting the KION-TV’s studio with low ceilings and a compact layout.]]></media:text>
                                <media:title type="plain"><![CDATA[We found that the BB&amp;S Reflect fixtures were the perfect solution for the challenges of lighting the KION-TV’s studio with low ceilings and a compact layout.]]></media:title>
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                                                            <title><![CDATA[ Anton/Bauer’s EDEN Keeps Motion Clubhouse Running ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/equipment/anton-bauers-eden-keeps-motion-clubhouse-running</link>
                                                                            <description>
                            <![CDATA[ Power system has become an essential tool in agency’s workflow ]]>
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                                                                        <pubDate>Fri, 11 Apr 2025 18:51:15 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Infrastructure]]></category>
                                                                                                <author><![CDATA[ chris@motionclubhouse.com (Chris Ray) ]]></author>                    <dc:creator><![CDATA[ Chris Ray ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/f26vbpELUAWZ8iDotDbz4K-1280-80.jpg">
                                                            <media:credit><![CDATA[Anton/Bauer]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[With the Anton/Bauer EDEN, we’ve found a portable, high-capacity solution that allows us to operate at full efficiency no matter where we are.]]></media:description>                                                            <media:text><![CDATA[With the Anton/Bauer EDEN, we’ve found a portable, high-capacity solution that allows us to operate at full efficiency no matter where we are.]]></media:text>
                                <media:title type="plain"><![CDATA[With the Anton/Bauer EDEN, we’ve found a portable, high-capacity solution that allows us to operate at full efficiency no matter where we are.]]></media:title>
                                                    </media:content>
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