MINNEAPOLIS—I first founded Curling Stadium, a systems integration firm specializing in deploying livestreaming systems in curling arenas using PTZ cameras and NDI connectivity technology, in 2019. Combining my 25 years of IT experience with my background as an Olympic curler, we installed and managed systems in 23 curling clubs around the world.

Those deployments captured the attention of organizations, including USA Curling and international governing body World Curling. We started getting requests to provide full broadcast production services for major curling events, leading us to evolve into Stadium Sports Network, the full-service production company we are today.

Curling Challenges
We had used a variety of PTZ camera brands over the years, ranging from budget-oriented brands for small clubs to the premium high-end models we rented for larger productions. With our productions for World Curling destined for linear television anywhere in the world, we knew we needed to upgrade our cameras to achieve higher quality while remaining cost-competitive. A tipping point came when we were contracted to produce broadcasts of the U.S. Olympic Curling Trials in South Dakota last November for NBC Sports and Peacock.

Shooting curling involves some unique challenges. For example, when we’re tilting a camera down at the ice, we’re getting a lot of bright white that blows out the exposure on most of the other cameras we’ve used. The lighting also varies a lot between events depending on the venues—from dimly lit older curling clubs to bright, modern arenas—so we needed cameras with at least a 1-inch sensor as well as exceptional exposure handling.

One of our partner companies recommended we check out Telycam PTZ cameras, and I’m glad we did. After testing their broadcast-class Explore XE model, we purchased three of them.

In our typical workflow, the Telycam cameras output NDI HX3 streams that are delivered to the production center over a 10 Gbps Ubiquiti network. Switching is done on a computer running vMix software, with Singular Live powering HTML5 graphics and a Behringer X32 audio mixing console.

We use AVKANS controllers for PTZ camera control. Telycam makes its own controllers, but the Telycam cameras support the standard VISCA control protocol and we already owned many AVKANS controllers, so we stuck with them.

The Telycam PTZ cameras have been outstanding, and we couldn’t be happier with the results. When I compare them to other manufacturers we’ve used, aspects like color shading and autofocus have been standouts, and the autoexposure has been amazing in overcoming the above challenges.

In fact, we had rented high-end cameras from a big broadcast brand for a previous project, but we found that Telycam’s autoexposure and focus management blew the more expensive cameras out of the water. The Explore XE gives us superior quality and at its price point, we can buy the cameras rather than renting them. The value we’re getting from them allows us to be competitive at the high end of our market.

PTZ Creativity
Curling is also fairly repetitive compared to other sports, so the shots are almost always the same. We need to be more creative with how we mix in shots with zoom, and the Telycam cameras’ responsiveness with different presets has been valuable.

Most importantly, our broadcast clients have also been happy with the results. We previously heard from skeptics that PTZ cameras couldn’t achieve this level of production quality, but I believe that’s been proven not to be true.

Telycam has also been great to work with. The demo and sales process was smooth and their technical support has been excellent. During one project, we found that we needed a different firmware package, and within an hour, they had responded and new firmware was running on the camera.

We plan to expand to produce multiple broadcasts at the same time, so we’ll be investing in more cameras. Based on our experience, when we do, it will be with Telycam.

More information is available on the Telycam website.

DOWNINGTOWN, Pa.—PTZOptics and LayerJot will demonstrate how prompt-based AI, robotic camera control, and high-performance computing can work together to identify, follow, and respond to objects and events in real time at InfoComm 2026, June 13-19 in Las Vegas.

The demonstrations, which run on Intel Core Ultra Series 3 processors, combine LayerJot’s purpose-built AI software application with PTZOptics’ SimplTrack3 cameras, featuring advanced auto-tracking capabilities. The demos will show how natural-language prompting can guide the system to identify and/or track objects in the room, then use PTZOptics camera control to respond automatically.

The collaboration is designed to show integrators, educators, broadcasters, and pro AV teams a practical path for building on-site AI video workflows, according to the companies. By pairing PTZOptics camera robotics with Intel Core Ultra Series 3 -powered compute and LayerJot’s agentic AI application layer, both exhibitors will demonstrate how Visual Reasoning can move from concept to deployable workflow without requiring large teams, custom hardware stacks, or cloud-only processing.

"AV and enterprise buyers today are asking the same question: how do we deploy AI that actually works in our environment, without building a data center or waiting on the cloud?” said Dr. Ben Cope, Principal Engineer, Intel. “Intel Core Ultra Series 3 processors were purpose-built with that reality in mind, delivering the on-device AI compute performance that makes local visual reasoning practical at scale. Collaborating with PTZOptics and LayerJot lets buyers take that compute capability and turn it directly into deployable, prompt-driven camera workflows. Together, we're removing the barriers between AI potential and operational reality."

Visual Reasoning
For PTZOptics, the demo is part of its broader Visual Reasoning initiative, which focuses on turning video into actionable data by combining camera robotics, AI, and open integration. Visual Reasoning is designed to help systems describe, count, understand, and trigger actions based on what cameras see, supporting workflows across broadcast, pro AV, education, healthcare, manufacturing, houses of worship, and live events, the company said.

“Visual Reasoning becomes powerful when integrators and developers can adapt it to the needs of everyday environments,” said Matt Davis, CTO, PTZOptics. “This partnership shows what is possible when robotic cameras, local AI compute, and prompt-driven automation come together. Our goal is to inspire the pro AV community to build customized solutions faster, more affordably, and with more flexibility than ever before.”

LayerJot’s Agentic Visual Application (AVA) connects to the PTZOptics SimplTrack3 camera and uses AI prompting to identify and/or track objects in the space. The demonstration will show how developers can create custom AI workflows that connect directly to camera control, while giving users the freedom to direct camera actions using natural language.

“We’re focused on delivering advanced visual AI solutions that combine scene understanding, automation, and natural-language interaction to support critical workflows in real-world environments,” said Etay Gafni, CEO of LayerJot. “This demonstration shows how scene understanding and natural-language instructions can drive meaningful actions in live operations, enabling users to interact with complex systems in a more intuitive and efficient way.”

Example workflows include prompting the system to identify an object or person in the room, directing the camera to track that target, and showing how similar logic could be adapted for classroom automation, event production, training spaces, and other applications where small teams need consistent video coverage.

The demonstration also reflects a larger shift in the AV industry, the companies said. Cameras are no longer limited to passive capture. With Visual Reasoning, robotic cameras can become intelligent endpoints that help systems interpret what is happening, make decisions, and trigger workflows in real time. PTZOptics says it is working with a wide range of partners and integrators to combine their own domain expertise with PTZOptics cameras via open APIs – supporting teams and improving operations across multiple industries.

The live demonstration will be available at PTZOptics’ booth N8227 during InfoComm 2026. For more information, visit https://ptzoptics.com/book-a-demo/

MUNICH—Sachtler will feature recently introduced additions to the aktiv and FSB Mk II fluid head range of products as well as other camera support solutions during the 2026 NAB Show, April 18-22, at the Las Vegas Convention Center.

The aktiv16T and aktiv18T, plus the FSB 16T Mk II and FSB 18T Mk II are designed for heavy payload camera systems used by ENG and documentary professionals, delivering high payload capacity, precision, balance and speed of operation.

Sachtler will also showcase its growing support for PTZ productions. As demand increases for multi-camera, remotely operated setups in broadcast, corporate and live event environments, Sachtler will demonstrate cost-effective tripod systems as well as adaptors for its pedestal solutions, which are designed to deliver stability, flexibility and ease of integration.

The company will also highlight its range of lightweight flowtech tripod systems designed for today’s compact, high-performance cameras, including models such as the Sony PXW-Z300. These systems are engineered to provide the optimal balance of portability and stability, enabling operators to move quickly while maintaining precise control and smooth camera movement in the field.

“From high-payload fluid heads for ENG and documentary use, to PTZ support and lightweight systems for compact cameras, we’re focused on enabling creators to work efficiently in any production scenario. With some of these products introduced over the past year, NAB provides an important opportunity for many customers to experience them in person for the first time,” said Sachtler product manager Barbara Jaumann.

See Sachtler at 2026 NAB Show booth C5816.

More information is available on the company’s website.

BURY ST EDMUNDS, UK—Vinten, a global provider of robotic camera support systems, has launched Vega Lite, a broadcast-ready PTZ control solution designed to deliver professional automation, consistent workflows, and scalable control for studios working with PTZ cameras.

Vega Lite brings advanced PTZ control together with integration for dedicated PTZ supports and higher-payload Vinten robotic heads, allowing broadcasters to adopt PTZ cameras within established broadcast workflows without the investment required for a full robotic system, according to the company.

The system is designed for broadcast environments where PTZ cameras are used alongside traditional production tools, including secondary studios, streaming spaces, and stand-up presentation positions, as well as facilities built around PTZ-centric workflows. Vega Lite supports broadcast PTZ cameras from Sony, Canon, and Panasonic, alongside Vinten robotic heads, giving broadcasters the freedom to deploy PTZ cameras without being tied to a single camera ecosystem.

Designed for live broadcast requirements, Vega Lite incorporates broadcast-style operational features including a shot grid for immediate visibility of preset shots, multi-shots for flexible output, joystick profile editing to suit operator preferences, and instant recall of presets for specific sets and shows. Advanced options include sequences where movement is defined by a series of stored keyframes, playout integration supporting all major automation systems, and AI-driven Presenter Tracking.

“PTZ cameras are now a permanent part of broadcast production, but the control layer has not kept pace,” said Sergio Brighel, EVP Robotics and Prompting Technology, Videndum. “Vega Lite applies the same control philosophy and workflow logic used in full robotic studios to PTZ environments, while integrating with third-party cameras, supports, and automation systems. This gives broadcasters the freedom to design flexible studios today, without being tied to a single vendor, and a clear path to scale from PTZ control to full robotic systems on one consistent platform.”

Vega Lite also provides a clear migration path to the full Vega Control System, enabling facilities to expand into higher-end robotic workflows, redundancy, and additional axes of movement as production requirements evolve, Vinten said.

Vega Lite is shipping now.

PTZOptics said it will showcase a comprehensive lineup of automation-driven pan-tilt-zoom (PTZ) and fixed camera solutions at ISE 2026 in Barcelona (Booth 5K200), demonstrating how visual and audio reasoning helps automate and streamline professional video from conference rooms to industrial manufacturing environments.

“For integrators, the message is clear: We deliver the highest quality video capture and the widest range of control and automation options for any application.“ PTZ Optics Chief Revenue Officer Paul Richards said. “At ISE, we’re showcasing how easily we integrate into any workflow, and also how PTZOptics video technology empowers the latest in visual reasoning and AI applications. This is why we make such an effort to partner with trusted brands, cutting-edge software developers and design our own solutions that help our customers break into new markets and generate new revenue streams faster than ever before.”

All demonstrations are designed around practical, integrator-friendly solutions, the company said. They include:

• Multi-camera automation with voice tracking and Audio-Technica and Sennheiser microphone solutions.
• Industrial manufacturing applications with the new, high-visibility Move 4K and visual reasoning AI software integration with Detect-It.
• Public sector applications such as out-of-the-box courtroom live streaming solutions with Beincourt.
• Additional demo zones that highlight other industry-specific applications such as live streaming with new wireless and remote camera management tools.

Across all demonstrations, PTZOptics emphasizes open integration, scalable automation, and workflow-first design built for integrators. Attendees interested in exploring these new ecosystems can schedule a demo with Silke Brown or Alexander McHugh.

Visit PTZOptics.com to learn more.

KEIZER, Ore.—Municipal broadcaster Keizer City Television, K23 TV, has deployed four Telycam PTZ cameras to upgrade the visual quality of its live meeting coverage.

The government access broadcaster plays an important role in connecting Keizer officials with citizens. Broadcasting and streaming from council chambers in the Keizer City Hall, the channel, operated by Ambition Pictures, provides live coverage of city council and other municipal activities, including planning commission, transportation and parks advisory board sessions.

This past summer, the broadcaster set out to replace and improve its aging, first-generation NDI PTZ cameras.

“At KeizerTV, we do our best to maintain a high level of production for everything we do, to give our viewers an optimal experience,” KeizerTV Producer Phillip Wade said. “Our existing cameras were starting to have issues, such as focus drift, but we also wanted to improve our overall quality to meet our high standards.”

Wade’s quality goals included increasing the visual fidelity captured by the cameras. “The resolution of our existing cameras was 1920x1080 HD, but we wanted better color reproduction, exposure and sharpness,” he said. “Being able to get better color and exposure in our council chambers improves the overall production quality.”

The broadcaster also wanted to increase the number of cameras deployed to enable more comprehensive coverage and to have a greater optical zoom range to allow better close-ups across the council chamber space.

Systems integrator Mid-Valley Media recommended Wade evaluate Telycam’s Vision+ N3 cameras with 30x optical zoom. He found the camera delivered the performance K23 TV was seeking. The city purchased and deployed four of the cameras, which went live in August.

At the front of the city council chambers, up to seven meeting participants are seated at a forward-facing, curved dais. Smaller offshoots on each side seat additional participants. Two Telycam cameras at the back of the room capture close-up and wide shots of those on the main dais, while the other two cameras are positioned at the sides of the room to capture people seated on the offshoot wings. The side cameras also cover the area where members of the public present or speak during city meetings.

The cameras are connected to a Vizrt TriCaster TC1 Pro production switcher in an IP-based workflow using NDI HX3 connectivity. In addition to being broadcast on television via Comcast, the output of the TriCaster is also streamed live on the city’s Facebook and YouTube channels in both English and Spanish. The Spanish streams are created by sending the NDI feed of the TriCaster’s program output to another room where it is translated by interpreters. A Spanish audio translation is mixed in with a TriCaster Mini.

KeizerTV initially controlled the pan, tilt and zoom functions of the Telycam cameras through the TriCaster TC1, but found it cumbersome to do so with the same control surface used for switching.

“The TriCaster control surface has an integrated joystick, but it’s not positioned ergonomically for camera control,” said Wade. “You have to reach across all the other buttons on the panel to get to the joystick and press two buttons on the other side of the panel to activate which camera you want. It was awkward, which delayed getting the subject into frame.”

Wade added a Telycam V-Joy+ AT controller to the installation. “It’s important for us to be able to quickly select a camera and move it, and the Telycam controller lets us do that efficiently,” he said.

The Vision+ N3 cameras have met the broadcaster’s objectives and expectations. “We’re very happy with the quality of the video they produce,” Wade said. “I also appreciate being able to manually set the aperture of the camera. That gives us some control of the depth of field, which makes the footage look and feel higher-end.”

Wade also praised the speed and precision of the Telycam cameras’ autofocusing. “The cameras adjust very quickly,” he said. “When I move the camera position, it’s already in focus by the time I’m ready to cut to that camera.”

More information is available on the Telycam website.

MELVILLE, N.Y.—Canon USA has launched the CR-N400 and CR-N350, two new Pan-Tilt-Zoom (PTZ) cameras designed to deliver high image quality, versatile connectivity and advanced control for professional video applications.

The cameras cater to an array of studio productions, live events, houses of worship, corporate settings and educational environments, the company said.

The CR-N400 and CR-N350 address the need of users to access advanced functionality and streamline workflows. Designed to fill the space in Canon’s PTZ lineup between the CR-N300 and the CR-N500, the new cameras provide smooth on-air pan/tilt performance and high-quality imaging for a broader range of users, Canon said.

Both cameras offer 4K 60p imaging with a 20 times optical zoom, extendable to 40 times advanced zoom in Full HD. Their 1/2.3-inch CMOS sensor and the DIGIC DV7 image processor provide outstanding image quality and Canon’s color science. Both cameras include a vertical crop feature that allows users to simultaneously output a 9:16 crop of the full image, it said.

The CR-N400 is tailored for professional broadcasters who require a 4K SDI-based workflow, as it features 12G-SDI and 3G-SDI connectivity, genlock and timecode support for seamless integration into professional multicamera setups, Canon said.

The CR-N350 provides a cost-effective solution for users who only require 4K over HDMI/IP or Full HD over its 3G-SDI terminal. With the increasing adoption of IP protocols, such as NDI and SRT, both the CR-N400 and CR-N350 provide a versatile solution for direct IP streaming and remote production workflows, the company said.

With these features, the CR-N400 and CR-N350 are well suited to both live and recorded productions, offering operators the ability to capture dynamic content effortlessly while maintaining a competitive edge in fast-paced settings, Canon said.

The CR-N400 and CR-N350 PTZ cameras are scheduled to ship in late December for an estimated retail price of $5,699 and $3,999, respectively.

More information is available on the company’s website.

Sports broadcasters consistently deliver some of the most dynamic and technically challenging sporting events in the world. For sports where every serve, volley, and footfall carry precision and emotion, audio and video quality can make or break the at-home viewer’s connection to the game.

From capturing fast-paced gameplay and moving bodies to broadcasting electrifying moments on the big screen, all while streaming across different platforms, broadcasters have a lot on their plate. Delivering an equally immersive viewing experience to both on-site and remote viewers is more challenging than it appears.

Audiovisual solutions like audio, switchers, and cameras – including studio cameras, PTZ cameras, and camcorders – allow broadcasters to seamlessly deliver professional quality productions that bridge the in-person and remote experience.

PTZ Cameras Bring Sports to Life
Cameras are the eyes of a broadcast production. Without them, no one would be able to watch the live action unfold. Today’s cameras take this a step further, allowing viewers to not just follow along but see extremely vivid moments of emotion, physical endurance, and hard-fought wins.

Have you ever watched a ball hang in the air at the goal line, a puck ricochet off the post, or a player make a split-second move that changes the game? This is the type of content PTZ cameras were designed for. Their compact size enables them to be placed in small spaces to capture shots and angles that aren’t possible with operator-controlled cameras. PTZ cameras are also extremely durable, functioning well in challenging outdoor conditions like rain, high winds, extreme temperatures and even bright or dim lighting.

PTZ cameras are also equipped with auto tracking features that automatically follow a player or ball without an operator. This ensures smooth, consistent framing during fast action, which is crucial for sports where plays unfold quickly. PTZ cameras can also capture audio from an external microphone input or embedded audio over an IP-based network to capture unique sounds, like the crack of a bat, the swish of a net, or a coach shouting instructions from the sideline.

Bridging the Gap Between In-Venue and Living Room Experiences
After capturing vivid, behind the scenes content with advanced cameras, the content is delivered in real time on large LED screens in stadiums and small home TVs or computer screens globally. Broadcasters can slow down these clips for instant replays and slow-motion breakdowns from multiple angles.

This behind the scenes look at game play helps viewers from all locations feel engaged in what’s happening. Whether their favorite team is down a point or far surpassing the competition, it’s the little, often overlooked details that can instill excitement, nervousness, or happiness in a fan regardless of where they’re tuning in from.

Switchers are central to helping a remote audience feel like they’re watching a sporting event live from inside the venue. They also help in-venue fans experience moments they might have missed. Today’s switchers connect to cameras via high-bandwidth SDI, supporting 4K/60p video, or IP-based workflows like NDI or SMPTE 2110 for uncompressed video, audio, and data streams over a single network.

This allows an operator to switch between multiple camera feeds to deliver dynamic viewing angles of a game. Switchers also use overlays, keying, and compositing features to integrate live data feeds from scoring systems to allow viewers at home to stay informed on the latest scores and player performance metrics. These feeds can also be routed on large LED walls within a venue for a cohesive experience, regardless of where a viewer is watching.

The rise of centralized control rooms and remote production allows operators to manage events without being physically onsite. Take the Paris 2024 Olympic and Paralympic Games, for example. Broadcasters leveraged switchers for centralized control and operation of multiple venues from a single server.

This reduced the need for on-site staff, saving time and money without sacrificing video quality. As remote production continues to rise in popularity, we’ll see more benefits brought to sports broadcasting from faster deployment and scalability to more consistent production quality and enhanced storytelling.

Meeting Evolving Expectations of Sports Fans
Fans want to be entertained. Whether it’s a tied match or break in gameplay, broadcasters are constantly looking for ways to maintain viewers’ attention and exceed their expectations. The future of hybrid sports is dependent on cutting-edge audiovisual technology that elevates interactivity across television, streaming platforms, and social media.

The next time you’re tuning into a sporting event, consider how audiovisual technologies are blurring the lines between viewer experiences. Whether sitting in the stands or on the couch, real-time multi-angle views put fans at the heart of action to enable more personalized connections between them and the sports they love.

LONDON—Yealink, a provider of unified communication and collaboration solutions, has joined the NDI ecosystem with the availability of its SmartVision 80 premium intelligent PTZ cameras—its first product to receive NDI certification.

The company is among the top certified partners of Microsoft and Zoom with products and solutions for Microsoft Teams and Zoom rooms. With the integration of NDI into its product line, Yealink takes a firm step into the world of video over IP, providing new levels of interoperability and flexibility, the company said.

“Our mission is to make video connectivity effortless, supported by a growing ecosystem of trusted partners,” said Miguel Coutinho, head of NDI. “The addition of Yealink not only expands the reach of NDI-enabled products into enterprise collaboration, but also brings intelligent, NDI-enabled video to ProAV production workflows worldwide.”

SmartVision 80 combines AI-driven video features with premium PTZ performance to deliver seamless, intelligent meeting experiences. With NDI certification, the camera integrates effortlessly into broadcast, streaming and production workflows, it said.

While NDI does not build AI functionality directly, it provides the metadata and connectivity that enable AI-driven workflows to operate seamlessly within production and collaboration environments.

“Joining NDI’s ecosystem allows us to provide our customers with even greater flexibility,” said Dawson Cai, vice president of product at Yealink. “Integrating NDI now makes it possible for the SmartVision 80 and future Yealink products to connect and collaborate seamlessly across industries and environments, bridging the gap between enterprise collaboration and professional production.”

More information is available on the company’s website.

NEWARK, N.J.—Panasonic Connect has announced the new AK-UCX100 4K studio camera and two new 4K multi-purpose cameras. In addition, the company said it will extend NDI support to its lineup of 4K integrated cameras including the AW-UE40, AW-UE50, AW-HE145 and AW-UE150 in addition to its Memory Card Camera Recorder, the AG-CX350.

Panasonic Connect said that the AK-UCX100 is designed for live events and gives event professionals the flexibility to capture engaging, high-quality content in these dynamic environments.

Capturing clear, high-quality content in live event environments can pose challenges with shifting lighting conditions and dynamic backgrounds. The AK-UCX100 supports strong image quality right out of the box. The new imager offers high sensitivity and dynamic range, easily adapting to both a darkened auditorium and venues with dazzling lighting effects. Its colorimetry has also been optimized to account for any new challenges with LED lighting and large display walls while the camera's HD low-pass filter helps manage the effect of moiré in LED walls. This allows venues to easily create the same experience for fans whether they are in-person or tuning in from home.

With improved resolution and 4K capabilities, the AK-UCX100 achieves a resolution of 2000 TV lines both horizontally and vertically, capturing detailed, ultra-high-definition images of the subject from any angle. Plus, the wide dynamic range and color gamut of HLG/BT.2020 lets content creators capture colorful, immersive stage performances for the most advanced display technologies.

When producing content in a traditional studio with a CCU, the camera pairs with Panasonic’s recently released AK-UCU700 Series Camera Control Unit, which provides all traditional points of connectivity. The UCX100 can easily pair with any Panasonic camera, including the AK-UE160 PTZ camera, to ensure consistent, cohesive production quality.

The camera will become available in December 2024 and will be on display at NAB NY (October 9-10).

More information is available here.

Panasonic connect also announced two new 4K multi-purpose cameras to improve workflows and bring creativity to any production site, enabling high-quality video production regardless of industry. The AW-UB50 and AW-UB10, available in early 2025, are compact, box-style cameras equipped with large-format sensors to meet the demands of broadcast and live entertainment with exceptional image quality and expressive detail. With Panasonic’s remote camera system, AW-UB50 and AW-UB10 will be able to remotely facilitate the workflow of video production. These multi-purpose cameras will enable the expansion of high-quality video production into markets such as education and corporate environments.

For the new cameras, Panasonic leveraged its proven Dual Native ISO and high dynamic range technologies—featuring up to 14+ stops of V-Log on the AW-UB50 and 13 stops of V-LogL on the AW-UB10—from its cinema-grade Varicam and EVA1 cameras, bringing cinema-quality shooting to a compact, versatile form factor ideal for remote scenarios. These cameras offer high-quality video production and expand creative possibilities across various industries. Key features include:

• High-quality image expression no matter the industry or production site: The AW-UB50 uses a full-size MOS sensor with 24.2M effective pixels, while the AW-UB10 uses a 4/3-type 10.3M effective pixel MOS sensor, achieving diverse, high-quality image expression with excellent color reproduction and resolution across sensor formats. Both models are also compatible with the photo style of the AW-UE160 4K integrated camera, ensuring seamless color matching in mixed operations.
• Simplified workflows: Designed with usability in mind, both cameras boast a compact body under 10 cm in height, width, and depth (excluding the lens), and are packed with features that make them highly versatile. This includes dual SD card slots, real-time recognition AF for automatic subject focus, and a variety of input/output interfaces such as 3G-SDI OUT, HDMI Type A, LAN terminal, TC IN/OUT, GENLOCK IN, USB Type-C, Φ3.5 MIC terminal, and a headphone terminal. The LAN terminal supports PoE+ for easy installation with minimal cabling. Future updates will introduce IP transmission standards like NDI® HX2, RTMPS, and SRT, as well as AI tracking technology and automatic framing functions, further simplifying remote shooting in networked environments.
• Excellent expandability: The AW-UB50 and AW-UB10 are highly expandable, seamlessly integrating with third-party robotic remote head and Panasonic controllers. Not only does this expand creative freedom, but the resulting portability and ease of installation make them adaptable to a wide range of video production scenarios. With upcoming software updates, the inclusion of advanced AI-driven features will further enhance their functionality, expanding creative possibilities and making high-quality video production more accessible across industries.

The cameras are compatible with Panasonic’s Studio cameras, PTZ cameras, and software such as Media Production Suite, supporting multi-camera setups with remote cameras. The AW-UB50 and AW-UB10 are ideal for event filming, educational content creation, and corporate video production, offering high-quality video, enhanced creativity, and streamlined workflows. The AW-UB10 will begin shipping early 2025 and the AW-UB50 will begin shipping Spring of 2025. To learn more, visit https://connect.na.panasonic.com/av/video/multi-purpose-camera/aw-ub50-ub10.

In addition, Panasonic Connect North America announced that it will extend NDI support to its lineup of 4K integrated cameras including the AW-UE40, AW-UE50, AW-HE145 and AW-UE150 in addition to its Memory Card Camera Recorder, the AG-CX350. The NDI upgrades, which previously required a paid license from Vizrt NDI AB, will be made available via a free firmware update between December 2024 and April 2025. After this period, the models will ship with ready-to-go NDI capabilities*1.

“Our collaboration with Panasonic marks a significant milestone in the expansion of the NDI ecosystem,” said Daniel Nergard, president of NDI. “By making NDI a standard feature across a wide range of products, Panasonic enables thousands of users to benefit from the seamless integration and powerful flexibility that IP video production offers. We are excited to see Panasonic leading this change and look forward to the innovative solutions that will emerge as a result of this enhanced accessibility.”

NDI, an open standard for connecting video equipment over IP networks, will enable devices to build systems in standard gigabit IP networks, simplifying the transition of video production workflows to IP environments. As a result of this upgrade, more devices can access NDI-enabled systems on the network, such as switchers, cameras, and media servers. This allows video production crews to seamlessly create and distribute a diverse array of content to their audiences. Additionally, Panasonic’s NDI-enabled PTZ cameras support Power-over-Ethernet (PoE) control and audio/video transmission via a single Ethernet cable, significantly enhancing the ease of installation and reducing cabling costs.

Panasonic’s lineup of NDI-supported products includes:

• PTZ Cameras such as the AW-UE160, AW-UE100 and AW-UE80
• Studio Cameras such as the AK-UCX100*2,
• 4K Multipurpose Cameras such as the AW-UB50*3 and AW-UB10*3
• Compact Switchers such as the AV-HSW10 and AV-UHS500 *4
• KAIROS IT/IP platform and Video Mixer plug-in for Media Production Suite

For more information on Panasonic’s NDI® enabled products visit: https://connect.na.panasonic.com/av/video

LAS VEGAS—JVC Professional Video, a division of JVCKENWOOD USA Corporation, will be highlighting its latest NDI and vMix solutions at InfoComm 2024 (Booth C5715) this week. 

This includes the company’s new KY-PZ540 Series Connected Cam PTZ Cameras with 40x zoom and KY-PZ510 Series Connected Cam  PTZ Cameras, which each have NDI-enabled options. 

The company will also feature its KM-IP12S8 Series Connected Cam vMix Studio Switchers and RM-LP450G Slow-Motion Controller for its vMix Studio Switchers, with live demos of all products being held at the booth throughout the show. 

“Industry professionals have adopted NDI-enabled devices at a record pace, and we are thrilled to be part of the network of manufacturers to offer this solution,” says Joseph D’Amico, vice president of JVC Professional Video. “Similarly, vMix has time and again proven to be a leading brand for live streaming productions, and we are grateful for the partnership between our organizations. We look forward to reinforcing the value and advantages that JVC offers to the AV market at InfoComm this year.”

Designed in direct response to customer feedback, the multi-award-winning KY-PZ540 Series PTZ Cameras are the company’s first PTZ cameras to incorporate a 40x focal length. The cameras are ideal for large event spaces and instances when the need to zoom in from a distance is essential. The cameras feature JVC’s 4K imager and renowned Variable Scan Mapping technology, which dynamically scans the 4K sensor to produce a seamless and lossless image transition up to 40x in full-resolution HD. Increasing the zoom magnification while keeping the unit affordable made it possible for JVC to accommodate the needs of a larger segment of customers, the company reported. 

Complementing the KY-PZ540 model is the KY-PZ510 PTZ series, which is most recognized for its super-wide horizontal angle of view (80 degrees) and focal length of 21.8 to 261.8 millimeters. The KY-PZ540 and KY-PZ510 PTZ award-recognized cameras include AI-enabled advanced SMART auto-tracking operations. This feature can follow one person or one of multiple people within its field of view and includes its latest advancements in: Standard, Area, Stage, Wide Area and Fine Adjustment modes. These modes provide additional controls and adjustment options allowing for flexible and precise operations. Both series are available in black or white models and host non-NDI and NDI supported IP-based remote operation capabilities, JVC said. 

With the NDI-enabled KY-PZ540N and KY-PZ510N, users have the added ability to utilize NDI HX3 for the highest quality video with reduced latency, at a fraction of the bandwidth of full NDI. The NDI HX3 capability also enables integrators to take advantage of the cameras’ award-winning features, such as the KY-PZ510N’s super-wide horizontal angle of view (80 degrees) and focal length of 21.8 to 261.8 millimeters. 

Additionally, the incorporated Vertical Interval Time Code (VITC) with Network Time Protocol (NTP) provides the cameras with multi-camera synchronization for seamless live event production. Using the latest HEVC technology, the cameras ensure higher quality video at lower bitrates for remote production over the internet (REMI). The cameras also support H.264 and H.265/HEVC encoding, offering increased compatibility with a variety of hardware and software applications. Furthermore, the 4K60p output, via both HDMI and streaming, delivers ultra-clear, natural imagery in settings with a lot of movement, such as sports and live events.

Comprised of both the KM-IP12S8 and KM-IP12S8PRO, the KM-IP12S8 Series Connected Cam vMix Studio Switchers are complete live video production solutions that provide live mixing, switching, recording and streaming for a variety of multi-camera, fast-paced applications, JVC explained. 

The KM-IP12S8 includes the vMix 4K license and supports up to 12 NDI/SRT and eight SDI video inputs, as well as multiple output options, including 12G-SDI, 3G-SDI, HDMI, DisplayPort and up to four live 3840x2160 60p inputs via 12G-SDI/NDI. Additionally, three 2.5 GbE Ethernet ports are available for NDI, SRT, Dante and RTMPS internet connectivity. The switcher also offers concurrent outputs to three CDNs, Multiview and ISO recording, all in a quiet 4RU case with liquid cooling. The KM-IP12S8PRO has the same hardware specifications, with the addition of the vMix Pro software license, which enables eight-channel instant replay.

The switchers’ front dock has four removable SSD drive trays and USB 3.0 Gen.2 ports for digital audio and control surfaces. This includes JVC’s RM-LP350G vMix Control Surface with PTZ camera joystick and the recently released RM-LP450G vMix Slow-Motion Control Surface, which can increase the speed of a live playback workflow. 

Designed for use with vMix Replay, the RM-LP450G offers a modern appearance and simple control layout, along with 38 backlit keys to quickly identify important functions and reduce the chance of errors. Ideal for sports broadcasting, the controller caters to the replay needs of this market. It is equipped with quick-action Playback Search Disks and Control T-bar for speed control of the video playback, for up to eight video inputs, JVC said. 

LAS VEGAS—JVC Professional Video has announced that it will debut its new KY-PZ540 Series PTZ Cameras with 40x zoom at 2024 NAB Show (Booth C4720). 

As the company’s first PTZ cameras to incorporate this focal depth, the KY-PZ540 and KY-PZ540N with integrated NDI HX3 capabilities are designed with JVC’s 4K imager. The cameras also feature JVC’s Variable Scan Mapping technology, which dynamically scans the 4K sensor to produce a seamless and lossless image transition up to 40x in full-resolution HD. The cameras are ideal for large event spaces and instances when the need to zoom in from a distance is essential. 

“We asked our key customers what feature was most in demand and their request was for a PTZ camera capable of 40x zoom in 1080/60p mode at an affordable price point,” says Joe D’Amico, vice president of JVC Professional Video. “We already have an award-winning PTZ product—increasing the zoom magnification while keeping the unit affordable made it possible for us to accommodate the needs of a larger segment of customers.”  

With JVC KY-PZ510 technology at its core, the new KY-PZ540 PTZ cameras incorporate the brand’s award-winning features, such as AI-enabled advanced SMART auto-tracking operation and NDI supported IP-based remote operation capabilities.

JVC recently expanded its auto-tracking to include five new advanced features: Standard, Area, Stage, Wide Area and Fine Adjustment modes. In addition, presets for exposure, color and image were added as well. These upgrades provide additional benefits in frame composition, zones, and modes of operation. There is also a USB video device class (UVC) available for direct connection to Zoom, Google Meet and other online video conferencing programs, the company reported. 

Other key features of the KY-PZ540N include integrated NDI HX3 for seamless hassle-free system integration and SRT featuring HEVC and H.264 dual encoding for efficient bandwidth utilization. This ensures higher quality video at lower bitrates for remote production over the internet (REMI). The KY-PZ540N can also simultaneously output NDI, SRT and RTMPS for hybrid local/remote workflows to deliver the highest quality distribution to the world’s most popular CDNs, the company said.  

“JVC has been in existence for nearly a century and our professional video division has gained a very strong and loyal professional customer base—one that is also very ‘price versus performance’ conscious,” added D’Amico. “Once our customers purchase a JVC product, they quickly realize and appreciate the quality of the innovative engineering integrated into each model, in addition to JVC’s reputation for excellent personal service and support.”  

The new KY-PZ540 PTZ Camera series has a starting retail price of $1,999 and will be on display, along with several other JVC solutions, at NAB 2024 (Booth C4720).   

For more information, visit JVC’s website at jvc.com/usa/pro/professional-video/. 

WAYNE, N.J.—JVC Professional Video has released Firmware Version 3 for its KY-PZ510 and KY-PZ510N Connected Cam PTZ Cameras that will be shown at 2024 NAB Show (booth C4720). 

With this latest free update, users now have access to five different settings of Auto Tracking, including Standard, Area, Stage, Wide Area and Fine Adjustment options. The new firmware will also make it possible for users to set presets for exposure, color and image, among others ― a feature that is being released across all NDI®-enabled JVC PTZ cameras, JVC said. 

“The enhanced auto tracking functionality of our award-winning KY-PZ510 Series PTZ cameras is designed to follow one person and can be used to select one of multiple people within its field of view ― such as an instructor, pastor or a specific individual,” says Joseph D’Amico, vice president, JVC Professional Video. “This latest firmware update aims to further enhance the creative possibilities set forth by these features, which are ideal for classrooms, corporate settings and houses of worship, among other applications. We look forward to presenting this latest solution to NAB 2024 attendees.”

With these latest features, users will be able to use the ‘Standard’ setting to set the designated position of the tracking system, adjust the headroom or indicate subject framing options, such as upper body or above the chest. The ‘vertical’ alignment setting will also enable users to adjust the amount of space above the presenter. Additionally, the new ‘Area’ setting is intended for users to designate an area from within the field of view in which the camera will stay stationary unless the speaker has left that space. Multiple spaces can be set for this function, the company reported. 

The ‘Stage’ setting establishes the left and right panning borders of the KY-PZ510 Series cameras, while ‘Wide Area’ sets stationary camera positioning concentrated towards the center of the stage. This provides minimal motion distraction while ‘Standard’ auto tracking is engaged, should the subject travel beyond the outer borders. The new firmware includes a ‘Fine Adjustment’ mode, in which the camera adjusts the framing of the subject to the preset position within a maximum six-second time span, JVC said. 

A free firmware update is also available for the JVC RM-LP100 Remote Camera Controller and web interface, which can now be used to send auto-tracking commands for the cameras via WEB API. Additionally, while in auto tracking mode, the controller can be used to select an individual or set tracking ON/OFF, using the simple left/right lever on the device.

The award-winning features of the KY-PZ510 Series include a super-wide horizontal angle of view (80 degrees) and focal length of 21.8 to 261.8 millimeters, along with incorporated Vertical Interval Time Code (VITC) with Network Time Protocol (NTP) for multi-camera synchronization. Using the latest HEVC technology, the cameras ensure higher quality video at lower bitrates for remote production over the internet (REMI). The KY-PZ510N can also simultaneously output NDI®, SRT and RTMPS for hybrid local/remote workflows to deliver the highest quality distribution to the world’s most popular CDNs.

With the new firmware updates, JVC has also released new preset options for exposure, color, image and PTZ settings. These functions will also be available across all NDI®-enabled JVC PTZ cameras, including the KY-PZ400N and KY-PZ200 Series, which have been upgraded to NDI Version 5 with their respective free firmware updates.

More details about these updates can be found in this video.

NEW YORK—Broadcast Management Group (BMG) has added a variety of JVC Professional Video ultra-wide-angle, streaming and pan-tilt-zoom (PTZ) cameras to assist its clients with their productions.

“Our account rep at JVC was very effective at communicating the value of the brand’s PTZ cameras and offered to come out to BMG’s Cloud Control Production Center™ in Las Vegas for a demonstration,” said BMG founder and CEO Todd Mason. “We all walked out convinced that JVC was our best option.” 

Shortly after the visit, BMG purchased JVC KY-PZ510BU ultra-wide-angle, KY-PZ200BU streaming and KY-PZ100BU PTZ cameras, as well as RM-LP100U and RM-LP5G remote camera controllers. It has installed several of these cameras at the facilities of various clients and used the cameras and controllers in the production of live sporting events, JVC said.

BMG regularly positions JVC PTZ in the announcer booth at sporting events for use as commentator cameras throughout games televised by ESPN and CBS. The setup is equally well-suited to remote production workflows and those done in traditional production trucks on site deployed from BMG’s East and West Coast hubs, it said.

One particularly useful feature of the PTZ cameras is their ability to be remotely operated. “While we usually need to have six to 10 manned cameras covering the actual game itself, for the commentators we can use two or three PTZs with a remote operator, which is extremely helpful,” said Mason.  

The advanced streaming capabilities of the cameras include Secure, Reliable Transport (SRT) protocol support, which translates into cost savings for BMG. “With all our other cameras, the feeds are coming through encoders back to BMG’s Cloud Control Center, and those encoders are very expensive,” he said. “Our shows keep getting bigger and bigger, which means increasingly more encoders and decoders are needed. Having SRT directly out of the PTZ camera is just another big way to cut costs. It essentially frees up channels and saves us from tying up primary encoders.”

The cameras and controllers are also playing an important role in client-owned studios, such as at the Schwab Network where JVC PTZs serve as an option for different news and entertainment productions, JVC said.

BMG has deployed a JVC camera on the floor of the New York Stock Exchange for Schwab. It is used for bump shots coming in and out of shows on the NYSE floor. BMG relies on the SRT functionality for remote camera control and to feed video to the show’s control room in Chicago, it said.

The company typically has used two larger, traditional JVC RM-LP100Us controllers and has recently expanded to using the new JVC RM-LP5G compact joystick controller as well. “We first saw that controller at NAB and thought it was smart. We realized how cost-effective it was for us and now have it,” said Mason. 

More information is available on the BMG and JVC websites. 

LAS VEGAS—CueScript has announced that it will be showing a custom teleprompter solution designed specifically for the Sony Electronics’ FR7 PTZ Camera at NAB 2023 (Booth C4421).

Available in four different models, CueScript’s custom FR7 PTZ prompting solution consists of the monitor, hood and mounting software. Models include the CSV2P19FR7 (19-inch CSMV2 On-Camera Prompter System), CSV2P17FR7 (17-inch CSMV2 On-Camera Prompter System) as well as the EMCP17FR7 (17-inch EMC On-Camera Prompter System) and the EMCP15FR7 (15-inch EMC On-Camera Prompter System). 

“The FR7 is unique from other PTZ cameras in that it features a full-frame cinema sensor and interchangeable lenses,” says Michael Accardi, president, CueScript. “Our existing PTZ prompting solutions would not have worked for this camera since the form factor of this PTZ is so unique. We designed a custom prompting solution that ensures that the camera is in the ideal position for capture, gives customers access to the interchangeable lens and also provides a reliable, high-quality teleprompter.”

CueScripts’ monitors range from the higher-end CSV2 monitor line, which is ideal for broadcasting applications and larger studios. With the same CueScript principles of style, quality and ease of setup, the EMC line offers a simplified middle market monitor that is commonly used at smaller stations and in vertical markets such as education. Both monitor lines come in various sizes to fit a range of use cases.

“We designed a range of prompt solutions for the FR7 to provide options for our customers, in terms of the monitor itself as well as the size of monitor that is preferred,” adds Accardi. “Regardless of the application, presenters will notice a difference with CueScript’s prompters due to the high-resolution LED screens, high contrast ratio and super smooth scrolling from CueScript’s CueiT software.”

MONT-SAINT-GUIBERT, Belgium—intoPIX, a leading provider of lightweight low-latency compression solutions, has announced a partnership with Panasonic Connect that will integrate intoPIX’s JPEG XS technology in Panasonic’s PTZ and studio cameras.

Panasonic Connect made the strategic move to JPEG XS technology by adopting the intoPIX TicoXS IP cores, which will allow their camera line-up to interface directly with live production workflows supporting SMPTE ST 2110 and IPMX standards, the companies explained. 

Panasonic Connect recently launched its new flagship AW-UE160W/K PTZ camera and its new AK-PLV100GSJ 4K studio camera, both of which will support JPEG XS. 

With its high sensitivity capability of F14/2,000 lx which is equivalent to that of a studio camera, the AW-UE160W/K can be used together with studio cameras to add more flexibility to video content production. Equipped with a large format, super 35mm imager, and PL lens mount, the AK-PLV100GSJ offers a shallow-depth look that enhances creativity in broadcasting and streaming events.

Using JPEG XS safeguards all advantages of an uncompressed stream such as ultra-low latency and high quality and offers a significant bandwidth reduction with real-time FPGA, CPU, or GPU-based encoding in HD, and 4K, the companies explained. 

Moreover, it can be used in any LAN, WAN, or cloud-based IP-based application which is sensitive to low latency and high quality. Powered by the shooting feature set of the AW-UE160W/K and the AK-PLV100GSJ, this provides an ideal IP video production workflow for applications such as live TV production and live events, they said. 

“We are excited to partner with intoPIX experts to deliver a premium IP workflow to our customers. Outstanding image quality and near-zero latency are the absolute foundation of our solutions, and this was only possible with intoPIX JPEG XS,” said Masatoshi Taniguchi, director of the ProAV business at Panasonic Connect.

“We are supporting the media industry to deliver premium live IP workflows with more efficiency,” added Katty Van Mele, business development director at intoPIX.

“Panasonic Connect and intoPIX have developed a long-standing relationship over the past years. We are happy to move forward with JPEG XS together and to contribute to the excellence of their products.”

intoPIX has developed a wide range of zero latency encoders and decoders running on any software and hardware platform and supporting any resolution.

For more information about the intoPIX JPEG XS solutions, visit their website or book a meeting with the team during NAB 2023 (Booth C6335) in Las Vegas, from April 16 to 19, 2023. 

WAYNE, N.J.—JVC Professional Video has announced that it will be adding NDI|HX3 to its award-winning KY-PZ510N PTZ Connected Cam Cameras via a new free firmware update.

With the new firmware, which will be available by the end of March, users can select NDI|HX3 for the highest quality video with reduced latency, using a fraction of the bandwidth of full NDI.

The company will spotlight this feature within its KY-PZ510N camera at the 2023 NAB Show (Booth C4218).

“The addition of the NDI|HX3 option for our PTZ cameras with NDI® capabilities will provide users with a greater level of flexibility without the need to replace their hardware,” says Joseph D’Amico, vice president, JVCKENWOOD USA Corporation. “According to Vizrt, media organizations’ adoption of NDI-enabled devices is growing at a record pace, and we are thrilled to be part of the network of manufacturers to offer this solution. Our inclusion of a variety of NDI® codecs to our customers means they also have even more workflow options available to them.”

The new NDI|HX3 capability enables integrators to take advantage of the KY-PZ510N’s award-winning features, such as its super-wide horizontal angle of view (80 degrees) and focal length of 21.8 to 261.8 millimeters.

These features make the KY-PZ510N ideal for live-action events, studios, classrooms, corporate settings, event facilities, sports venues and houses of worship, JVC reported. The cameras also include enhanced SMART auto-tracking that follows one person and can be used to select one of multiple people within its field of view―such as an instructor, pastor or specific individual. Additionally, the incorporated Vertical Interval Time Code (VITC) with Network Time Protocol (NTP) provides the cameras with multi-camera synchronization for seamless live event production.

Using the latest HEVC technology, the cameras ensure higher quality video at lower bitrates for remote production over the internet (REMI). The cameras also support H.264 and H.265/HEVC encoding, offering increased compatibility with a variety of hardware and software applications. Furthermore, the 4K60p output, via both HDMI and streaming, delivers ultra-clear, natural imagery in settings with a lot of movement, such as sports and live events, the company said.

Part of the KY-PZ510 Series of cameras, the KY-PZ510N PTZs feature 4K60P HEVC Secure Reliable Transport (SRT) streaming, which is resilient to bandwidth fluctuations, data loss, and intermittent connectivity, to ensure secure and error-free video delivery over the internet. The cameras also have UVC (USB Video Class) implementation through the USB-C interface, for ubiquitous webcam applications and integration. The KY-PZ510N can also simultaneously output NDI, SRT, and RTMPS for hybrid local/remote workflows to deliver the highest quality distribution to the world’s most popular CDNs.

The NDI|HX3 firmware update will be available from the KY-PZ510NBU and KY-PZ510NWU web pages as a free download for current owners at the end of March.

Complete details of the KY-PZ510 PTZ cameras are available on the JVC Professional Video website at http://pro.jvc.com.

LAS VEGAS—Marshall Electronics, a leading manufacturer of broadcast and proAV cameras and equipment, has announced that it will showcase its CV730-BHN with Full-NDI and CV730-ND3 with NDI|HX3 technology at the 2023 NAB Show in the Central Hall on Booth C5520. 

These new cameras are designed to accommodate broadcast production facilities looking to produce high-impact content with less staff on-site and sometimes limited IP bandwidth, the company reported. 

The CV730-BHN Full-NDI PTZ camera incorporates the premium Full NDI FPGA while also offering the benefits of NDI|HX3 and standard IP (HEVC/SRT) streams. The CV730-ND3 PTZ camera utilizes the new NDI|HX3 platform and standard IP (HEVC/SRT). 

The CV730-BHN features a premium Sony 4K sensor with 9.2 million pixels and back-lit square pixel technology designed behind a long 30x optical zoom range (6.5~ 202mm). It also has support of BT.2020 color gamut for wide and precise color reproduction suitable for high-end productions. 

The CV730-BHN has streaming options of Full-NDI, NDI|HX3 and standard IP (HEVC/SRT), while also offering two simultaneous SDI (BNC) outputs 12GSDI + 3GSDI with genlock sync, as well as HDMI and USB3.0 options when the application demands it. High Bandwidth NDI requires higher network bandwidth but in return delivers lowest latency video possible nearing the quickness of traditional SDI, while maintaining premium quality and lossless video performance, the company said. 

The CV730-ND3 features a similar Sony 4K sensor with 9.2 million pixels and back-lit square pixel technology designed behind same 30x optical zoom range (6.5~ 202mm). The CV730-ND3 features the new NDI|HX3 premium video codec, and standard IP (HEVC) encoding with SRT, while also offering 12GSDI, HDMI and USB3.0 outputs. The new NDI|HX3 format requires slightly higher bandwidth than previous NDI|HX but much less than is required for Full-NDI. NDI|HX3 delivers similar low latency as Full-NDI at less than 100ms end-to-end and has video quality performance closer to premium Full-NDI quality. NDI|HX3 is a big step forward for NDI|HX while reducing the bandwidth requirements of Full-NDI and delivering similar speeds and video quality, Marshall reported. 

“Low latency and lossless video compression are big talking points for broadcasters over the past several years, and we are happy to bring these two new PTZ cameras to market,” says Tod Musgrave, director of cameras for Marshall Electronics. “As one of the first adopters of NDI|HX back in 2018, we’re very excited to refresh all of the NDI|HX models to the new HX3 codecs and launch our first Full-NDI model.”

All CV730’s now support a Smart Auto-Focus feature utilizing AI chipsets to target facial features and optimize focus on facial details which improves over time. Marshall PTZ cameras boast a flexible and smooth 340° horizontal pan range with 120° vertical tilt with speed adjustments from slow to fast depending on speed to setup the next shot. This provides a wide range of movement options to content creators when capturing high-quality UHD or HD video. Both cameras are feature rich and fit into a wide range of broadcast and proAV applications requiring low latency streaming with various bandwidth networks. Also included is a PoE++ option for one-cable to camera from PoE switch setup for video, audio, control, power and tally. Customers can choose a Netgear AV over IP switch for easy configuration of Marshall cameras from drop down menus and support for NDI5.5 and beyond.

Both models are available in white and black, with the CV730-BHN shipping by NAB and the CV730-ND3 shipping now.

PARAMUS, N.J.—Sony has announced the SRG-A40 and SRG-A12, two new 4K pan-tilt-zoom (PTZ) cameras with built in artificial intelligence analytics.

Both models automatically and consistently track and naturally frame presenters regardless of their movement or posture, enabling seamless control and content creation without the need for a computer to operate, the company said.

The auto-framing technology driving the PTZ cameras enables automatic operation for quick object tracking and rediscovery. Various auto-framing options are available. The cameras offer quality images with automation, the flexibility of IP, zoom, remote control and easy configuration and operation, it said.

“Our latest PTZ cameras truly represent a new generation,” said Sony Electronics vice president of professional display solutions Rich Ventura. “While they incorporate the image quality that is Sony’s bedrock, these efficient new models are even smarter than ever with the addition of built-in AI analytics, which enable PTZ Auto Framing, paired with the potential resulting from remote control.”

Noting that PTZ users have told Sony that how they capture content, including the locations where they work, has changed “drastically” over the past few years, he said.

“We listened and created a new user-friendly series that enables mounting freedom, prioritizes location-free operation and creates a streamlined workflow that empowers operators with varying degrees of expertise to create extremely professional content while keeping operating costs down.”

The cameras’ auto-framing technology also enables multiple angles to be framed, making simple well-framed close-ups, waists-ups and full-body image shots, it said.

Once powered on, the cameras begin to operate, searching for and rediscovering an object to track. Among the tracking technology used is facial recognition, which is capable of even detecting masked faces. A tally light is available to let presenters know which camera is active in a multi-camera setup, it said.

Both the SRG-A40 and SRG-A12 leverage a highly sensitive Exmor R CMOS imager for pickup of high-quality, naturally vivid images with less noise. They support 4K 30p and Full HD 60p, it said.

The SRG-A40 relies on Sony’s Clear Image Zoom technology that digitally doubles the optical zoom from 20x to 30x in 4K or 40x in Full HD. The SRG-A12 provides up to 12x zoom. With tele-convert mode, the SRG-A40 can extend up to 80x zoom, while the SRG-A12 can extend up to 24x. Day and night modes are available to optimize image capture in brightness and shadows, it said.

The cameras offer 3G-SDI, HDMI and IP connectivity (NDI|HX through optional license) and can be controlled remotely through VISCA/VISCA over IP, using a single network cable for power, output and control. They also support Power over Ethernet Plus Plus (PoE++), it said.

Both cameras are expected to be available in September in North America.

More information is available online. 

Newark, N.J.—Panasonic Connect North America has announced the expansion of its professional PTZ and studio camera lineup to support more dynamic, multi-camera productions and enable studios looking to expand their connected workflows through SMPTE2110 support and IP/networked capabilities.

“As more organizations look to increase their production quality to engage and immerse audiences in their content, it will be more important than ever for them to have high-quality, flexible camera technology at a reasonable price point,” says Carter Hoskins of Panasonic Connect. “We’re proud to expand our lineup with these solutions and help production crews across industries elevate their productions, enhance their content and ultimately reach new audiences.”

Panasonic said that the new AW-UE160 PTZ camera and AK-PLV100 studio camera are being launched at a time when more production is being aired on streaming platforms and that they are designed to help production teams make their content more exciting and engaging. 

As production crews engage in more multi-camera broadcasts, the cameras also allow crews to capture different angles and shots for more dynamic content. 

The AW-UE160 PTZ Camera joins the Platinum series of high-end broadcast quality PTZs. It features a newly developed 4K 1” MOS sensor that offers the highest sensitivity of Panasonic Connect’s entire PTZ lineup so production teams shooting in a concert venue or a church can easily capture clear images even in the most challenging lighting conditions, the company said.  

In addition, the UE160’s new optical low pass filter reduces the effect of moiré for clearer picture quality when shooting against an LED wall, which is especially important for rental and staging or worship environments, Panasonic reported. 

Its high-speed frame rate will also help sports broadcasters capture slow motion shots in HD for replays, while seamless integration with the robotic camera system brings live broadcast-style movements to the PTZ, resulting in a dynamic and highly engaging production.

AK-PLV100 35mm Cine Live Studio Camera is equipped with a large format, super 35mm Imager and PL Lens mount to accommodate cinema lenses for a shallow-depth look, Panasonic said.

The AK-PLV100 is a fully-enabled system camera, and is compatible with the AK-HCU250 and AK-UCU600 camera control units, making it a companion to existing B4 mount camera systems. To capture cinematic video, simply swap the existing camera head with the AK-PLV100, the company said. 

The camera also leverages Panasonic Connect’s expertise in IP-based live production, the company said. 

It outputs 12G-SDI signals from the camera head and can interface with return, control and other communications directly, or through ST 2110 when used without a CCU. For multicamera productions, the AK-PLV100 can also be used simultaneously with the AW-UE160 - which has the toolset to create a more unified look – to capture a variety of angles & shots for a more interesting & compelling production. With this combination of features, the AK-PLV100 gives media and entertainment professionals flexibility & control, that doesn’t sacrifice production quality, the company said. 

To support production studios moving towards more connected, IP-based workflows, both cameras will feature SMPTE2110 compatibility (AW-UE160 users can activate this through the AW-SFU60 software key, sold separately). This will enable more streamlined connection to the KAIROS IT/IP platform (released in May 2020), which gives professionals unlimited control to deliver rich content to multiple screens and streams.

Both the AW-UE160 PTZ camera and AK-PLV100 studio camera are on display at NAB Show New York (booth #725) from October 19-20, 2022, where Panasonic Connect will demonstrate its portfolio of video & broadcast solutions. 

For more information on Panasonic Connect’s complete lineup of professional PTZs and studio cameras, visit here.     

AMSTERDAM—Mo-Sys Engineering has announced the launch of its new high-performance motorized rail, MoRail, which enables cost-effective creative pan-tilt-zoom (PTZ) and ENG camera movement within newsroom environments. 

The high-performance motorized MoRail system will be on display at IBC2022 from September 9 to 12.

MoSys said the system is primarily designed for use in newsrooms, which may include traditional studios, greenscreen, LED volume-based broadcast applications and corporate presentations. 

MoRail supports all major PTZ and ENG camera systems weighing up to 15kg, transforming regular static shots into repeatable creative shots with controlled parallax movement. The perspective change achieved dramatically improves on the existing static only movement of PTZ cameras, allowing producers to achieve accurate movements during a show that immerse viewers into the studio, without the need to invest in expensive and complex track-based dolly systems. 

“With the introduction of MoRail we are opening the doors to a new level of creativity with PTZ cameras that has not been possible before,” said Michael Geissler, CEO of Mo-Sys. “Production teams can now benefit from accurate and repeatable PTZ movement, and beautifully smooth and immersive parallax movement, that helps even small news operations to create more immersive and engaging content.”  

Included in the MoRail package is a powerful Mo-Sys controller that allows rail height and camera position to be set in addition to pan, tilt, zoom, focus and iris. 

For a demonstration of MoRail, visit Mo-Sys at IBC2022 on stand 8.A49. MoRail will also be on view at the AOTO (7.C09) and Canon (11.C45) stands. 

TORRANCE, Calif.—Marshall Electronics will introduce the CV420e, its first digital PTZ (ePTZ) camera, at IBC 2022, Sept. 9-12, at the RAI Amsterdam Convention Centre, the company said today.

Suitable for professional broadcast and professional AV applications, including pro sports events, reality TV, broadcast trucks, weather vehicles and a variety of AV installations, the new CV420e is well-suited for uses requiring ultra-high quality networkable video, Marshall Electronics said.

Using a 9.5 Megapixel 4K sensor capable of 4K UHD resolution up to 60fps, the CV420e relies on a 4.5mm wide lens with a field of view greater than 100 degrees for clear video with minimal distortion. The camera’s pan, tilt and zoom capabilities are offered with more than 250 presets that can be saved and selected from various command sources, including IR remote, video management software, web browser GUI, OBS plug-ins, vMix and a host of other compatible soft codecs and devices, the company said.

“Instead of a robotic movement, CV420e’s ePTZ functionality simulates pan, tilt and zoom operations digitally inside of a larger 4K resolution pixel space,” said Tod Musgrave, director of cameras at Marshall Electronics. “The CV420e will allow users to maintain access to wide angles along with useable digitally zoom and lateral maneuvers within the sensor. This gives our customers another option for capturing unique and creative content from a very compact camera body.”

The new camera measures 4.5 inches by 2.75 inches by 2 inches and has rear-protection wings to avoid unwanted cable disconnections. The CV420e has a 3.5mm audio input (line/mic) embedded on all available outputs and can be controlled via included remote control, Ethernet (IP) and/or USB. The CV420e also comes equipped with a front facing Tally Light for LIVE and available designations and OBS plug-ins/docks, VMS, vMix and Clickshare, it said.

See Marshall Electronics at IBC 2022 Stand 11.C23.

More information is available on the company’s website.

TORRANCE, Calif.—Marshall Electronics, a leading manufacturer of broadcast and proAV cameras and equipment, has announced new features for its POV and PTZ camera models with accessory add-ons and easy field-upgradable firmware.

As part of the improvements, Marshall now offers three levels of Neutral-Density (ND) filters for its IP67-rated CV226 All-Weather Lipstick Camera and CV503-WP All-Weather Miniature HD Camera. 

“We have been asked on many occasions about ND filters as many of our live production customers operate in direct sunlight and need to dampen its effects on video performance,” says Tod Musgrave, director of cameras for Marshall Electronics. “In addition to the ND filters, we have also added CGI and Free-D protocol support to our CV630 and CV730 PTZs, which enables two-way positioning communication between camera and control decks to produce more realistic VR and AR graphic overlay. Color Matrix is also now available for our Genlock cameras, providing deeper control of color to more closely color match other cameras in the broadcast production workflow.”

Free-D protocol support now comes standard on Marshall CV730 and CV630 models and is available for existing customers through a free firmware update. 

Free-D protocol is an industry standard protocol, supported by major AR/VR solutions providers. Through this firmware update, the CV730 cameras will feed tracking data over IP back to command central, using Free-D communication. This enables the cameras to directly respond with pan, tilt, zoom, focus, iris and axis position in real time, making VR/AR production simple and cost effective without the addition of other tracking devices or systems.

Marshall also added Color Matrix to the CV566, CV568, CV366 and CV368 cameras. Color Matrix creates a more accurate color representation with master level, master phase, color level and color phase enhancements. Controllable remotely with Visca over RS485 from Marshall RCP controller, camera control software or third-party control decks such as Cyanview, Skaarhoj and others. 

Additional new camera features from Marshall include support for the CGI command control function, enhanced vMix integration, new OBS plugins/docks and constant performance improvements of AF and Zoom tracking on all PTZ models. 

New firmware is now available as a free download on each product page on the marshall-usa.com website.

ZURICH—Camera automaton software specialist Seervision has partnered with Canon to offer integration of the Seervision Suite and Canon PTZ cameras, making the video production automation solution part of its PTZ camera lineup, the company said this week.

Integration of the software suite with Canon robotic cameras automates live video productions and opens up use of cameras to a new range of users in live and hybrid events, education and corporate settings.

“When Seervision introduced us to the solution they’ve developed, we were impressed by the quality of tracking and automation,” said Matthew Koshy, European product marketing specialist at Canon Europe.

“We see the integration of our PTZ cameras with the Seervision Suite as well-suited to a wide range of use cases, and it marks another step towards enabling our customers to be as flexible in their video production as they want to be.”

Saying the mission of the two companies is to make video production “effortless,” Conrad von Grebel, co-founder and product team lead at Seervision. noted the software suite and PTZ cameras complement each other. “Now, we are excited to bring out technology to new audiences through Canon’s PTZ customer base and start addressing their needs,” he said.

More information is available on the company’s website. 

LAS VEGAS—Marshall Electronics has announced that it will introduce the CV730-BHN High-Bandwidth NDI PTZ Camera at the 2022 NAB Show.

This new 4K robotic PTZ camera contains traditional outputs including two simultaneous SDI (BNC) outputs with genlockable 12GSDI and 3GSDI, as well as HDMI and USB3.0 options at the ready, the company said. 

CV730-BHN also features the ultra-fast and lossless High Bandwidth NDI streaming ability commonly known as Full-NDI, while offering the newly released NDI|HX3 that can deliver similar low-latency and superior quality video performance in slightly less bandwidth network infrastructure.

“We are thrilled to showcase our High-Bandwidth CV730-BHN NDI camera to NAB attendees,” says Tod Musgrave, director of cameras for Marshall Electronics. “This is significant not only because it provides the lowest possible latency FULL-NDI chipset with lossless video streams but also features the newly released NDI|HX3 video codec, which greatly enhances the NDI|HX performance in more challenging network infrastructures.”

Marshall announced that the CV730-BHN features a Sony 1/1.8” 4K sensor with 9 million pixels and square pixel array packed behind a long 30x optical zoom range (6.5~ 202mm). The CV730-BHN is Full-NDI compatible with streaming options of High-Bandwidth NDI, NDI|HX3 premium video codec, and standard IP (HEVC), while also offering 12GSDI, 3GSDI, HDMI, and USB3.0 outputs. It is feature rich and fits into a wide range of broadcast and proAV applications requiring low latency streaming with various bandwidth networks. Also included is PoE++ for one-cable to camera setup for video, audio, control, power and tally.

High Bandwidth NDI requires higher network bandwidth but in return delivers ultra-low latency video nearing the quickness of traditional SDI, while maintaining premium quality and lossless video performance, the company explained. The new NDI|HX3 requires slightly higher bandwidth than previous NDI|HX but much less than is required for High Bandwidth NDI. NDI|HX3 delivers similar low latency as High Bandwidth NDI at less than 100ms end-to-end and video quality performance closer to premium High Bandwidth NDI quality. 

The Marshall CV730-BHN will incorporate the premium High Bandwidth NDI FPGA while offering the benefits of NDI|HX3 and standard IP (HEVC) streams. 

Available in white and black, the CV-730-BHN cameras are scheduled to be available later this year. 

Marshall also carries several NETGEAR M4250-series switches with NDI configuration built-in and ready for easy setup with Marshall NDI cameras.

Marshall will be showing the camera during the 2022 NAB Show between April 23 and 27 in Last Vegas at Booth C1307. For more information, visit www.marshall-usa.com. 

LAS VEGAS—JVC Professional Video will be featuring its Connected Cam remote production solutions at the 2022 NAB Show. 

The solutions being shown for the first time include JVC’s new KY-PZ400N 4K PTZ and KY-PZ200/N HD PTZ cameras, along with the popular GY-HC500 4K handheld camcorder and GY-HC900 2/3-inch ENG/studio camera. 

JVC general manager of engineering Edgar Shane will showcase these solutions at JVC’s exclusive NAB suite in the Wynn Hotel – Fairway Villa, where he will also provide on-site remote production demonstrations, the company said. 

“After a much-anticipated three years, we are excited to once again join our industry colleagues at the NAB Show,” said Shane. “We look forward to showcasing our latest cameras, including our PTZ, 500 Series and 900 Series Connected Cams. These acquisition solutions fit perfectly into any workflow and are designed for streamlined and efficient REMI applications.”

The brand’s PTZ cameras will make their trade show debut as JVC’s newest remote production solutions. Ideal for sports, concerts, and other live event productions, these cameras provide new creative streaming possibilities for the ever-evolving remote media landscape. 

All models integrate SRT video transport featuring enhanced error correction resilient to internet congestion, packet loss and high jitter, the company explained.

State-of-the-art HEVC encoding maintains SDI video quality while sending video over the internet at reduced data rates. Each stream includes Vertical Integral Timecode (VITC) synchronized to Network Time Protocol (NTP) for remote, multi-camera synchronization in a live production.

The KY-PZ200N and KY-PZ200 also support UVC (USB Video Class), which enables the cameras to be used as webcams for more reserved remote conferences and lectures. Both models can be directly connected to a PC using a USB 3.0 cable, allowing them to operate smoothly for a range of digital applications, the company said. 

Thanks to integrated NDI|HX technology from the Vizrt Group, the 4K KY-PZ400NW/NB and HD KY-PZ200NW/NB Connected Cam PTZ cameras offer plug-and-play compatibility with Newtek TriCaster, vMix, and an ever-growing list of applications that support NDI, such as Zoom, Microsoft Teams, and many others.

In addition to the PTZs, JVC is also showcasing its renowned Connected Cam camcorders ― the GY-HC900 and GY-HC500. Both offer integrated SRT encoders, as well as a variety of on-board recording capabilities, such as 10-bit 4:2:2 H.264 and ProRes, HDR imaging and remote-control functionality. Built-in recording features include dual memory card slots for standard SDHX/SDXC media, optional SSD and flexible recording options like redundant, relay and back-up modes.

The three CMOS 2/3-inch GY-HC900 camera accepts a variety of B4-mount broadcast lenses, while the GY-HC500 features impressive 20x optical zoom with a lossless 40x option when shooting in HD mode. Both models offer hybrid workflow options, such as local studio and remote production and simultaneous recording and streaming, and are popular for sports, live events, and broadcast applications.

For more information, visit JVC’s website at pro.jvc.com.

OTTAWA, Canada—Ross Video has launched its new X-series of pan/tilt heads and two new 4K UHD/NDI pan-tilt-zoom (PTZ) cameras, the company said.

The X350 and X300 are compact, quiet and robust heads that are well-suited for remote camera applications requiring high-quality performance and flexibility from a discrete head/camera/lens solution. The heads have a 15-pound payload capacity and can handle practically any ENG or Box camera and lens combination.

The X350 offers a 5-inch full-color touchscreen for setup, local control and integrated tally. It also has integrated VS/AR tracking for virtual sets and augmented and extended reality, anti-backlash gearing, cascaded camera connections for power, control and genlock and MotionDirector for smooth, synchronized movement and keyframed moves, the company said.

The X300 entry-level head offers the same performance and reliability but fewer features, bringing its price down to less than half that of Ross’ existing models, the company said.

“Both models are compatible with our free DashBoard control software,” said Bruce Takasaki, marketing product manager for robotics and cameras at Ross. “When you consider feature set, affordability and the potential for integration into a custom control solution, the X-Series represents a tightly integrated solution that’s ideal for a wide range of production environments and applications.”

The new PTZ-12G and PTZ-NDI 4K pan-tilt-zoom cameras feature a 9.17 megapixel, 1-and-1.8-inch CMOS sensor. They capture full 4K UHD 60fps and progressive HD video. An Ethernet interface enables single-cable connectivity, providing for remote control via IP VISCA protocol, video output using 4K UHD IP streaming and Power over Ethernet (PoE) via standard Cat5 cable. An NDI workflow is also supported. The cameras have lenses supporting an extended zoom range of 30x optical and 12x digital, Ross said.

More information is available on the Ross website. 

PARAMUS, N.J.—Sony has launched the Version 3.0 update for its BRC-X400, SRG-X400 and SRG-X120 PTZ cameras, adding support for the Secure Reliable Transport (SRT) protocol, the company said.

SRT adds low-latency transmission of high-quality video to the cameras, which are well-suited to a wide variety of applications, such as remote production, seminars, live events, education and house of worship.

Sony joined the SRT Alliance in January. The protocol combines encryption, packet loss recovery and jitter prevention to preserve video stream quality and integrity.

The camera update, which can be downloaded from the company’s website, supports Sony’s Adaptive Rate Control function, which provides a more stable connection and is optimized for the network environment and available bandwidth. It also supports the RTMP/RTMPS (Real Time Messaging Protocol), enabling the cameras to stream live video directly to social media platforms.

The company also has launched its new “Virtual Webcam Driver for Remote Camera.” The application turns remote cameras into web conference and lecture tools that achieve professional quality.

The application is compatible with the Window and Mac operating systems. It can be installed on any PC and paired with Sony’s BRC-X400, SRG-X400, SRG-XP1 and SRG-XB25 cameras as well as the REA-C1000 edge analytics appliance. Up to five cameras can be connected to one PC.

The application is now available as a download from the company’s website. 

MELVILLE, N.Y.—Canon U.S.A has announced a trio of new 4K/UHD PTZ cameras, as well as a new remote camera controller that can handle multiple PTZ cameras at once.

The first new PTZ camera is the CR-N500, which features a 1-inch CMOS sensor, 3.2μm pixel pitch and a DIGIC DV 6 image processor to capture images with high sensitivity, low noise and a minimum subject illumination of 1.5 lux. The PTZ camera has a 15x optical zoom 4K UHD lens that covers a focal range of 25.5-382.5mm. It has a variable pan and tilt speed of 0.1-degree to 100-degree per second. There is also a built-in three-density ND filter, nine-bladed iris, Dual Pixel CMOS AF and support for Canon Log 3.

Then there is the CR-N300 and its 1/2.3-inch CMOS sensor, DIGIC DV 6 image processor and a 20x optical zoom lens with focal range of 29.3-601mm. CR-N300 has four scene modes: portrait, sports, low-light and spotlight. Additional features include Canon’s Hybrid AF system combining high-precision contrast AF and high-speed phase-difference AF; and 0.2-degree to 300-degree per second pan speed and 0.2-degree to 170-degree per second tilt speed.

Both the CR-N500 and CR-N300 are indoor PTZ cameras and support HDMI, IP and 3G-SDI. They are also compatible with live production protocols like NDI | HX, RTMP and more, per Canon.

The CR-X500 is an all-weather outdoor 4K/UHD PTZ camera. It has a 1-inch CMOS sensor that captures images in 60p/4:2:2/10-bit, as well as 3.2μm pixel pitch and a DIGIC DV 6 image processor to produce images with a minimum subject luminance of 3 lux. It features the same 15x optical lens as the CR-N500, but when in FHD mode operators can use the camera’s 4K multipixel sensors for up to 30x advance zoom. It also features Dual Pixel CMOS AF, Image Stabilization mode, a built-in wiper and support for Canon Log 3. Support is available for 12G-SDI.

Canon has also introduced the RC-IP100 camera remote controller that is compatible with all three of the new PTZ cameras and allows for the control of multiple cameras simultaneously. The RC-IP100 touts control and seesaw zoom levers and a 7-inch touch panel to control pan, tilt, zoom, focus and iris functions. When connected via IP, it is possible to control up to 100 CR-N500/CR-N300 cameras. When an outdoor CR-X500 camera is connected via RS-422 serial, up to 99 additional CR-N500/CR-N300 cameras can also be connected and controlled.

Canon’s indoor PTZ cameras come with Remote Camera Control Application software included, which allows PC users to register up to 20 cameras and view as many as nine at once.

A newly developed XC Protocol2 has also been announced, offering control and communication with select Canon video production devices for video streaming over IP. Later this year, Canon is expected to release new firmware to introduce the new XC Protocol to select Cinema EOS System cameras.

Canon will release the CR-N500, CR-N300, CR-X500 and RC-IP100 product in the summer. For more information, visit usa.canon.com. 

TORRANCE, Calif.—Marshall Electronics has released two new models of NDI 4K PTZ cameras, the CV730-NDI and CV630-NDI.

The CV730-NDI features 4K60 over simultaneous 12G-SDI, HDMI 2.0 and NDI|HX with up to 3840x2160p UHD resolution at 60 fps. The CV630-NDI, meanwhile, features up to 3840x2160p UHD resolution at 30 fps with 3G-SDI, HDMI and NDI|HX.

Both of the new PTZ models have an extended 30x optical zoom range wrapped around a Sony broadcast sensor. The viewing angle for CV730 starts at 65 degrees, while the CV630 starts at 70 degrees. The cameras also feature a 340-degree horizontal pan range and a120-degree vertical tilt.

Marshall is offering the CV630-NDI for $2,499, fully loaded, and the CV730-NDI for $4,995.

For more information, visit www.marshall-usa.com.  

ROME—Cartoni is using its experience designing camera support systems to develop products specifically for use with PTZ cameras, which the company says are increasingly being used because of the remote and social distance production needs stemming from the COVID-19 pandemic.

Rather than have PTZ cameras installed on ceilings, walls or camera support meant for larger cameras, Cartoni has designed a tripod/dolly, stand and pedestal designed for PTZs.

The PTZ tripod/dolly pairs a lightweight Cartoni tripod with a half-ball camera attachment. The entire setup rests on a lightweight dolly and comes with a mid-level spreader.

Cartoni’s PTZ stand features a telescopic three-stage stand with a PTZ ball joint to mount the PTZ camera. It also is equipped with a quick-release sliding plate and rubber feet that can be used alone or with the dolly.

Then there is the P20 pedestal, which now features a PTZ attachment. With this, PTZ cameras can be used in super high setups, while also having a vertical gliding movement of 40 cm. The pedestal’s 3/8, 1/4-inch camera attachment enables PTZ cameras to be assisted by a teleprompter, Cartoni says.

For more information, visit inside.cartoni.com.  

MARLOW, U.K.—TSL Products has brought a new level of control to a number of its products, announcing a series of new control features. These control systems are designed to allow broadcasters to visualize their control workflows and bring all operations together into a single interface.

One of the products to receive an update to its control options is the AIB-4, which now has an updated advanced broadcast control panel. AIB-4 can provide a choice of communication paths (IP, audio channels, open intercom channel paths and POTS connection) back to the station. The platform can also be used for remote control, interfacing old and new kits or simplifying device monitoring.

TSL has also developed a virtual screen-based “Web-Key” for use with the Universal Control Switches (USP3). The USP3 panels act as “glue” devices that help subsystems communicate while maintaining a seamless workflow, per TSL. Both physical and virtual control buttons can advance a MOS-enabled newscast rundown, initiate a live-event commercial breakthrough station automation, reroute signals and more.

With PTZ cameras, TSL’s TallyMan Virtual Panel software can provide broadcasters with granular control, preset set/recall and tally control for cameras located anywhere. This allows for white balance and iris controls, maximizing quality and eliminating errors. TallyMan also now features new protocols that enable customers to continue to interface and integrate with systems.

For more information, visit www.tslproducts.com.  

PARAMUS, N.J.—Sony has announced it is upgrading its BRC remote PTZ cameras with a new firmware release offering a set of features supporting the company’s ongoing efforts to help video producers remain safe and healthy while working from a distance.

The V2.1 firmware release for the BRC-X1000/1, BRC-X1000/WPW and BRC-H800/1, BRC-H800/WPW allows producers and operators to simplify their VR and AR production workflows, the company said.

The firmware update enables the BRC cameras to output tracking data over IP, using the Free-D protocol, making it possible for the cameras to feed pan, tilt, zoom, focus, iris and positioning data in real time. 

This capability eliminates the need for additional tracking devices and systems, making VR and AR productions simpler and less costly. It also will make it easier to incorporate VR and AR into live content for applications like set and scenery expansion, live animation, e-sports and graphic overlays.

The Free-D protocol is an industry standard supported by major AR/VR solutions providers. The BRC-X1000 and BRC-H800 currently are under verification with The Future Group (Pixotope), Reckeen, Vizrt and Zero Density. There are plans to support integration with other companies implementing Free-D data.

The firmware update also improves the pan/tilt/zoom operation of the BRC-X1000 and BRC-H800.

A reduced minimum speed allows the cameras to track an object more accurately on the set and facilitate shot framing. Output is more realistic and smoother, even with non-professional operators.

Additionally, the upgrade enables the cameras to focus as soon as the preset is recalled and supports control when using a physical remote controller.

The firmware upgrade for the cameras will be made available online Aug. 31.

Ernie Nearman is a veteran broadcast engineer who has been practicing in Honolulu for decades. Like any contract engineer, Ernie sometimes has to be in two places at once, and believe it or not, he’s figured a way to do just that.

Ernie uses strategically-placed IP cameras at his sites to give him “remote” eyes to see what’s going on. He acknowledges that these IP cameras are not cheap, but if you buy the style that provides pan, tilt and zoom features, the camera does a pretty good job of letting you know what’s going on before you arrive at the site.

At one site, the camera is mounted on conduit so it normally faces the door. Anyone entering the site can be identified. However, with the built-in mechanical adjustments, Ernie can remotely turn the camera to view the faults on a transmitter, or point the camera in another direction to check the room temperature and Nitrogen pressure gauges.

After a storm, wouldn’t it be nice to know the surge suppressor took a hit before arriving at the transmitter site? A camera shot can show that information. These little snapshots may not seem important, but when you are handling a number of contract clients, IP cameras can help you perform triage.

If, for example, a station goes down and you see that the fault can be corrected remotely, your time can be spent on bigger issues. Ernie says this benefit is especially appreciated when a storm rolls through, taking several of his contract clients off the air at the same time. These IP cameras permit engineers to work smarter and more efficiently.

Ernie chose the Amcrest IP Camera, Model IP4M. It’s not the cheapest but its features include Ultra-HD resolution, remote viewing, two-way audio and night vision. It uses power over the Ethernet.

Yes, you can find less expensive versions, but buying cheap junk probably won’t give you the features you need. Consider this a diagnostic tool, so don’t fall for the $20 wonders—you’ll be disappointed. 

You can find out more by Googling “Amcrest IP cameras” or searching for them on Amazon.

IRVINE, Calif.—Teradek has announced that its new Orbit PTZ product is now available, which is designed to give HD/4K zero delay wireless video and camera control for PTZ cameras.

Teradek’s zero delay wireless video technology transmits uncompressed HD or 4K video up to 1,000 feet line of sight. Orbit PTZ can also transmit at less than 1ms of delay.

In addition, Orbit PTZ passes VISCA and Panasonic camera control commands over the same wireless link. This enables users to monitor and control PTZ cameras wirelessly with no latency using the same transmitter and receiver system.

Orbitz PTZ includes a built-in tally light and optional battery plates.

Teradek is offering two models of Orbit PTZ: Orbit PTZ (HD) for $3,990 and Orbit PTZ (4K) for $4,990.

WASHINGTON—It’s not the size that counts, but how you use it. PTZ cameras—named such for their “pan, tilt and zoom” capabilities—are growing in popularity among broadcasters not in spite of their diminutive size compared to traditional broadcast cameras, but rather because of it.

PTZ cameras first cut their teeth mainly for surveillance, but they have become more popular in a number of other industries, including broadcasters who use them for specialized roles in certain productions. Now, as new technological capabilities are being added to boost the functionality and quality of these cameras, there is a growing acknowledgement that the cameras can come close to matching those of traditional broadcast cameras—some even think that they could eventually surpass them.

FITTING IN

We carry computers in our pockets every day in the form of our smartphones. Technology has gotten smaller, and as a result more adaptable as to where and how they can be used.

Even still, a traditional broadcast camera setup in a production studio will often require things like a pedestal, dolly, jib and a camera operator for dynamic movements. PTZ cameras, on the other hand, have built-in capabilities that can mimic some of those movements without the size restrictions.

“Most [PTZ cameras] are compact, they’re small,” said Hamid James, a product manager at Panasonic. “You still need equipment to support a PTZ camera, but not the same level that you would the traditional camera. So it helps them save on space.”

That can be true in a traditional studio space, but PTZs are also proving beneficial in places that don’t have the space to begin with. Podcasts and radio stations looking to create videos or live simulcasts have often utilized that type of strategy.

“You certainly see them more and more in really small studios, where they don’t want manned cameras,” said Drew Buttress, senior product manager, Sony Electronics. “So they’ll put a number of PTZs on tripods to give them different angles and different shots.”

Buttress also can see PTZ cameras, which already are used on occasion in sports productions, expand their role on the baseball diamond, basketball court, hockey rink or football field.

“You would potentially see PTZs where there’s not a lot of space in the actual broadcast boost with that talent calling the play-by-play,” he added. “So they might put a PTZ in there just to be able to take a live shot of the talent while the game or event is going on.” He does, however, think that high-end cameras will always be needed for top-end sports productions and larger shows.

A CHANGING WORKFORCE

Broadcasters’ operating costs are in many cases not what they used to be—many have had to downsize their budgets, their staff and their workspace. All of which have a potential solution in the form of PTZ cameras.

“The evolution of broadcast as we know it is sort of in a ‘half-life’ right now, where traditional approaches to this are being replaced by much less expensive, more efficient ways to do things,” said Rush Beesley, president of RUSHWORKS, a Dallas-based provider of production automation technology. “That’s just the nature of the market.”

Beesley believes that for broadcasters facing those constraints, it is only practical that they look toward robotic, PTZ cameras, which in addition to being generally less expensive than traditional broadcast cameras, do not require individual camera operators. A particular example of this, he sees, is with news production.

“It’s a repetitive model that happens every day, multiple times a day, and it just makes perfect sense to have robots there because if you think about what’s going on, the studio may have one or up to four sets in a 360-degree circle,” Beesley said. “If the cameras are mounted properly and used properly you can block the shots.”

“PTZ cameras lend themselves to be a little more flexible than the traditional set,” James added.

The move to more unmanned studios is a change that doesn’t appear to be changing any time soon, according to Buttress.

THE FUTURE

These are the basic elements of PTZ cameras that have helped them grow in popularity among broadcasters, but new technology that could boost resolution and functionality will help determine just how far PTZs can grow within the industry.

The biggest argument for traditional cameras is that their resolution quality cannot really be matched. However, while PTZ cameras are not at the same level, the differences to viewers is miniscule, to the point where people at home can’t really tell the difference, says Beesley.

“The gap is definitely narrowing, but there is still a gap,” said Edgar Shane, general manager, Engineering, JVC Professional Video. He points to recent upgrades to better sensors and higher signal-to-noise ratio. “PTZ cameras are pretty good today and perhaps they will be better tomorrow.”

The main question with resolution in PTZ cameras is two-fold: getting the necessary equipment for 4K-quality images in their compact frames, and the ability to create appropriately-sized lenses.

The transmission of information is also a key part of these cameras’ development. There has been a big push for PoE technology being added to PTZs, with NewTek NDI IP technology a popular option. Broadcasters also have a keen eye on the development of the SMPTE ST 2110 video over IP transport standard. Buttress says that Sony has its bases covered with either, embracing 2110 in system cameras, while also having NDI-ready cameras.

It is pretty much unanimous that PTZs are a growing part of the broadcast industry, but their potential is still up for debate.

“The incline will be relatively shallow,” said Beesley. “It’s made a lot of increases recently because of things like the NDI/PoE, but past that I don’t see vertical ascension as there is in so many other areas of technology.”

Shane, meanwhile, thinks it’s just about someone connecting the dots: “I’m pretty sure a talented designist will try to bridge this gap between the high-end PTZ and broadcast cameras. And when they do that becomes an interesting product.”

“Honestly, I don’t see limitations in the PTZ camera market, I see an industry that is growing and will continue to grow,” James adds. “Those box cameras, if they don’t adjust or adapt, the PTZ cameras are going to overtake it.”

This story was taken from TVT's eBook "Guide to PTZ Cameras," which is available for download.

INDIANAPOLIS—London-based OTT subscription service DAZN has purchased several Panasonic AW-UE150 4K pan/tilt/zoom cameras for its production of “The Pat McAfee Show” from a new studio it has built in the hometown of the former Indianapolis Colts Pro Bowl punter.

The show, streamed live weekdays on DAZN from 10 a.m. till noon EDT, is one of several ventures McAfee, who also is a commentator on ESPN’s Thursday night college football coverage, has taken on for the OTT service. He also creates football-focused segments for DAZN Canada and Germany, where the OTT service holds streaming rights for the NFL, and streams a podcast three times per week.

During the summer, DAZN built out the Indianapolis studio in a warehouse space where McAfee was working.

“Pat continues to work with his longtime crew, but this is really DAZN’s first opportunity to associate our brand with football, and we wanted a high-end, future-proofed production studio,” said DAZN Technical Operations Director Petro Mynch.

Five of the new Panasonic AW-UE150 cameras are installed permanently in the Indianapolis studio. Two are stationed in McAfee’s mobile studio. DAZN also acquired two AW-RP 150 PTZ control surfaces—one each for the Indianapolis and mobile studios, as well as three Panasonic BT-LH1770 17-inch monitors—two for the former and one for the latter.

“As a host, Pat is always on the move, very kinetic, so robotic cameras were a natural choice for us,” said Mynch. “We wanted our production kit to be good for at least a few years, and while we presently produce in 1080i/59.94, we have built-in 4K acquisition with the UE150.”

The new studio was built on an accelerated schedule, and Mynch found Panasonic to be helpful with the tight schedule, delivering the equipment promptly and offering necessary training, he said. “There is no on-site engineer; it’s literally all hands on deck with camera ops, and everyone has been impressed with the UE150’s ease of set-up and use,” he said.

The Panasonic UE150 cameras deliver excellent image quality and offer plug-and-play ease with the AW-RP150 remote controllers, he added, noting that the real-time color correction support offered by the BT-LH1770 monitors is helpful.

“Beginning with our very quick studio build, then moving on to demanding weekly live production assignments, the UE150s and support gear have worked impressively well and dependably,” he noted.

More information is available on the Panasonic website.

NEWARK, N.J.—Panasonic has introduced the AW-RP60GJ compact hardware-based controller for its line of professional pan/tilt/zoom remote cameras.

The controller is equipped with a 3.5-inch QHD 960x540 color LCD monitor. It displays a GUI menu screen along with iris, zoom and focus camera information. Pan and tilt operations are done via a large joystick, the company said.

The AW-RP60GJ can control up to 200 PTZ cameras in 20 groups via IP. With 100 camera presets, the camera offers Power over Ethernet (PoE) support for single-cable integration.

The controller has four user-assignable buttons. Up to eight functions—two of a user’s choosing—can be assigned to the buttons. A PC tool can be used to customize preset names.

By registering camera angles and other remote camera settings, presets can be recalled easily. Preset speed is user-adjustable. Information that can be captured via presets includes pan/tilt position, focus position, white balance settings, crop position coordinates, zoom position, lens aperture (manual iris only) and gain, the company said.

The new controller is scheduled to be released in October at a suggested list price of $2,375.

More information is available on the Panasonic website.

WAYNE, N.J.—To paraphrase Allen Iverson, the Dallas Mavericks are talking about practice with the announcement that the team has installed JVC PTZ cameras into its new practice facility. Four KY-PZ100 PTZ network video production cameras and two RM-LP 100 remote camera controllers are part of a larger video system the Mavericks are employing to monitor practice and workout activities for the evaluation of players.

The Mavericks’ new practice facility features two courts with a KY-PZ100 camera positioned at a baseline corner and at half court for each. A camera operator uses the RM-LP 100 to follow the action on the court. In addition, the cameras provide integrated streaming capabilities, wide angle lenses and on-board recording to micro SDHC/SDXC cards.

Each camera is connected via fiber to a Blackmagic Design Smart Videohub router, which allows the controllers to adjust any camera. The router’ web-based user interface also provides remote access to the JVC PTZ camera controls and on-board recording capabilities.

The video footage is used with DVSport FastBreak coaching software for users to access and filter video into cutups, as well as the DVSport Rewind, which provides near real-time footage to a tablet.