DALLAS—PrimeTime Lighting Systems has announced it is now offering studio lights in variable white temperatures. The VariWhite series LED luminaires feature variable white or bicolor temperatures tunable from 3200K to 5600K with a smooth transition to zero. PrimeTime manufactures lights for broadcast production, news stations, streaming video studios and for content creators.

Designed for professional broadcast studio grids for key light, fill, side, or backlight talent on chroma key or interview sets. “PrimeTime’s VariWhite makes talent look fantastic with a smooth and soft quality light, Lambertian distribution, long-throw, and a soft shadow wraparound, that outperform panel lights,” according to Glen Harn, PrimeTime CEO. “Our lights are used in television broadcast studios, sports and university news sets, broadcast worship services, distance learning and streaming video facilities.”

PrimeTime’s VariWhite includes RDM protocol for brightness and Kelvin temperature and are equipped with DMX512 and a digital display interface. The lights are manufactured in the USA with advanced design and engineering, energy-saving LED technology for cool and comfortable talent illumination.

PrimeTime builds a longer lasting professional-grade LED studio light and guarantees them for 5-years. Lights are developed with the highest engineering standards and are built to last. PrimeTime LEDs are designed and constructed with 100% passive cooling that enhances the longevity of its complete line of studio lights.

Earlier this month at the NAB Show, PrimeTime introduced the Niagara series with big, bold, cascading lights for cyc walls and green screen broadcast productions, news stations, streaming video studios and for content creators. The Niagara presents an even downward wash of high-indexing light.

DALLAS—PrimeTime Lighting’s big new product is also its smallest, announcing the MSLED 5-S broadcast studio LED unit, which the company says is its smallest of its commercial LED lights.

MSLED 5-S measures in at 9 inches wide, 6.5 inches tall and 7.25 inches deep. It draws 20 Watts of power and features high Color Rendering Index and Television Lighting Consistency Index with strong photometrics, per PrimeTime.

The MSLED 5-S is designed to be used both in commercial broadcast studios or broadcasts from remote locations. PrimeTime has included two MSLED 5-S lighting units in its Remote Lighting Kit.

For more information, visit www.primetimelighting.com. 

DALLAS—PrimeTime Lighting has debuted its new MSLED 5-S remote video lighting kit designed specifically for remote studio or at-home applications. The commercial-grade kit can be used for newscasts, stream videos, Zoom calls, podcasts or home streaming, PrimeTime says.

The MSLED 5-S kit includes two MSLED 5-S LED lights, two desktop stands, two TVMP adapters, two SuperSoft filters, two 8-foot powercords and one Allen wrench (for adaptors). PrimeTime also offers optional accessories, which include honeycomb filters, floor-standing light stands and a hard-shell rolling case.

“Now you can have the same professional LED lighting as TV studios for your remote or home broadcast,” said Glen Harn, PrimeTime Lighting president.

For more information, visit www.primetimelighting.com. 

DALLAS—The spotlight is on PrimeTime Lighting System’s new line of LED lighting instruments for broadcast studios. The company recently unveiled three new lighting systems, the GUS 51 LED Fresnel, 1SLED XB2 and the MSLED XB2.

The GUS 51 features a micro-Fresnel lens system with advanced optics result. It also requires no fan due to PrimeTime’s engineering technology, and 100 percent aluminum construction.

1SLED XB2

As part of an upgrade to its SLED series of equipment, PrimeTime’s new 1SLED XB2 has a 95+ CRI and is 44 percent brighter to its original version, according to the company. PrimeTime based the 1SLED off of its 1SL fluorescent fixture.

The MSLED was also part of the SLED series upgrades and features 95+ CRI as well. It is based on the MSL fluorescent.

PrimeTime Lighting Systems is a manufacturer of broadcast lighting systems, video conferencing light fixtures, and LED and fluorescent studio lighting.