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                            <title><![CDATA[ Latest from Tv Technology in Markiplier ]]></title>
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        <description><![CDATA[ All the latest markiplier content from the Tv Technology team ]]></description>
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                                                            <title><![CDATA[ Why Primal Fear Outperforms Spectacle ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/production/why-primal-fear-outperforms-spectacle</link>
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                            <![CDATA[ Collective experience fuels interest in scary movies to the tune of nearly $1 billion ]]>
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                                                                        <pubDate>Mon, 20 Apr 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Production]]></category>
                                                                                                <author><![CDATA[ jenny.priestley@futurenet.com (Jenny Priestley) ]]></author>                    <dc:creator><![CDATA[ Jenny Priestley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/PEnRhUyUEqKtJfTxc34DbN.jpg ]]></dc:source>
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                                                                                                                                                                        <media:description><![CDATA[Mark Fischbach, aka Markiplier]]></media:description>                                                            <media:text><![CDATA[Mark Fischbach, aka Markiplier]]></media:text>
                                <media:title type="plain"><![CDATA[Mark Fischbach, aka Markiplier]]></media:title>
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                                <p>In 2025, horror movies made almost $1 billion at the U.S. domestic box office, proving that the genre is alive and well, even if some of its characters aren’t.</p><p>Much of this is due to the collective experience, according to Michael Clear, president of production company Atomic Monster. </p><p>“Everyone is kind of driven by watching media alone. But I think horror movies are an opportunity to go on a ride with a group of people,” Clear told the audience at “The Scary-Smart Business of Horror” panel.</p><p>When evaluating whether to go ahead with a project, Clear added, the team at Atomic Monster is all about the scares. </p><p>“It always goes back to that core experiential element,” he said. </p><p>“We don’t need a big scope or spectacle to really scare people. For us, it always starts with, ‘What are we afraid of? What’s the primal fear at the core of this?’ And then you build the scaffolding on top of it. You try to tell a compelling, emotional story.”</p><p>“M3GAN” screenwriter Akela Cooper revealed that when writing the movie’s script, she began to think of her character as one of the most iconic horror movie characters of all time. </p><p>“When I got the notes on my first draft, the producers said they had no idea how the doll was going to be made and that I needed to pull back on active movement,” she recalled. “That created a creative challenge for me, but it was also like a fun challenge. </p><p>“I then started thinking of ‘M3GAN’ kind of like ‘Jaws.’ Famously, they could not get that shark to work, so then they had to fill around it. You saw it in bits and pieces. So in the sequence where M3GAN is chasing the bully through the woods, I wrote that you only see her in certain spots, very, very quickly. It was kind of like a shark on land hunting this little boy.”</p><p><strong>YouTube creator Mark </strong></p><p>Fischbach, aka Markiplier, worked outside the traditional Hollywood machine, writing, producing, directing and starring in his movie “Iron Lung.” He even self-distributed the project, which has earned more than $50 million at the global box office. And on top of all that, he edited the trailer.</p><p>“Being outside the traditional studio sphere, there were deadlines that I didn’t know about,” he said. “When it came to the deadline of the trailer going out to movie theaters, I had no idea. So I put it together in two days.”</p><p>However, Fischbach acknowledged that doing everything yourself can be dangerous, as there is no one to say no. </p><p>“You have to say no to yourself,” he said, “and I often won’t do that. I was like, ‘I can take some Houdini tutorials, I could do that. I could build a render farm, I can do that.’”</p><p>The panel offered budding horror filmmakers words of advice when trying to find an audience for their movies: Don’t chase virality. “M3GAN” became a meme following the release of the movie’s trailer, but Clear stressed that when marketing a project, it’s important to stay authentic. </p><p>“We were never chasing that type of attention,” he said. “People responded to the uniqueness of M3GAN and the authenticity of it, and then it took on a life of its own.”</p>
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                                                            <title><![CDATA[ YouTube Debuts Interactive Special, ‘A Heist With Markiplier’ ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/news/youtube-debuts-first-interactive-special-a-heist-with-markiplier</link>
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                            <![CDATA[ Viewers get to determine the actions characters take during a museum heist. ]]>
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                                                                        <pubDate>Wed, 30 Oct 2019 17:38:54 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Business]]></category>
                                                                                                                    <dc:creator><![CDATA[ Michael Balderston ]]></dc:creator>                                                                                                        <dc:description><![CDATA[ null ]]></dc:description>
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                                <p><strong>SAN BRUNO, Calif.—</strong>Think you’d be able to successfully rob a highly secure museum of its classic antiquities? YouTube is providing viewers the chance to find out without, you know, the threat of actual jail time.</p><figure class="van-image-figure pull-" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' ><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="tTbYKiyZa6ZfNpZA28uFoc" name="" alt="" src="https://cdn.mos.cms.futurecdn.net/tTbYKiyZa6ZfNpZA28uFoc.jpg" mos="https://cdn.mos.cms.futurecdn.net/tTbYKiyZa6ZfNpZA28uFoc.jpg" align="" fullscreen="" width="" height="" attribution="" endorsement="" class="pull-"></p></div></div></figure><p>“A Heist With Markiplier” is the first interactive special from YouTube that follows a branching narrative format where the viewer controls the outcome. The video stars YouTube content creator Markiplier as he attempts to rob a classic museum, with the viewer controlling all of the actions that could lead to a big payday or, in some cases, an untimely death.</p><p>YouTube joins other previous media companies that have created interactive videos to try and further engage consumers. Netflix, most notably, did so with the full-length movie “Black Mirror: Bandersnatch,” and Tinder crafted its own interactive story for its users.</p><p>“A Heister With Markiplier” was produced by Markiplier and Rooster Teeth.</p><p>Watch the video <a href="https://www.youtube.com/watch?v=9TjfkXmwbTs&feature=youtu.be">here</a>.</p>
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