FOOTHILL RANCH, Calif.—Red Digital Cinema has unveiled the new V-Raptor 8K VV camera, its first entrant into its next generation DSMC3 platform. 

The company is billing the camera as Red’s most powerful to date, featuring the highest dynamic range, fastest cinema-quality sensor scan time, cleanest shadows, and highest frame rates of any camera in Red’s lineup.

Priced at $24,500, a white ST version of the camera is available for purchase via Red.com or from any one of Red’s authorized premium dealers. The black version will be available in larger quantities before the end of 2021. 

Red also announced a forthcoming XL camera body that will be released in the first half of 2022. The XL will be ideally suited for studio configurations and high-end productions, based on feedback to the Red Ranger body style. 

V-Raptor features a multi-format 8K sensor (40.96mm x 21.60mm) with the ability to shoot 8K large format or 6K Super 35. Joining its predecessor, the Monstro 8K VV sensor, this unique in-camera option for impactful visual storytelling allows shooters to leverage any of their large format or S35 lenses with the push of a button and always deliver at over 4K resolution.  

The camera exceeds previous sensor capabilities, presenting users with the option to capture 8K full sensor at up to 120 frames per second (150fps at 2.4:1), 6K up to 160 fps (200fps at 2.4:1), and 2K (2.4:1) at 600 frames per second, while still capturing over 17 stops of dynamic range, the company said. 

“V-Raptor is more than just its specs,” said Jarred Land, president, Red Digital Cinema. “It is a reflection of the ferocity of our team, who have spent the last two years forced apart. Through everything, we found a way to work together closer and better than ever before, fueled by the incredible passion and support of our community of filmmakers. V-Raptor takes an impressive array of silicon, seemingly from the future, and mashes it together with pieces of the heart and soul of every Red camera that has come before it.” 

V-Raptor, as with the other cameras in Red’s ecosystem, harnesses Red’s proprietary Redcode RAW codec, allowing users to capture 16-bit RAW and leveraging RED’s latest IPP2 workflow and color management tools.  

Red also has announced a comprehensive array of first-party and co-designed accessories for the camera. 

For more information visit Red.com. 

WASHINGTON--NASA and the European Space Agency announced last week that they had posted the first 8K ultra high definition (UHD) video of astronauts living, working and conducting research from the International Space Station. The same engineers who sent high-definition (HD) cameras, 3D cameras, and a camera capable of recording 4K footage to the space station now have delivered a new camera capable of recording images with four times the resolution than previously offered.

The footage was captured by the RED Helium 8K camera which can shoot at resolutions ranging from conventional HDTV up to 8K, specifically 8192 x 4320 pixels. By comparison, the average HD consumer television displays up to 1920 x 1080 pixels of resolution, and digital cinemas typically project in resolutions of 2K to 4K.

“This new footage showcases the story of human spaceflight in more vivid detail than ever before,” said Dylan Mathis, communications manager for the International Space Station Program at NASA’s Johnson Space Center in Houston. “The world of camera technology continues to progress, and seeing our planet in high fidelity is always welcome. We're excited to see what imagery comes down in the future.”

Viewers can watch as crew members advance DNA sequencing in space with the BEST investigation, study dynamic forces between sediment particles with BCAT-CS, learn about genetic differences in space-grown and Earth-grown plants with Plant Habitat-1, observe low-speed water jets to improve combustion processes within engines with Atomization; and explore station facilities such as the MELFI, the Plant Habitat, the Life Support Rack, the JEM Airlock and the Canadarm2.

While the 4K camera brought beautiful footage of fluid behavior in the space station’s microgravity environment to the world, the new 8K video takes viewers through a variety of experiments and facilities aboard the orbiting outpost, which on Friday, Nov. 2, marked  the 18th anniversary of humans living continuously aboard and the 20th anniversary of the launch of the first two space station elements on Nov. 20 and Dec. 4, 1998, respectively.

Delivered to the station in April aboard the 14th SpaceX cargo resupply mission through a Space Act Agreement between NASA and RED, this camera’s ability to record twice the pixels and at resolutions four times higher than the 4K camera brings science in orbit into the homes, laboratories and classrooms of everyone on Earth.

“We’re excited to embrace new technology that improves our ability to engage our audiences in space station research,” said David Brady, assistant program scientist for the International Space Station Program Science Office at Johnson. “Each improvement in imagery fidelity brings that person on Earth closer to the in-space experience, allowing them to see what human spaceflight is doing to improve their life, as well as enable humanity to explore the universe.”

Viewers can watch high-resolution footage from inside and outside the orbiting laboratory right on their computer screens. A screen capable of displaying 8K resolution is required for the full effect, but the imagery is shot at a higher fidelity and then down-converted, which results in higher-quality playback, even for viewers who do not have an 8K screen.

Top photo: NASA astronaut Ricky Arnold does some filming on the International Space Station Oct. 3, 3018, with a RED Helium 8K camera. Photo courtesy of NASA.

Astronauts stand in front of a 4K display as they discuss NASA’s new UHD channel and content. From left to right are astronauts Cady Coleman, Samantha Cristoforetti, Terry Virts and Mark Kelly. Far right is Rodney Grubbs, a NASA imaging specialist.

WASHINGTON—One of the ongoing considerations regarding the sales growth of Ultra High Definition (also known as 4K) televisions has been the dearth of 4K programming. A recent announcement by NASA and its partner Harmonic will bring free 4K content down to earth, where it will be offered at no charge to cable systems and other programming providers.

Using satellite distribution provided by SES, the new 4K service will begin public service on Nov. 1. The video for the new service is being sourced from high-resolution images and video generated on the International Space Station, Hubble Space Telescope and other current NASA missions. Astronauts aboard the ISS have had 4K cameras for some time, and have acquired shots of both onboard experiments and the Earth.

Not only will much of the content be literally out of this world, it’s the goal of all parties to make it as affordable as possible—even free to viewers.

“No one is in this for a hard commercial benefit,” said Harmonic senior vice president Peter Alexander. “We think it will be great in terms of NASA, great in terms of the medium, and it just made sense to us.”

Peter Alexander, senior vice president and chief marketing officer for Harmonic, explains how the company’s encoders will be used on the new UHD service.

Making it work meant building new systems, and shifting assets on the ground and in space.

“NASA’s got a finite amount of transponder space to carry all of NASA TV,” Alexander said. “Until this project, it was all consumed with their HD and SD channels. We needed to re-compress what they were already doing to make room for the UHD channel.”

Existing content was re-encoded with a Harmonic Electra X3 processor using AVC compression, making room for UHD content that was compressed using HEVC encoding.

“We freed up enough for about 13 to 15 Mbps,” Alexander said. “It looks great. A lot of NASA’s imagery is fairly low motion, [which works well at this bit rate].”

HDR VIDEO

NASA and Harmonic will conduct experiments with high dynamic range video, to better understand the encoding necessary to carry HDR 4K images. In particular, Alexander said that they plan to use Hybrid Log Gamma processing for HDR content, which he said was compatible with both standard and HDR displays.

Harmonic gets raw 4K video from NASA, including shots taken aboard the ISS. The company’s goal is to process the video with Hybrid Log Gamma, and release that as the 4K feed. That way, viewers with non-HDR sets will receive viewable 4K, while viewers with HDR capability will see the greater dynamic range. All this will fit in the 13-15 Mbps available transponder slot.

NASA’s 4K channel will be available to retailers to show off their 4K displays. It will also be available to viewers who use providers such as Comcast, Cox, Time-Warner, Verizon and others. Alexander said that Armstrong is one cable TV operator that currently plans to carry NASA’s 4K channel. The costs to the cable operator will be an IRD on the receiving end and to find space in its channel lineup for the channel. Of course, viewers will need set-top boxes capable of decoding the HEVC-encoded data stream.

Much of the 4K content now available to NASA is shot by NASA itself, including the astronauts on the ISS. Available to them on the ISS are a couple of Red cinematography cameras, and they get used often.

TELL THE STORY

Astronauts use a Red Epic Dragon camera aboard the ISS.

At a recent NASA press event in Washington, astronauts said that one of their roles is to “tell the story” of what they do in space, to make their work more accessible to those of us on the ground.

“It’s really important,” said NASA astronaut Terry Virts. “Without this, only five or six people would enjoy [the perspective from space].”

Virts shot video on the ISS with a Red Epic Dragon 6K camera, which was then used by NASA to show what life was like in space, as well as get gorgeous views of the Earth below. Virts, a colonel in the U.S. Air Force, studied aeronautical science in school but quickly warmed up to shooting with the Dragon camera.

“I love it—it’s a great camera,” Virts said at the NASA press event. “The Red Dragon has a touch-screen monitor that’s really nice.”

Although not a videographer, Virts and his fellow astronauts received video training on the ground so that they better understand how to get great shots in space.

“We had classes and learned about lighting and sound,” he said. “Sound is something we overlooked a lot.”

As for what makes a good video clip from space, Virts said that it is often the most simple and mundane things, but they can look dramatically different on the ISS than they do on the ground.

“One of my favorite shots I took in space was sleeping,” he said. “I got a picture of Samantha [Christoforetti, an astronaut from the European Space Agency] sleeping. It was kind of staged and we had it planned, but just to see a person sleeping in space and totally serendipitously an object would float by right as I was filming, and it makes you feel like ‘Wow, that’s what it’s like to sleep in space.’”

Virts mentioned an experiment that Cristoforetti started, where objects (in this case, M&Ms) were placed in a clear plastic ball. After a short time, the candies all settled to one side of the ball instead of floating as expected. Virts repeated the experiment on camera in other modules on the ISS, discovering that the M&Ms would settle in different directions in different modules, due to what is now believed to be a “gravity gradient.”

“Hopefully physics teachers can use the video as an example to explain this gravity gradient,” Virts said.

Other NASA content for the new 4K service will include documentaries, launch videos (often with shots taken from unusual angles) and the range of programming now available on the agency’s cable channel. Long-recorded footage can’t miraculously be converted to 4K, of course, but ongoing projects will increasingly be available in in UHD resolution.