WASHINGTON–The Federal Communications Commission has revised a ban on the importation of new foreign-made uncrewed aircraft systems (UAS) or drones by removing some models and components from the FCC Covered List of items that can’t be imported to the U.S.

In the wake of an executive order from President Donald Trump and a determination by an executive-branch Interagency body that foreign-made drones pose “unacceptable risks” to U.S. security, the FCC updated its “Covered List” of banned technologies and products in December 2025 to include all new foreign-made unmanned aircraft systems (UAS) and all UAS critical components.

The move effectively banned the sale of new drones and components by the Chinese manufacturer DJI, which dominates the U.S. drone market, and other foreign makers.

The newest revision issued on Jan. 7 followed a National Security Determination from the War Department that certain “UAS and UAS critical components included on Defense Contract Management Agency’s (DCMA’s) Blue UAS list do not currently present unacceptable risks to the national security of the United States or to the safety and security of U.S. persons. This determination includes UAS and UAS critical components included on the Blue UAS list now and until January 1, 2027. Additionally, until Jan. 1, 2027, the DoW has determined that UAS and UAS critical components that qualify as ‘domestic end products’ under the Buy American Standard do not pose unacceptable risks to the national security of the United States or to the safety and security of U.S. persons.”

Reuters has reported that the list of imported drones that are now allowed for import until the end of 2026 includes models from Parrot, Teledyne FLIR, Neros Technologies, Wingtra, Auterion, ModalAI, Zepher Flight Labs and AeroVironment. It also reported that critical components for drones produced by “Nvidia, ModalAI, Panasonic, Sony, Samsung and ARK Electronics” can be imported.

The exemptions do not, however, include DJI, which provides many drones used in video production.

Users can however continue to use previously purchased drones from DJI and other manufacturers. In issuing the original ban and in the Jan. 7 announcement exempting some models and manufacturers, the FCC stressed that being on the Cleared List does not impact a consumer’s ability to continue using drones they previously purchased or acquired.

“Nor does today’s decision prevent retailers from continuing to sell, import, or market device models approved earlier this year or previously through the FCC’s equipment authorization process,” the agency said. “By operation of the FCC’s Covered List rules, the restrictions imposed by today’s decision apply to new device models.”

More information on the changes by the FCC are available here.

December is the month and the 23rd is the day.

You’ve probably been hearing a lot about DJI drones and the process that will ban the sale of any of their drone products in the United States.

I thought I might dive into the ban and try to make some sense of it. Of course, the beautiful part of it is that as radio engineers, we can all kind of relate to what is going on in this technology-adjacent industry because the FCC is involved in it and we’re familiar with their processes.

The overarching concern with DJI and the United States government is that they are a Chinese-based technology company and most sources confirm that there is little to no air gap between the information that the company collects and the Chinese government.

I know it sounds conspiratorial, but every drone flight that occurs gets documented with video, photographs and also carries with it an incredible amount of metadata that could be useful to any government, including our own, as a means to determine vulnerabilities in areas that we might consider trivial, but can be woven together to create a fairly detailed tapestry of information.

It reminds me of the time that my wife and I purchased our first robot vacuum. For whatever reason, I thought that the model I purchased was WiFi-enabled (it actually wasn’t), but in preparation, I downloaded the app from the company so that we could control it.

When I registered my address, the app immediately showed the layout of my house. Huh? I had not even received the unit yet and my house layout was already there. How much information could they glean after it was connected to my WiFi and had had a chance to run through the house innocuously cleaning my floors a couple of hundred times?

We live in the information age, and we give so much of it away for free without a thought to how valuable a commodity it really is.

To be honest, I generally don’t think in terms like this, and I don’t think anybody is interested in where my shoes always end up on the floor, but if leaders in our government place a premium on the data, you can bet your bottom dollar that other governments do as well.

Drones can end up giving you so much more data than that robot vacuum ever could. The key is that the drone, via its hyper-accurate GPS and telemetry chips, knows its height and coordinates on the planet down to the fraction of an inch at any given time interval, and that is a lot of extra data attached to the media it produces.

In a process known as “photogrammetry,” drones can be programmed to fly in a patterned grid while taking a 4K picture at each location.

All the pictures can then be loaded up into services that can stitch together each shot into a super high-definition compilation shot of the entire area that the drone flew over. If you were inclined, you could take that same picture with all the included metadata and begin to pull things like topological surveys using GIS tools (easily available in any municipality or state) and a host of other information.

In fact, there are dedicated business models that use this from pre-programmed flights to increase workplace safety and even to check on contractors to make certain they are doing right by their customers.

It isn’t that other companies like Autel, Fimi, Hubsan or Parrot can’t do the same thing. The issue with DJI, to put it simply, is that they are the absolute best. In the “prosumer” and commercial spaces they occupy, they have about a 75% market share. They have been doing it longer than most, and their ecosystem is better than any of the manufacturers that are out there.

A parallel company that might bring a clearer picture to mind of what DJI is to the industry is Apple. From top to bottom, their infrastructure allows you to upload your material to their server, use their tools to easily edit videos and pictures, and their product quality always seems to be about 1 year in front of almost every other manufacturer.

So, what happens when this ban takes effect on Dec. 23?

Unless a cyber security review occurs over DJI’s entire infrastructure before that date, and there doesn’t seem to be any on the horizon, the FCC will no longer provide signal approval to any new drone models placed before it by DJI. This means no new models will be available to any consumers within the United States and it will be illegal to procure them from other countries as well.

The ban also will allow the FCC to retroactively remove previously approved signals if they determine that they are a cybersecurity risk.

To give an example, DJI’s latest drone models in 2025 are the Mavic 4 Pro and the Mini 5 Pro. These products are already on store shelves and have been previously approved by the FCC so they currently wouldn’t be banned, but the FCC could come along in the future and begin the process of removing their approved signal status.

Of course, this is where our knowledge of the FCC comes into play.

In order for them to do this, they would have to post a notice of proposed rulemaking (NPRM) regarding the removal of the status of one or both of these drones. Then the standard 60-day period for public comments would allow anybody to give arguments for or against the proposed rule changes.

If the FCC moved, then, for a retroactive ban to occur on either of those two previously approved products, they would then be pulled from store shelves and would be illegal to fly. Up until that time, both models can continue to be made and imported by DJI in their current form.

This obviously puts a clamp on any new drone innovation coming to the United States from DJI.

The ban does not affect your ability to fly any DJI drone that you already have in your possession, as all of them have already received signal approval from the FCC. So fly, fly like the wind.

It is hard for me to imagine that retroactively banning any other of DJI’s drones will happen, but I’m also not certain that I would risk spending $1,500 to $5,000 on a new model that may not be able to be used a year from now.

So many of their previous models are used by all levels of government for public safety and other uses like search and rescue operations. Private companies including my employer use them to inspect properties, farmers use them for dusting and verifying their crops. Our company has DJI Phantom 4 Pro Plus and Mavic Air 2S units which are incredible, but the Phantoms are also getting older.

What are we to do? My personal DJI Air2S is an absolute hot rod, and I love it, but it is also about three years old. Obviously, both models are probably outside of the FCC’s security concerns, but replacement of either of the units with ones that as capable as either of them would be a real stretch.

Generally, we aren’t affected by the ban until we want to replace our aging units with new ones or any that we own potentially end up being retroactively removed from the approved signals list. Let’s pray for that not to happen because I really do enjoy flying drones, especially when they are the best of the best.

This originally appeared TV Tech's sister brand, Radio World.

SHENZHEN, China—DJI today unveiled the Osmo Action 6, an all-in-one action camera featuring a variable aperture with a range from f/2.0 to f/4.0, the company’s custom 1/1.1-inch square CMOS sensor and 2.4-micrometer fusion large pixels.

The camera is a departure from action cameras designed with a fixed aperture, enabling users to select from multiple aperture modes to suit different shooting scenarios. With an f/2.0 maximum aperture, more light can enter the camera, improving image quality in low-light conditions.

The camera’s Auto mode enables the Osmo Action 6 to adjust its aperture automatically within each range to capture clear results. Starburst mode transforms city lights into starbursts, adding a creative effect to well-lit metro scenes, the company said.

Creators can achieve a shallow depth of field using the Macro Lens accessory (sold separately). With the Macro Lens attached, the minimum focus distance is reduced from 35 centimeters to just 11 cm, it said.

For wide shots, when the Osmo Action 6 FOV Boost Lens (sold separately) is attached, the camera automatically switches to FOV Boost mode, expanding the native 155-degree field of view to 182 degrees, it said.

The Osmo Action 6 1/1.1-inch square CMOS sensor offers up to 15.5 stops of dynamic range to achieve crisp detail in high-contrast settings. It also supports 4K recording at 120 frames per second in 4:3 aspect ratio.

With its larger sensor, larger aperture and new noise-reduction technology, the camera enables SuperNight mode to provide clarity at night, capturing detailed video up to 4K/60 fps in low-light conditions. DJI's 10-bit D-Log M color system preserves highlight and shadow detail for greater flexibility in postproduction. The Osmo Action 6 also provides an on-screen D-Log M preview for real-time color and exposure monitoring, it said.

The Osmo Action 6 debuts the new 4K Custom mode, allowing users to shoot first and crop later in postproduction to frame video, making it possible to share creative videos across different social-media platforms.

The camera natively supports up to 4K/120 fps slow-motion recording and can intelligently generate up to 32x super slow-motion playback at 1080p. By interpolating frames recorded at 1080p/240 fps, the Osmo Action 6 achieves a slowdown effect equivalent to 960 fps when played back at 1080p/30 fps.

Other features include:

• RockSteady 3.0/RockSteady 3.0+, HorizonBalancing and HorizonSteady stabilization mode: Reduces camera shake, corrects tilts to maintain the horizon level within plus or minus 45 degrees and eliminates roll axis shakes within 360 degrees to maintain a level horizon while ensuring 4K/60 fps high-definition quality.
• 2x lossless zoom: Allows users to zoom in up to 2x without compromising 4K quality.
• Natural wide field of view: Keeps a broad perspective while reducing vertical distortion.
• Film tone: customizes footage with a selection of six built-in film tones.
• Portrait mode: Intelligently detects and prioritizes the subject while optimizing exposure for true-to-life skin tones.
• Subject centering and tracking: Intelligently tracks subjects to keep them in the center of the frame.

More information is available on the company’s website.

DJI has launched the Osmo 360, the company’s first foray into 360 cameras. The Osmo 360 delivers the sharpest photos possible on the 360 camera market with 1-inch 360° imaging, according to DJI. It is the first 360 camera to shoot ultra-high-spec 8K/50fps 360° video, and is the only 360 camera that can shoot continuously for 100 minutes in 8K/30fps2.

“With the Osmo 360, DJI is challenging the status quo of the 360 camera market,” said Christina Zhang, Senior Director of Corporate Strategy at DJI. “We are revolutionizing panoramic innovation by leveraging DJI’s long history of innovation in creative camera technology. With each technological breakthrough, from 1-inch 360° imaging with industry-first square HDR sensor, to outstanding low-light performance, we aim to change what’s possible in a 360 camera.”

Specially designed for 360° capture, the Osmo 360’s industry-first square HDR image sensor maintains the same 360° image field as a traditional 1-inch rectangular sensor, while eliminating the unused area of traditional rectangular sensors. This results in 25% more sensor utilization, as well as outstanding image quality and lower power consumption, all in an ultra-compact, lightweight camera body, the company said.

The Osmo 360 is also the first 360 camera to feature native 8K/30fps 360° panoramic video with large 2.4μm pixels, boasting an industry-best run time of 100 minutes at 8K/30fps. The large pixel size—double the industry standard size of 1.2μm—captures more picture details, less noise, better low-light performance, and higher dynamic range. Also supporting ultra-high-spec 8K/50fps 360° video, Osmo 360 sets a new standard for video resolution in 360 cameras.

With an impressive 13.5 stops of dynamic range, combined with the larger pixel size and f/1.9 aperture, which significantly increases the amount of light intake, the Osmo 360 captures crisp, vibrant footage—even in low-light settings or high-contrast scenes like sunrise and sunset, according to DJI.

Additional Creative Features:

• Invisible Selfie Stick: The Osmo Invisible Selfie Stick vanishes from 360° videos with no editing needed, providing third-person views typically captured by a cameraman.
• High Frame Rate Video: For those that want to capture split-second details at a high frame rate, the Osmo 360 can also shoot in 4K/100fps 360° video.
• Slow Motion: Capture video in up to 4x slow motion mode.
• 120 MP 360° Photo: To capture a single moment in time, users can take an ultra-clear 360° photo up to 120 megapixels, achieving razor-sharp detail for still images.
• Gesture and Voice Control: Start or stop recording with a simple palm gesture, or use voice control to go hands-free.
• HorizonSteady and RockSteady: With HorizonSteady enabled, the footage remains level no matter how the camera is rotated. In single-lens mode, RockSteady 3.0 effectively reduces shakes while retaining the dynamic impact of motion, delivering a more immersive first-person perspective.
• GyroFrame and Intelligent Tracking: DJI Mimo’s GyroFrame allows users to to adjust the 360° composition using motion control, while intelligent tracking makes it possible to lock onto and track people, vehicles, pets, and more.
• Multiplatform Editing Support: Edit videos with DJI Mimo or DJI Studio. DJI Studio offers a full suite of tools, and the Premiere plugin streamlines the workflow to create 360° videos.

Used as a single lens camera, it allows users to effortlessly switch between the front and rear lenses without stopping recording—perfect for capturing travel vlogs in one seamless take. Osmo 360 can be used as a first-person action camera with single-lens mode, offering crisp 5K/60fps flat videos with a sweeping 155° ultra-wide angle. Boost Video mode provides an even broader 170° field of view and smooth 4K/120fps video.

Osmo 360 features 105GB of built-in storage and weighs 183g. The advanced stacked design allows the camera to pack two large 1-inch 360 imaging lens modules into one, ultra-compact body. In extreme conditions, the Osmo 360 can record for more than 1.5 hours in freezing conditions as low as -20° C (-4° F).

The battery can record continuously for 100 minutes at 8K/30fps resolution, which can be extended for another 180 minutes with the Osmo 360 Battery Extension Rod. The Osmo 360 can reach 50% power in just 12 minutes, according to DJI.

Osmo 360’s magnetic quick release design works with Osmo Action series accessories, while also featuring a 1/4" thread hole for easy compatibility with traditional gear. Osmo 360 also offers the OsmoAudio Direct Microphone Connection3, allowing users to connect Osmo 360 directly to two DJI microphone transmitters without a receiver, capturing studio-quality sound.

TV Tech sister brand TechRadar has a review.

LOS ANGELES—Thirteen years ago, I set off to turn my dual-fascination with flying drones and filmmaking into a career. But as I started to fully explore the potential of this idea, the FAA started doubling down on regulations surrounding drone use, including making it mandatory to possess a “333 exemption” for commercial drone operation—which requires a full pilot’s license.

Unwilling to give up on my ultimate dream, I began flying for about a dozen drone companies a little over a year later. What I learned from that experience, combined with my own creative thinking for close proximity flying, led to what today is Beverly Hills Aerials—where we push the boundaries of aerial cinematography through innovation, efficiency and our unique talent.

When it comes to the cinema drones themselves, DJI has always been our preferred manufacturer. The brand not only provides reliable and accessible products, but each generation of their Inspire series drone includes substantial upgrades to the camera quality, sensors, and features that improve our workflow efficiency.

My experience with DJI dates all the way back to the first generation of DJI’s Phantom drone— the Phantom 1. These drones have played a substantial role in my journey to becoming Beverly Hills Aerials’ Chief Pilot, along with developing our business and our filmmaking practices and processes today. Our company has truly grown with DJI as they release new and improved cinema drones.

DJI Inspire 3
We use DJI’s latest iteration, the Inspire 3, for production most often right now—it’s both the most capable and versatile drone here at Beverly Hills Aerials. One of the most important upgrades of the DJI Inspire 3 for us is its camera sensors. With nine visual sensors, it provides a robust omnidirectional sensing system and comprehensive protection for flying.

Additionally, the DJI Inspire 3’s dual native ISO is extremely helpful for filming during the night or in darker settings. It allows our footage to be sharper than before, making for really beautiful low-light video. Its custom lens adapters also make it compatible with several lenses for different landscapes and conditions to capture a variety of settings.

The drone’s larger field of view is also particularly helpful for filmmaking, as it lets the pilot get closer to the subject, allowing for increased precision and confidence. The DJI Inspire 3’s O3 Pro video transmission system also lets the drone fly further without losing signal, getting shots we haven’t been able to before like unique air-to-ground clips. The drone is also compact and we can travel with it in a single case—ideal for when we have jobs outside of the Los Angeles area.

The DJI Inspire 3 has been instrumental when a smaller footprint matters for flying through tight spaces, around talent or when there are multiple location changes. For example, it’s been particularly useful when shooting content centered around automotives, and we’ve used it to produce several car commercials, including for Audi.

Spider-Man Noir
When filming longer-form productions including TV series and movies, the DJI Inspire 3 remains a top choice for us—you just can’t beat it. In fact, we use DJI’s Inspire 3 in nearly every TV show we shoot, including recently for Sony’s “Spider-Man Noir” and “9-1-1.”

Perhaps our most exciting use of the DJI Inspire 3 has been for the production of “Happy Gilmore 2”, which is set to release this year. We used it filming for the movie last fall, and its adaptability and ability to travel well made it a great choice for the New Jersey-based set.

DJI drones have truly been a game-changer throughout my journey and allowed me to bring my visions to life through exceptional footage. Due to their versatility and advanced features, they’ve been a dependable choice and will continue to be a key asset for us.

More information is available at www.dji.com.

The Television Academy has announced the recipients of the 76th Engineering, Science & Technology Emmy Awards honoring an individual, company or organization for developments in broadcast technology. 

The awards ceremony, hosted by Criminal Minds star Kirsten Vangsness, will be held on Wednesday, Oct. 23, 2024, at the Television Academy's Saban Media Center in North Hollywood, California.

"The Engineering, Science & Technology Emmy Awards are a testament to the incredible ingenuity and creativity that power our industry," said Cris Abrego, chair of the Television Academy. "We are thrilled to honor these innovators who have pushed the boundaries of what's possible, shaping the future of television for generations to come."

"This year we honor a diverse group of technologies that enable and advance the storytelling process for television production," said committee co-chairs Barry Zegel and Wendy Aylsworth. "Electro/Mechanical Camera Stabilization systems, software programs that aid the editing and creation process, support for LED Volumes production, the MDDF (MovieLabs Digital Distribution Framework) Standard, and the use of generative artificial intelligence tools are all included in this year's awards. This wide range of technologies demonstrates the amazing achievements throughout our industry."

This year, the Charles F. Jenkins Lifetime Achievement Award, which honors a living individual whose ongoing contributions have significantly affected the state of television technology and engineering, is being given to Jensen Huang. Jensen Huang founded NVIDIA in 1993 and has served since its inception as president, chief executive officer and a member of the board of directors.

Since its founding, NVIDIA has pioneered accelerated computing. The company's invention of the GPU (graphics processing unit) in 1999 sparked the growth of the PC gaming market, redefined computer graphics and ignited the era of modern AI. NVIDIA is now driving the platform shift of accelerated computing and generative AI, transforming the world's largest industries and profoundly impacting society.

Huang has been elected to the National Academy of Engineering and is a recipient of the Semiconductor Industry Association's highest honor, the Robert N. Noyce Award; the IEEE Founder's Medal; the Dr. Morris Chang Exemplary Leadership Award; and honorary doctorate degrees from Taiwan's National Chiao Tung University, National Taiwan University and Oregon State University. He has been named the world's best CEO by Fortune, the Economist and Brand Finance and one of TIME magazine's 100 most influential people.

Prior to founding NVIDIA, Huang worked at LSI Logic and Advanced Micro Devices. He holds a BSEE degree from Oregon State University and an MSEE degree from Stanford University.

The Philo T. Farnsworth Corporate Achievement Award, which honors an agency, company or institution whose contributions over time have significantly impacted television technology and engineering, is being given to Adobe Inc.

For over 40 years, Adobe has been a leader in delivering groundbreaking technology that empowers everyone, everywhere to express themselves and bring their stories to life, the Academy said. From students to creative professionals, and from small businesses to the world's largest enterprises, Adobe's customers use Adobe tools to unleash their creativity, accelerate document productivity and power digital businesses — including Adobe Acrobat; Creative Cloud tools such as Premiere Pro, Photoshop, After Effects and Adobe Express; Substance 3D collection; collaboration tools like Frame.io; and Experience Cloud enterprise solutions, such as Adobe GenStudio.

Adobe's tools have powered a record number of award-winning television shows and movies including 2024 Emmy-nominated projects, such as Saturday Night Live, FX's The Bear and HBO's Ramy Youssef: More Feelings and The Jinx — Part Two as well as noteworthy films and docuseries including Thank You, Goodnight: The Bon Jovi Story, Dìdi (弟弟) and Penelope.

The Academy said that the Engineering, Science & Technology Emmy Awards are presented to an individual, company or organization for developments in engineering, science and technology that are either so extensive an improvement on existing methods or so innovative in nature that they materially affect the production, recording, transmission or reception of television and thereby have elevated the storytelling process. 

The Academy described this year's recipients as follows:  

Recipient: Adobe Inc. for the development of the Adobe Substance Painter. Substance Painter is a non-destructive 3D texture painting application. Initially built for game developers, Substance Painter has seen very quick adoption in visual effects and animation within the television industry despite its relatively young age. Substance Painter's unique approach of procedural-driven materials differs from previous metaphors for texture generation: It leverages algorithmic methods vs. manual painting and cloning. This has enabled fast and creative texture creation by a broader spectrum of artists without requiring traditional art and painting skill sets. This new workflow has helped increase creativity and accelerate asset generation via quicker iterations in visual effects. As a result, Substance 3D Painter is leading the industry in texture painting, allowing the ability to texture a model in real-time. From animation to visual effects studios, the industry uses Painter to bring their creations to life.

Recipients: Tom Ohanian, Ken Goekjian, Joel Swan and Victor Young for the development of the Avid Multicamera System. Introduced in 1994, the Avid Multicamera System has stood the test of time. With its worldwide usage, it continues to be a dominant technology and product offering in the industry. The Multicamera System replaced systems that utilized videotape and laserdisc players. This digital multicamera invention improved upon all the previous limitations: It provided nonlinear, digital, random access to material with multiple tracks of audio. Due to the invention's functionality of auto-synchronization, the time-consuming synchronization of different camera angles was automated. Editing could proceed directly from camera iso (isolated) feeds as well as a line cut (directly from the video switcher), if necessary due to time constraints. These items significantly advanced the art of storytelling, proving why creative people utilize Avid's Multicamera System to make today's most celebrated video and audio content.

Recipients: Paul Pan, Yanchong Zhao, Tie Su, Shimeng Bei for the development of the DJI Ronin Series. The DJI Ronin is a line of professional camera stabilization systems designed for filmmakers and videographers to stabilize cameras, enabling camera operators to capture smooth, steady footage. The Ronin uses a three-axis gimbal system to stabilize pan, tilt and roll, keeping the camera level and steady, often eliminating the need to lay dolly track or set up a Technocrane. The Ronin's modular design allows for easy setup and adjustment and can be adapted for a variety of shooting scenarios and camera setups. Ronin's payload capacity supports a variety of camera and lens combinations from small mirrorless cameras to larger cinema cameras. Ronin gimbals offer a variety of operation modes, such as Pan Follow, Lock Mode and POV (Point of View) Mode; and they are compatible with a range of accessories, such as wireless focus systems, monitors and other filmmaking tools.

Recipients: Stuart Geman, Kevin Manbeck, John Mertus, and Michael Braca for the development of the DRSNova Film and Video Restoration Software. DRSNova film and video restoration software boasts a comprehensive suite of features tailored to meet the diverse needs of modern filmmakers and post-production experts. From its inception, this innovative software has been at the forefront of advancements in digital restoration and film-processing technology, continuously evolving to keep pace with the ever-changing demands of the industry. It seamlessly integrates into the workflows of film labs, post-production houses, and archival facilities, providing robust solutions for a wide array of restoration tasks. Whether it's restoring aging film stock, enhancing visual quality, or preparing content for television broadcast and streaming, or Blu-ray distribution, DRS™Nova excels in delivering exceptional results with unmatched efficiency. By empowering professionals to achieve their creative vision while maintaining the integrity of the original content, DRS™Nova has played a pivotal role in preserving cinematic heritage and elevating the quality of visual storytelling across various platforms.

Recipient: Benjamin Graf for the development of Accentize's dxRevive Pro. dxRevive Pro is a sophisticated speech-restoration plugin engineered to enhance the fidelity of dialogue recordings across a range of scenarios. Unlike other restoration-style software, dxRevive Pro doesn't just filter the signal, it also identifies and reintegrates missing frequency components. As a result, users can produce studio-like recordings (where the audio is not only "cleaned" but the dialogue itself is enhanced) from a diverse array of source materials. Previously, achieving such clarity required painstaking effort and might not have been achievable at all, resulting in the need for ADR sessions and the additional cost and time those incur. By swiftly and effectively improving dialogue quality, dxRevive Pro elevates the overall audio experience for viewers, ensuring that they can be fully immersed in the story without distraction or discomfort. In essence, dxRevive Pro not only mitigates the impact of budget constraints on dialogue quality but also enhances the storytelling process by providing a more comfortable listening experience, ultimately enriching the narrative and its emotional impact.

Recipients: Jeremy Hochman, Chris Byrne, Colin Cook and Justin Nicolaides for the development of Megapixel's HELIOS LED Processing Platform. The HELIOS platform is an advanced video processing system for LED walls. For over 20 years, the platform has revolutionized LED displays, making them reliable and repeatable tools for filmmakers. HELIOS' advancement of LED processing has removed the restrictions of greenscreen production, enabling storytellers to have full creativity — live in camera. HELIOS supports video sources up to 8K resolution and is capable of handling up to four simultaneous SMPTE ST 2110 inputs. This makes it ideal for large-scale displays and complex visual applications that require high-resolution and precise synchronization. HELIOS' innovative GhostFrame technology allows multiple unique video feeds to be displayed on LED panels simultaneously, streamlining virtual production workflows by enabling the recording of multiple backgrounds from a single take. Its advanced color-management system ensures accurate color fidelity, consistently preserving and applying metadata from source to final display. With full HDR support and seamless integration with image-based lighting systems, HELIOS delivers stunning visuals.

Recipients: Craig Seidel for the development of the MovieLabs Digital Distribution Framework. The MovieLabs Digital Distribution Framework (MDDF) was born from the evolution from physical to digital distribution. Starting in mid-2008, MDDF was originally conceived to support online sales of downloadable content, but it rapidly evolved into a comprehensive collection of essential data standards that drove online streaming. Prior practice was for content owners to provide distribution services an assortment of spreadsheets, emails and other unstructured data. When volumes were small these manual methods could work; but as distribution services evolved to handle tens or hundreds of thousands of titles (millions of assets), those practices were no longer feasible. MDDF provides the solution. MDDF is a suite of digital distribution specifications that define avails (licensing); metadata; asset ordering, delivery and status; bonus/extras; workflows; and APIs. MDDF was designed to get movies and television in front of home viewers in the form most suitable for their needs. It allows a breadth of content to be prepared and delivered by digital service providers to viewers with rich metadata that supports discovery allowing viewers to select the most interesting content. MDDF supports full localization, both in metadata and in handling the complexity of localized and accessibility-focused assets and supports everything from the most primitive formats to the most advanced. MDDF allows people to enjoy content in a way that preserves the creative intent and matches the needs of the individual.

Recipient: The Tiffen Company for the development of the Steadicam Volt. The Steadicam Volt system is an accessory to the already ubiquitous Steadicam that utilizes electronic stabilization technology to assist camera operators in achieving and maintaining smooth, consistent and level camera shots. When mounted on a Steadicam or other brand of camera stabilizer, the Volt will help to maintain a level or preset horizon and filter out unwanted camera movements without affecting normal Steadicam operation or control. Steadicam Volt™ consists of two main components: A "brain" that is mounted fixed in relation to the camera, which houses all gyro and accelerometer motion-sensing components and a gimbal-mounted "motor drive" unit to apply corrections to the tilt-and-roll axis of the camera stabilizer. With the camera stabilizer sled neutrally balanced, the Volt requires very little battery power to manipulate even the heaviest of camera payloads. Difficult shots that involve high-acceleration camera movement — such as running or fast lateral movements — are now easier to obtain smoothly. Operators do not need to focus as much on inertial influences or external forces, such as wind and how they affect camera positioning. The Steadicam Volt™ enables a camera operator to better focus, react and interact with dynamically changing or challenging shooting environments to produce better framing of shots. 

The Engineering, Science & Technology Emmy Awards are made possible by Television Academy sponsors FIJI Water, Franciacorta, Johnnie Walker Blue Label, JUSTIN Vineyards & Winery, People, The Ritz-Carlton and United Airlines.

SHENZHEN, China—DJI has unveiled the Ronin 4D-8K, a new iteration of the company's Ronin 4D professional cinema camera platform. 

The all-in-one 8K cinema camera integrates DJI’s 4-axis stabilization and other technologies into a comprehensive cinematography solution. The Ronin 4D cinema camera offers flexibility to solo cinematographers and a wide range of possibilities for coordinated shooting, the company said. 

"Empowering creators with cutting-edge technology has always been at the heart of DJI's mission,” said Paul Pan, DJI senior product line manager. “The Ronin 4D-8K stands as a testament to our dedication to delivering unparalleled imaging solutions and providing creators with the tools they need to bring their visions to life with exceptional clarity and brilliance.”

The DJI Ronin 4D-8K offers a suite of features that cater to the diverse needs of cinematographers. With full-frame 8K/60fps and 4K/120fps capabilities, the camera ensures exceptional image quality, providing filmmakers with versatility in capturing the demands of the scene. The 800/4000 Dual-Native ISO enhances performance across various lighting conditions, complemented by a maximum of 14.7 stops of dynamic range, offering cinematic depth and rich color grades in any scenario, the company said.

The Ronin 4D-8K offers built-in 9-stop physical ND filters for precise exposure control, DL/E/L/PL/M interchangeable lens mounts for creative freedom, autofocus on manual lenses and Automated Manual Focus (AMF) for quick and accurate focusing with a LiDAR focusing system. Its seamless transition to Flex Form without tools allows for on-the-go adjustments, highlighting the camera's versatility, it said. 

The Ronin 4D-8K leverages the company’s DJI Cinema Color Science (DCCS), which delivers accurate, aesthetically pleasing skin tones, even in complex lighting conditions. The DCCS color engine relies on a new algorithm that enables smooth yet detailed images, high bit-width internal color and tone processing for natural transitions. It also leverages multiple high-precision LUT processing modules for precise color adjustments in diverse lighting conditions, it said.

Complementing DCCS is the CineCore image processing platform, developed by DJI to deliver high-quality digital intermediates for post-production, DJI said.

The new camera platform joins DJI’s Inspire 3 and Zenmuse X7 as being officially Academy Color Encoding System (ACES) certified, it said.

The Ronin 4D-8K combo includes the Ronin 4D Main Body, a Zenmuse X9-8K Gimbal Camera, a DJI DL PZ 17-28mm T3.0 ASPH lens, a PROSSD 1TB, a PROSSD Mount, hand grips, a top handle, a high-bright main monitor, a TB50 intelligent battery, a LiDAR range finder and a DJI Ronin 4D RAW license key for $12,838.

The Zenmuse X9-8K gimbal camera is also available for purchase and retails for $3,599. It includes a Zenmuse X9-8K gimbal camera protector case, an X9 gimbal base cap and a DL mount body cap.

More information is available on the company’s website.

Content creators looking to capture action and adventure content now have a new option with the launch of DJI’s Osmo Action 4. 

Designed for adventure enthusiasts, Osmo Action 4 offers exceptional image quality, flexible features and impressive low-light performance in a $399 standard package that can shoot 4K/120fps. It is equipped with a powerful 1/1.3" image sensor, wide f/2.8 aperture, and 2.4μm-equivalent pixel size, the company said. 

"The Osmo Action 4 is a testament to our commitment to high-quality imagery, reliability, and user-centric design," said Paul Pan, senior product line manager at DJI. "We can't wait to see how our users harness the power of this exceptional camera to create breathtaking content that pushes their limits and inspires others to embark on their own remarkable journeys."

While cameras like the Osmo Action 4 are targeted to consumers and action enthusiasts, they have also made their way into professional productions of action and extreme sports. 

DJI described key specs for the camera as follows:  

• Equipped with a powerful 1/1.3" image sensor, wide f/2.8 aperture, and 2.4μm-equivalent pixel size it can shoot 4K/120fps and provides a 155° ultra-wide FOV. 
• With features like 360° HorizonSteady stabilization modes, including RockSteady 3.0/3.0+ for FPV footage and HorizonBalancing /HorizonSteady for horizontal shots, Osmo Action 4 ensures stable and high-quality imagery in various sports and non-sporty scenarios. 
• The 10-bit D-Log M color mode provides over one billion colors and a wider dynamic range. 
• An advanced color temperature sensor ensures true-to-life tones.
• With its ultra-long battery life, users can film for over 2.5 hours and the battery can be recharged to 80% in 18 minutes. Additionally, Osmo Action 4's battery is built to withstand low temperatures with a freeze-resistant design and provides up to 150 minutes of recording time in temperatures as low as -20°C (-4°F). 
• Versatile features for effortless recording.
• Enhanced recording capabilities for seamless broadcasts. With its built-in microphones, stereo recording provides crisp, clear sound, while external connection support allows for expanded recording options. It has three mics and advanced wind noise reduction software that enables recording with enhanced audio fidelity, even in windy or fast-moving scenarios. With Wi-Fi livestreaming capability, users can easily connect with audiences. 
• SnapShot Button & Quick Switch Button offers immediate recording and instant mode switching.
• Quick Switching Between Five Custom Modes allows users to save their frequently used custom settings and switch between modes on the fly with the Quick Switch button and voice prompts.
• Voice Prompt informs users of current modes without needing to unmount the camera. 
• Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.
• Upgraded InvisiStick recognizes and digitally hides the selfie stick and eliminates it from your shots in a wider range of scenarios.
• Digital Zoom of up to 2x can be adjusted while recording for better image composition.
• DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable, DJI reported. 

More information is available here.  

DJI has introduced Ronin 4D Flex, a new way to use the Ronin 4D professional cinema camera platform. 4D Flex allows operators to separate the Zenmuse X9 gimbal camera from the main body, reducing handheld weight and size to achieve professional footage with even more flexible camera movement, the company said.

Ronin 4D Flex features seamless compatibility with the 4D Hand Grips and Main Monitor, effectively transforming a camera operator into a one-man cinema unit, according to the company. Also announced today is the DL PZ 17-28mm T3.0 Lens, DJI’s first-ever cinema-grade zoom lens, allowing for 100% native focus and zoom for a new level of image quality into the Ronin 4D system. Finally, an activation license key for the Apple ProRes RAW codec on Ronin 4D is now available for purchase at the DJI Store, making it even easier to integrate Ronin 4D footage into cinema productions.

“Ronin 4D reimagined what a single cinema camera can do by achieving a new standard of versatility, cinema quality, and image stability in one piece of equipment,” said Paul Pan, Senior Product Line Manager at DJI. “4D Flex and the DL PZ 17-28mm Lens show the expansive capabilities of this platform to allow cinematographers to capture footage in completely new ways. With these products, we want to express that when it comes to what’s possible with DJI Pro, we’re only getting started.”

Ronin 4D Flex provides creators with a more flexible and efficient camera movement system and a unique creative experience. Solo operators can separate the X9 gimbal camera from the main body, reducing the handheld weight of Ronin 4D to just 1.8kg, letting them shoot for long durations more easily in mobile situations like events and documentaries. 4D Flex also makes the X9 gimbal camera compatible with a variety of rigs and let professional crews shoot footage that was previously extremely difficult or even impossible, such as cinema-quality through-shots and dynamic camera interiors, the company said.

Connecting Ronin 4D Flex to the main body is a 2m ultra-thin coaxial cable, supporting lossless transmission of up to 8K. This allows high-speed signals from the camera sensor to reach the main body instantly, and also control and monitoring signals to be delivered in real-time. This solid cable connection lends 4D Flex unprecedented flexibility of camera positions, no matter how limited the space. It also allows the Zenmuse X9 gimbal camera to be used as an ultra-small cinematic-grade remote head.

Ronin 4D Flex is compatible with the ever-growing Ronin ecosystem of professional cinematography solutions. Native compatibility with Ronin 4D’s Hand Grips and the Main Monitor provides cinematographers with a whole set of solutions, including cinematic imaging, 3-axis stabilization, LiDAR focusing, and professional monitoring and control. The result is a convenient and efficient creative experience unparalleled in the industry today, according to the company. 

Switching between Flex and the integrated configuration on set is fast and no tools are required for this transition, providing greater versatility. For static shots, the standard Pan Axis Quick-Lock with accessories pushes the limits of the gimbal’s payload, supporting telephoto, cinema zoom, and anamorphic lenses to give users wider freedom of choice for the shot they envision.

DJI’s First Cinema Zoom Lens
The DL PZ 17-28mm T3.0 Lens is DJI’s first-ever cinema-grade zoom lens and features precise back focus control and native system calibration, with more accurate autofocus, manual focus and automated manual focus (AMF). Mounted on Zenmuse X9, this lens delivers ultra-high resolution from center to edge while covering ultra-wide to wide-angle focal lengths with a minimum object distance of 0.19 m.

Constructed of aluminum magnesium alloy, the DL PZ 17-28mm T3.0 Lens weighs approximately 520 g, providing a size-to-weight ratio that is a perfect match for the X9 gimbal camera. The internal servo zoom motor delivers a smooth and reliable zoom that eliminates the need for an external focus motor or lens calibration. And the DL PZ 17-28mm adjusts zoom without requiring re-balancing.

Price and Availability
Ronin 4D Flex is available now from authorized retailers and at www.store.dji.com for USD $929, and includes Ronin 4D Flex, one Pan Axis Quick-Lock, two Ronin 4D Hand Grip Adapters, and 2 Hand Grip Adapter Cables.

The DL PZ 17-28mm T3.0 Lens will be available for purchase today from authorized retailers and at www.store.dji.com for USD $1339.

The Apple ProRes RAW license for Ronin 4D will be available for purchase today at www.store.dji.com for USD $979.

In addition to these, two upcoming accessories—the DJI Three-Channel Follow Focus and DJI Ronin 4D Expansion Plate (SDI/XLR/TC)—will both be available in May.

The San Antonio Spurs are ready to take a record-setting step forward, with tonight’s contest against the Golden State Warriors, marking the first time a team has approached selling out a football stadium for a regular season NBA game.

How did that circumstance arise? By the franchise taking a step backwards. The Spurs are celebrating their 50th anniversary in the Alamo City by playing a game in its former home arena. And that spelled opportunity for ESPN.

New Dimensions
The Spurs, who now play at the AT&T Center, are returning for tonight’s game to their home from 1993 to 2002, the Alamodome ― an indoor stadium with a capacity of 65,000 for football—but this time sans that huge curtain that was intended to make the venue more intimate. Tonight’s configuration will encompass the entire stadium, which means new dimensions for ESPN to address.

“First and foremost, we’re covering the game. However, this time the broadcast is also about documenting history,” said ESPN vice president of production Tim Corrigan. “So we’ve made some adjustments given the unusual circumstances, such as higher positioning of the game cameras in the lower bowl to encompass the scene and present a better sense of scale.”

 That basically means more of everything. The crew headcount will reach about 65, which is more than the usual 40-50 for an NBA game; and instead of the usual 10 cameras, ESPN will use 14. The Sony 2500, P50 and 4300 1080ps, “are needed for their high frame rate and super slo-mo capabilities, for the game coverage,” said Eddie Okuno, senior remote operations specialist for DMED-ESPN.

 In addition, ESPN will share cameras with the Spurs and Warriors, who will present their home broadcasts (on Bally Sports Southwest and NBC Sports Bay Area, respectively). “That approach is common during the season,” said Corrigan, “because it makes for an incredible network.”

A Wider View
Also part of the special broadcast will be a four-point Skycam Wildcat with a Sony P50 and wide angle lens for game and scenic coverage. It will be used like the camera that hangs above the field in an NFL game, with the capacity to run the 120-yard length of a football field from 65 feet in front of the press box ― or that half of the field, since the Alamodome’s video board will be hanging lower than usual.

 “We have a great deal of space to work with,” said Corrigan. “Howeverr it’s important to understand that this broadcast is not akin to broadcasting a football game just because it’s in a football stadium.”

The incorporation of Skycam is more to tell the story of the game than focusing on the actual coverage of the action. “It will allow us to document the players’ walk from the locker room to the court, for instance,” he said, “and there will be numerous panoramic shots of the packed stadium.”

Another touch by ESPN will be to use longer lenses, namely the Canon 122X and the 27X, on the game camera since it will be farther from the action “to better present the scale of the entire venue,” said Okuno, also noting the Sony Alpha One shallow depth of field RF camera that uses mirrorless technology “to create a cinematic look.”

As for the rest of the technical setup, the network also installed all home run dark fiber provided by Bexel earlier this week, then the rest of that part of the install yesterday.

 ESPN will produce the game via its two main NBA trucks from the NEP Group: EN3A and EN3B, which house the Grass Valley dual-suite switchers, seven EVS XT4K units and an edit room that includes a dedicated EVS unit for editing the player’s and coach’s microphones.

In addition, one player from each team, each head coach and one referee, will wear Q5X mics. Shure Axient is providing the other mics for the talent, which are all also rentals from Bexel, an NEP company and a long-time partner of ESPN.

NBA Drone
A DJI drone will also accentuate the broadcast. It will be used from the loading dock of the adjacent Gonzales Convention Center, with clearances managed by the DMED drone operations team led by Manager Ryan Humble, who is an FAA certified pilot.

Humble said the plan is to fly the drone from the Convention Center, starting with the pregame festivities throughout broadcast “to get shots from around the venue, the Riverwalk District, the city skyline and anything that’s needed.

“We’ll be working with a visual observer,” he said, noting battery changes every 30 minutes and adding, “we’ll use bonded cellular to transmit drone video to the two mobile units and Zoom for our program return.”

Getting the Signal from Here to There
Concerning transmission, the Alamodome does not offer NBA the necessary signal specs, so it will be sent via fiber to the AT&T Center, then on to ESPN headquarters in Bristol, Conn., and to the NBA technical operations center in Secaucus, N.J.

While the event will bring back old memories, much has changed since the team moved out two decades ago. “I used to work at NBC, which had the NBA contract the last time the Spurs played at the Alamodome,” said Okuno, “but the technical setup today is different. “

Corrigan knows the feeling. “We haven’t often worked in such scenarios, because ESPN didn’t have the rights when the handful of other NBA stadium or outdoor games were played,” he said.

But with the attendance record and today’s technology, it’s a new day. “This is a big event,” he said, “and an opportunity to show what we can do on a bigger stage.”

NANSHEN, China—DJI today introduced its RS 3 Mini, a lightweight, handheld travel stabilizer developed to support mainstream brands of mirrorless cameras and lenses. 

The new miniature gimbal offers the stabilization available from other members of the RS 3 series, making it possible to capture professional content while traveling around landscapes and in urban locations, the company said.

Weighing less than 1.8 pounds, the gimbal can carry up to 4.4 pounds and features Bluetooth shutter control, a third-generation stabilization algorithm, native horizontal and vertical switching and a 1.4-inch color touchscreen.

“Since the introduction of DJI’s Ronin series for cinematography in professional environments, DJI has been working on bringing professional-grade technology to an increasing number of content creators,” said Paul Pan, senior product line manager at DJI. 

“The DJI RS 3 Mini is testament to DJI’s core value of bringing innovative stabilization technology to everyone with a love of capturing their moments in a photo or on video," he continued. "Now, anyone with a mirrorless camera can experience the same industry-leading technology used on film sets and studios across the globe.”

With an all-in-one design, the RS 3 Mini supports many mainstream mirrorless cameras and lens combinations, including the Sony A7S3 + 24-70mm F2.8 GM lens, Canon EOS R5 + RF24-70mm F2.8 STM lens or Fuji X-H2S + XF 18-55 mm F2.8-4 lens. (A full list of supported cameras and lenses is available online.)

The gimbal’s powerful motor eliminates the need to repeat balancing to maintain stable footage capture when the zoom reaches its maximum focal length, it said.

To enable vertical shooting, the RS 3 Mini features a newly designed dual-layered quick-release plate. Attaching the quick-release plate to the vertical arm, makes vertical shooting possible without the need for additional accessories. Gimbal rotation angle is not limited, compared to traditional vertical mode. The gimbal also features an upper plate with a new curved placement guide that prevents the camera from rotating and loosening, the company said.

DJI’s third-generation stabilization algorithm enables the RS 3 Mini to achieve stable shots whether the user is running, shooting at a low angle or in flashlight mode. 

When users are shooting around human subjects, the RS 3 Mini achieves smooth camera movements. Users don't need to pay too much attention to footwork and pace, as the RS 3 Mini can follow people steadily and switch between high and low angles for a more diverse range of shots. The unit makes it possible to capture dynamic, 360-degree-rotation imaging, it said.

The Wireless Bluetooth Shutter function supports linking with the majority of today’s mainstream mirrorless cameras. After the initially linking, the camera is automatically ready for use when turned on. Users can directly control the video recording and photo capture functions via the record button on the gimbal, enabling them to concentrate on shooting straightaway, it said.

When using a Sony camera with a supported digital lens, users can directly control optical or digital zoom via the front dial, eliminating the need for a camera control cable, it said.

The DJI RS 3 Mini is available now for $369 from authorized retailers and at the DJI online store.

More information is available online. 

DJI has introduced a new action camera, the Osmo Action 3, that the company is billing as the most powerful action camera DJI has ever made. 

Notable features include a greatly improved battery and native support for vertical shooting. 

“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, senior product line manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”

The new 1770mAh Extreme Battery that lets the camera record for up to 160 minutes. It also handles temperatures as low as -20° C (-4° F),2 and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes, thanks to native fast-charging support, a first for action cameras. 

The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, etc. and it optimizes the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. 

A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms, DJI reported.

The Osmo Action 3 also features a 1/1.7-inch imaging system that shoots in 4K/120fps, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. 

An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras, DJI said.

D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production.

The Osmo Action 3 is also waterproof at depths of up to 16 meters without needing any additional housing.

In terms of camera stabilization, Osmo Action 3 builds on DJI’s legacy of innovative image stabilization, offering three distinct electronic image stabilization options:

• RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
• HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
• HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.

In addition to obvious uses as an action camera, DJI is also targeting the Osmo Action 3 as a solution for vloggers and streamers.

Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position, the company said. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams, DJI reported. 

Additional features include: 

• Shutter/Record Button & Quick Switch Button offers immediate recording and instant mode switching.
• Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
• Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
• Voice Prompt informs users of current modes without needing to unmount the camera.
• Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.8
• InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.9
• 5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.10
• Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
• Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
• Digital Zoom of up to 4x can be adjusted while recording for better image composition.
• DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
• Loop Recording for continuous recording and overwriting according to a preset time.
• Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.11 In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.

Osmo Action 3 is available in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.

More information is available here.

HAUPPAUGE, N.Y.—Tiffen has announced its 3-Filter Neutral Density Kit for the DJI Mini 3 Pro. The lightweight filters allow users to manage the camera aperture for ideal exposure without color shift and provides a simple, professional method of controlling the lighting conditions while operating this popular drone.

The Tiffen Mini 3 Pro 3 Filter Kit comes complete with three neutral density filters (ND8, ND16 and ND32) that reduce light passing through to the camera's sensor. The ND8 yields 3-stop reduction, the ND16 4-stop reduction and the ND32 cuts the light by 5 stops.

Tiffen Drone filters are made from optical glass with waterproof and scratch-proof multi-coating, which reduces reflection while maintaining clarity and color fidelity. The rectangular filter rings are built of lightweight and durable aluminum. The Tiffen Mini 3 Pro 3 Filter Kit also includes a protective carry case, and cleaning cloth at an MSRP of $69.99. 

For more details visit https://tiffen.com/pages/dji-mini-3-pro-edu.

LOS ANGELES—DJI has announced several new products, including the company’s first  independent wireless video solution and the new DJI RS 3 and DJI RS 3 Pro camera stabilizers.  

“The needs and requirements of the content community are extremely important to us,” said Paul Pan, senior product line manager at DJI. “Ever since the introduction of the first Ronin back in 2014, we’ve continually gained feedback from industry professionals on how we can enhance our products to cater to their evolving needs. Implementing this feedback, we’ve optimized the design, stabilization, and gimbal control to create next-generation, highly effective, and reliable stabilizers designed for unparalleled efficiency. Furthermore, we don’t just stop at stabilization. We understand the importance of video transmission and the various pain points faced in large, complex venues. Whether it’s dealing with range, lagging images, or lost signals, the new DJI Transmission addresses these issues and offers an incredible 20,000-foot on-ground transmission distance.”

The new DJI RS 3 incorporates a range of new features to get filmmakers up and running as quickly as possible, the company said. By simply turning on the gimbal, the automated axis locks release and unfold the gimbal, allowing the operator to get started in seconds. Tapping the power button once will send the device into sleep mode, which makes powering on the device, stowing it away, and relocating much faster. 

Weighing in at just under 1.3 kg[1] (2.8 lbs.), RS 3 can easily be held in one hand, while its just under 3kg (6.6lbs) tested payload capacity is more than enough to support the majority of mainstream devices.

It also features a brand-new battery grip providing up to 12 hours of battery life.

For users with higher demands, RS 3 Pro is an even more professional version offering a full suite of features as a versatile camera platform, the company said. 

Arms constructed from one uncut piece of carbon fiber, makes RS 3 Pro lighter and stronger than the jointed carbon fiber material used on previous stabilizers, the company reported. 

They have also been extended to allow for more balancing space for commonly used professional cameras like the Sony FX6, Canon C70, and RED Komodo, and the structure has been optimized to keep its weight at 1.5kg1 (3.3lbs) with an impressive 4.5kg (10lbs) tested payload capability. 

The stabilizer also has the automated axis locks, Bluetooth Shutter Button, 1.8-inch OLED touchscreen, and gimbal mode switch of RS 3.

While manual lenses can bring focusing challenges for solo shooters involved in professional projects. RS 3 Pro carries Ronin 4D’s advanced LiDAR focusing technology to create the new DJI LiDAR Range Finder (RS) which is capable of projecting 43,200 ranging points within a 14-meter indoor area. 

A next-generation focus motor provides torque three times stronger with one-step mounting, enabling autofocus on manual lenses with no need for repetitive calibration. 

The LiDAR Range Finder also carries a DJI-developed chip identical to the one used in Ronin 4D and a built-in 30mm camera, boosting the computing power of ActiveTrack by more than 60 times, creating ActiveTrack Pro. With target identification and tracking more sensitive and accurate than ever before, RS 3 Pro will enable professional cameras to maintain a steady, clear shot in even more dynamic scenarios. 

With its dual RSA/NATO port and battery port, RS 3 Pro can connect to various accessories such as the new Briefcase Handle, Twist Grip Dual Handle, and Tethered Control Handle, opening up a variety of shooting options.

The DJI RS SDK protocol enables third-party manufacturers and individual developers to create customized shooting solutions for RS 3 Pro to build an even richer ecosystem with more developers, the company added. 

DJI Transmission, which is DJI’s first independent wireless video solution, was developed on the heels of Ronin 4D’s advanced video transmission technology. The system combines reception, monitoring, control, and recording into one solution. 

O3 Pro transmission technology enables the transmission system to offer an incredible 20,000-foot on-ground transmission distance with end-to-end ultra-low latency, a massive upgrade from traditional Wi-Fi transmission. Video is transmitted in 1080p/60fps and provides live audio monitoring at 16-bit 48 kHz, offering crews an excellent remote visual and audio monitoring experience.

To cope with the demands of complicated signal and structural environments, a DFS band has been added on top of the traditional 2.4 GHz and 5.8 GHz settings, offering up to 23 channel options that provide crews with more compliant and interference-free transmission channels.

A built-in frequency sweeper automatically scans the current electromagnetic environment for the best wireless channel, instantly switching channels when needed. 

DJI’s 7-inch, 1500-nit High-Bright Remote Monitor includes an integrated receiver, eliminating the need for video cables running into a monitor. The device supports one transmitter with multiple receivers, as well as two transmission modes to address different transmission needs. In Control mode, monitoring can be carried out from two receivers at the same time, while the gimbal and camera can also be controlled remotely. 

For a large crew with various units such as lighting, art department, and props, Broadcast mode can also be enabled on top of Control mode, which will allow an unlimited number of receivers and elevate shooting efficiency to a new level.

On large sets like reality shows, DJI Transmission can work simultaneously with ten or more transmitters sending signals to transmit to ten devices, creating a completely synchronized experience that is hard to achieve with traditional transmission.

DJI Transmission is also a comprehensive control system. When used with RS 3 Pro, it can work as a gimbal and camera controller, unlocking more functions and fully integrating the ground-based Ronin ecosystem.

The High-Bright Remote Monitor has a built-in gyroscopic sensor that acts as a standalone motion controller for RS 3 Pro. And when combined with the Ronin 4D Hand Grips, the operator of an RS 3 Pro stabilizer can control the gimbal, focus, exposure, and start/stop a recording with both hands.

Expanding on the Ronin ecosystem, DJI Transmission works seamlessly with DJI Master Wheel and Force Pro, giving operators a variety of ways to control camera movement in the whatever way the shot demands.

DJI also announced that in August this year, Ronin 4D will support the Apple ProRes 4444 XQ codec, which is the highest-quality version of Apple ProRes for 4:4:4:4 image sources.

For these users, DJI is also introducing the Zenmuse X9 Extension Cable. With this addition, the Zenmuse X9 gimbal camera can be used separately from the body of Ronin 4D, helping cinematographers navigate more complex and diverse scenes while reducing approximately 80% of the weight they need to carry around, allowing for a more versatile and flexible filming experience.

In addition, DJI has joined the L-Mount Alliance and has partnered with Leica to introduce the exclusive Zenmuse X9 L-Mount Unit, enabling Ronin 4D users to fit Leica, Panasonic, and Sigma L-Mount lenses onto their cameras.

DJI RS 3 will be available for $549 and includes one Gimbal, BG21 Grip, USB-C Charging Cable, Lens-Fastening Support, Extended Grip/Tripod (Plastic), Quick-Release Plates, Multi-Camera Control Cable, and Screw Kit. 

The DJI RS 3 Combo retails for $719 and additionally includes one Briefcase Handle, Focus Motor (2022), Focus Motor Rod Kit, Focus Gear Strip, a second Multi-Camera Control Cable, and one Carrying Case. Full details can be found at www.dji.com/rs-3

The standalone DJI RS 3 Pro retails for $869 and includes one Gimbal, BG30 Grip, USB-C Charging Cable, Lens-Fastening Support (Extended), Extended Grip/Tripod (Metal), Quick-Release Plates, Briefcase Handle, Multi-Camera Control Cable, Screw Kit, and Carrying Case. 

The DJI RS 3 Pro Combo retails for $1099 and additionally includes one Extended Quick Release Plate, Phone Holder, Focus Motor (2022), Focus Motor Rod Kit, Focus Gear Strip, Ronin Image Transmitter (previously known as the DJI RavenEye Image Transmission System), two Hook-and-Loop Straps, and additional cables. 

The DJI Transmission Combo retails for $2499 and includes one DJI Video Transmitter, DJI High-Bright Remote Monitor, Remote Monitor Hood, Installation Toolkit, Protector Case, two WB37 Intelligent Batteries, one WB37 Battery Charging Hub, as well as various cables and battery adapters. 

The independent Video Transmitter and High-Bright Remote Monitor will also be available for separate purchase and retail for $1099 and $1699, respectively. 

LOS ANGELES—DJI has announced that its DJI Mic, the first dedicated audio recording product from the provider of civilian drones and creative camera technology, is now available for purchase in the U.S. for $329. 

DJI Mic is a dual wireless microphone system solution for recording crystal-clear audio at long distances. With 5.5-hours of battery life and a total of 15 hours with the charging case, DJI Mic is ideal for shooting a vlog, interviews, or any kind of content creation that requires high-quality audio. The system consists of two microphone transmitters, a receiver, and an ultra-compact charging case that fits easily into your bag or pocket. It is compatible with smartphones, cameras, DJI OM 5, and DJI Action 2 for high-quality audio, the company said. 

Key features include: 

• Easy Setup: An extra ultra-portable charging case stores the transmitters and receiver and fast-pairs the system just by opening it.
• Intuitive Design: The transmitters attach via back-clip or magnetic plate. The receiver's built-in touchscreen gives easy access to channel selection, input/output settings, and other essential operations. 
• Portability: Weighing just 30 grams, the transmitter easily clips onto a shirt collar.
• 250m Max Wireless Transmission Range: Using DJI's latest encryption technology, DJI Mic is capable of recording crisp audio at distances of up to 250 meters (tested in unobstructed environments in direct line of sight).
• Dual-Channel Recording: DJI Mic comes with two transmitters with built-in microphones, capable of simultaneously recording the sound from two audio sources. Each transmitter has built-in storage of up to 14 hours (8GB) and supports backup recording, ensuring that your audio files are safe and easy to access. Files can be transferred via the USB Type-C Cable and appears as a drive when connected to your PC or Mac. Files are 48,000 Hz, 24-bit mono WAV format.
• Compatibility: The DJI Mic receiver supports USB-C, Lightning, and 3.5mm TRS interface output, making it compatible with most smartphone, camera, and laptop models.
• Battery Life: The transmitters and receiver both boast a 5.5-hour battery life and a total of 15 hours with the compact charging case.
• Variable gain control: DJI Mic has flexible variable gain control from two independent audio sources.
• Safety Track: A secondary audio track is recorded as a backup with a lower volume of -6 dB (different from the main audio track), which helps to safeguard your audio in case of unforeseen issues.
• Multi-level Control: Adjust input and output sensitivity between -12dB ~ 12dB and find the perfect setting for your surroundings.
• Microphone Furry Windscreen: Effectively suppresses wind and noisy environments while still recording clear sound.

LOS ANGELES—DJI has announced that its Ronin 4D 6K Cinema Camera, which was announced last fall along with the Ronin 4D 8K Cinema Camera, has begun shipping. 

The Ronin 4D 8k is expected to become available in June of 2022. 

DJI is billing the cameras as the next generation of cinema production, with innovative gimbal, imaging and modular designs. 

The Ronin 4D's modular design is made up of a core processing unit and a gimbal camera featuring DJI's flagship Zenmuse X9 sensor and the new DJI CineCore 3.0 image processing system with DCCS (DJI Cinema Color System). The core cameras can be built out with a variety of mix-and-match accessories, depending on one's production needs in the studio or on location, the company said. 

The compact camera features a built-in gimbal that installs on the arm of the main unit, and it adds a fourth Z-axis to the traditional 3-axis design for additional stability in motion, particularly during dolly movement, to prevent vertical shake. 

The gimbal provides multiple visual sensors, an IMU (inertia/force sensor), and a barometer to keep the camera rock steady. Its AMF (Automated Manual Focus) technology provides accurate autofocus while also allowing the camera operator to control focus at any time during the automated process.

Key features of the DJI Ronin 4D 4-Axis Cinema Camera 6K combo include:

• DJI Ronin 4D adds a Z-Axis to the traditional 3-axis gimbal setup to decrease vertical camera shake and provide faster responses to lens movements in any direction. It is also equipped with forward and downward dual-visual sensors for visual positioning.
• In the Autofocus mode, Ronin 4D's LiDAR Range Finder detects subject movement up to 20 times per second. With the focus motor mounted, autofocus is available even on manual lenses. ActiveTrack Pro enables cinema-standard tracking shots, and continuous tracking is available, even from farther distances.
• ProRes HQ & Raw Video up to 6K60. The Zenmuse X9 6K sensor can capture up to 6K60 or 4K120 video with 800/5000 dual native ISO. 
• DJI O3 Pro Video Transmission provides a 20,000-foot transmission range with 2.4GHz, 5.8GHz, and the DFS frequency band. A 1080p/60fps FHD feed can be output to multiple remote monitors simultaneously with enhanced security and stability. And Ronin 4D's High-Bright Remote Monitor facilitates coordinated shooting with convenient monitoring, recording, and playback.
• LiDAR Range Finder/Focus Module. LiDAR Waveform directly shows environment depth information, and provides easy and intuitive operation. With Ronin 4D, focusing is no longer limited to experienced focus pullers. New users can now easily achieve professional-grade focusing precision.

 More information on the 6K and 8K models is available here.  

SHENZHEN, China—Drone and camera manufacturer DJI has introduced its latest product, the Osmo Action Camera, which can handle productions from the ground or the sky.

One of the key new features of the Osmo Action Camera is its front and rear color screens. The rear touchscreen measures 2.25-inches and features a water and fingerprint-repelling coating. The front screen is 1.4-inches and is meant to make vlogging and selfies easier.

The camera also has an interactive user interface, Action OS, that allows for power, recording and the ability to rotate through video and photo capture modes with three dedicated buttons. There is also SnapShot, which allows Osmo Action to begin recording in under two seconds by pressing the shutter button.

With a 1/2.3-inch sensor, the camera can record 12-megapixel photos and 4K video up to 60fps at 100Mbps; it is also capable of HDR video in 4K/30fps. A three-glass aspherical lens, meanwhile, is designed to record low-distortion content and reduce warping effects. The camera also offers a brightness of 750 nits for use in harsh lighting conditions, including direct sunlight.

Osmo Action is the first DJI camera to utilize the company’s RockSteady Electronic Image Stabilization technology.

Additional features of the camera include a removable battery that can shoot 93 minutes of 4K/30fps with RockSteady enables, and 135 minutes of 1080/30 fps without RockSteady; dual microphones; 8x slow motion in 1080p 240fps or 4x slow motion in 1080p 120fps; timelapse capability; custom exposure settings; and a rugged design, including making the camera dustproof, shockproof, waterproof and ability to operate in sub-freezing temperatures. The Osmo Action can also be connected to the DJI Mimo app.

DJI is now shipping the Osmo Action Camera at a price of $349.

UAV Cinema offers Commercial Drone Services for Video Production of all types to the greater midwest area. While based in Cleveland Ohio, UAV Cinema travel to markets all throughout the region. Offering Heavy Lift Drone Camera Packages capable of flying a Movi Pro and cameras from RED, Arri, Sony, and more. When a heavy lift package exceeds the needs of your shoot, we can provide a more cost effective DJI Inspire 2 Package, that offers 4k resolution & ProRes Files or RAW CinemaDNGs, for ultimate flexibility in post production.

We offer Aerial Video Services you can trust in Ohio, Indiana, Pennsylvania, Michigan, Illinois, Kentucky, and more.

Licensed & Insured Commercial Drone Services.

UAV Cinema’s pilots are full licensed commercial drone pilots and comply with the FAA Part 107 rules regarding unmanned aircrafts. Since normal video production liability insurance doesn’t cover drones, we are additionally insured up to $1 Million for both Indoor and Outdoor Flights. For locations that require insurance beyond $1 Million, the coverage can be raised upon request

Cinematographers At Heart

Our drone gimbal operator has years of experience as a Director of Photography, and having come from this background informs all the work UAV Cinema does. Having worked on countless productions, we are intimately familiar with the needs of Feature Films, Commercials, Television, and how to accomplish your shots in the safest manner possible. Some of our favorite clients include Mainsail Creative, XPO Logistics, TBS’s Full Frontal with Samantha Bee, Cub Cadet Commercial, Commercial Media, John Deere, & Honda.

For Additional information or to book UAV Cinema, contact us at UAVCinema.com

New York City, NY – July 10, 2018– Global content marketplace Pond5, in conjunction with DJI, the world’s leading manufacturer of civilian drones and aerial imaging technology, today unveiled the first wave of content in its premium collection of licensable aerial drone footage.

Included in the launch of the Pond5 DJI collection are shots by FAA Part 107 certified pilots that cover a spectrum of landscapes and perspectives — from stunning natural terrain to urban cityscapes, rare shots of animals in the wild, and sweeping overviews of modern industry. The content will provide buyers in the Pond5 marketplace with numerous and exciting options for their film and video projects.

“The response to our call for filmmakers using DJI drones is truly inspiring,” said Pond5 CEO Jason Teichman. “We received a wealth of aerial footage to choose from for this collection, and it’s continuing to roll in non-stop. Being able to provide our buyers with shots of this quality captured by certified pilots speaks directly to Pond5’s mission of supporting filmmakers on both sides of our marketplace, and to the passion of the artists in the DJI community.”

DJI has been working closely with the team of video experts and curators at Pond5 on the genesis and launch of the collection, helping to ensure that the most compelling and award-worthy aerial footage shot with DJI products is made easily accessible to customers searching for studio-quality shots to use in their productions.

“This collection marks the start of a new era for filmmakers looking to purchase and sell drone footage,” said Michael Perry, Managing Director of DJI, North America. “We’re always amazed at the sheer quality and diversity that pilots using DJI drones display in their work. Bringing this creativity to the millions of filmmakers who use Pond5 in a way that reinforces safe and legal drone operations is extremely rewarding.”

By applying to join this program, pilots operating with a Part 107 Remote Pilot Certificate issued by the Federal Aviation Administration (FAA), which is required for US commercial use, are presented with the opportunity to leverage Pond5’s industry knowledge in identifying their most in-demand shots, as well as potentially obtaining assistance in preparing their footage for licensing in the Pond5 marketplace. Pilots certified in territories outside the US are also encouraged to submit their credentials, as there are plans to further expand the scope of the collection in the near future to include certified pilots from all around the world. For more information on applying and to view the newly released Pond5 DJI collection, visit pond5.com/dji.

About Pond5

Pond5 is the world’s largest, most vibrant video-first content marketplace, providing filmmakers, creators, and producers of all kinds with the content, inspiration, and tools they need to improve their projects. As the only content marketplace that meaningfully shares licensing revenue with its contributing artists, Pond5 is driven by a commitment to its passionate and growing global community of more than 60,000 professional visual and audio creators, providing a platform where their creative work can flourish, and helping them to make a sustainable living. With groundbreaking features like visual search for video and integrations into all major video-editing software, Pond5 is innovating daily, making it easier to find and use the content that creatives need to bring their vision to life. Pond5 is a venture-backed company funded by Accel Partners and Stripes Group with offices in New York, Dublin, Prague, London, and LA.

For more information, please visit https://www.pond5.com/.

Press Contact:

Megan Linebarger

Zazil Media Group

(e) megan@zazilmediagroup.com

(p) +1 (617) 480-3674

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SHENZHEN, CHINA—Don’t expect to see DJI at the 2018 Winter Olympics; the drone manufacturer has updated software in its drones to make Olympic venues in PyeongChang, South Korea, and other locations temporary no-fly zones throughout the Games.

The creation of these no-fly zones is an effort to reduce any potential safety or security concerns. The coordinates of the no-fly zones were set based on aviation authorities suggested distances. Officially, there will be no-fly zones in PyeongChang, Gangneung, Bongpyeong and Jeongseon in Gangwon Province.

DJI has previously set-up no-fly zones during major events like the national political conventions in the U.S., the G7 Summit in Japan and the Euro 2016 football tournament in France.

The 2018 Winter Olympics will take place from Feb. 8-25 in PyeongChang.

SHENZHEN, CHINA—Concerns about potential collisions between drones and aircrafts may have been overstated according to a new report from the FAA’s Alliance for System Safety of UAS through Research Excellence (ASSURE).

The report took a close look at drone collision risks using a DJI Phantom 3 quadcopter and a larger fixed-wing drone. Computer models were used to predict how they would collide with different surfaces of a passenger jet and a business jet.

The main findings indicated that the drones operated today have minimal impact on an aircraft. Tests showed that a quadcopter would not penetrate the windshield of an airplane or cause uncontained failure if ingested into an engine. At lower altitudes, the airplanes at moving at lower speeds and would produce the lowest level of damage.

ASSURE concluded that drone manufacturers should adopt sense-and-avoid and/or geofencing technologies to reduce the risk of drones colliding with aircrafts.

“ASSURE had done a great public service by rigorously analyzing the risks of collisions and providing a scientific basis for future research, product development and regulation,” said Brendan Schulman, DJI vice president of policy and legal affairs. “Drones provide great benefits to society—even saving lives—and ASSURE’s report shows why the growth of this technology should be guided by facts, not fears.”

The full ASSURE report is available here.

SHENZHEN, CHINA—DJI has a new accessory for drone enthusiasts with a new version of its DJI Goggles. The new DJI Goggles Racing Edition come complete with a new design and new features to provide an enhanced user experience, per DJI’s press release.

One of the key additions to the new goggles is a newly developed external OcuSync Air Unit and camera module that can be installed or mounted on any drone or aircraft to provide DJI Goggle RE operators with a real-time first-person-view. DJI reports that when paired with the OcuSync Air, DJI Goggles RE can display videos through 2.4 or 5.8 GHz digital video transmission with latency as low as 50 ms and a maximum control range of up to 7 km.

OcuSync Air also includes 1280x960 HD transmission, automatic Frequency-Hopping Spread Spectrum for unobstructed transmission and access to as many as 12 selectable transmission channels, and three compatible, interchangeable antennas: pagoda, cylindrical and dipole. Two pairs of DJI Goggles RE or an extra Mavic Pro controller can be connected to the module.

The DJI OcuSync Camera is an external camera module that is compatible with DJI Goggles RE. It has a 1/3-inch image sensor, a global shutter and a low-distortion lens to deliver a wide image with a 148-degree field of view.

Through the DJI Goggle RE, users have access to flight setting adjustments, gimbal control and flight data. A separate signal reception module is not needed and users can connect a third-party controller to the goggles for control of racing drones. The screen of the goggles has transmission resolution, battery level and signal quality visible.

Additional feature for the DJI Goggles RE include a Head Tracking Gimbal mode, which allows the camera to be controlled by turning the head; there is also an SMA port for analog transmission.

DJI will begin shipping the DJI Goggles RE at the end of November for $549. The DJI Goggles RE combo, which includes the goggles, one DJI OcuSync Air system and one DJI Goggles Carry More backpack, is priced at $859.

SHENZHEN, CHINA—If you’re going to be taking video from the sky, DJI thinks it makes sense to have a camera that is specifically designed for that type of filming. The drone and aerial imaging manufacturer has announced the Zenmuse X7 Super 35 digital film camera meant for professional aerial cinematography. The camera is designed to work with DJI’s Inspire 2 drone and features interchangeable lenses and a new DJI Cinema Color System for post-production.

The Zenmuse X7 is equipped with a Super 35 video sensor featuring 14 stops of dynamic range for use in low-light conditions. It low-noise image capture enhances grading flexibility and enables a shallow cinematic depth of field. The camera is capable of shooting 6K CinemaDNG RAW or 5.2K Apple ProRes at up to 30fps, as well as 3.9K CinemaDNG RAW or 2.7K ProRes at up to 59.94fps.

DJI has developed a dedicated aerial mount system, the DJI D-Mount, for the Zenmuse X7 that features an ultra-short flange focal distance to carry prime lenses optimally. Available lenses include focal lengths of 16mm, 24mm, 35mm and 50mm, with each lens having a maximum aperture of F/2.8 and are crafted out of carbon fiber. The 16mm lens has a built-in ND 4 filter, while the 24mm, 35mm and 50mm lenses have a mechanical shutter.

Also part of the camera is DJI’s new DJI Cinema Color System. DCCS features a new D-Log Curve and D-Gamut RGB color space to give more flexibility and color options during post-production. The D-Log expands the dynamic range, while the D-Gamut preserves more color information. There is an EI mode that mimics a film camera to capture more information while balancing the dynamic range and noise with different log curves.

The DJI Inspire 2 drone can have a flight time of up to 23 minutes when using the Zenmuse X7.

DJI will start shipping the Zenmuse X7 in November. The camera with all four lenses will be available for $4,299. The camera alone is priced at $2,699, while the 16mm, 24mm and 35mm lenses will be offered for $1,299 each and the 50mm will be available for $1,199.

SHENZEN, CHINA—While not impacting most people on a daily basis like daily commuter traffic, the question of how to manage and monitor unmanned aerial vehicles, or drones, is a hot topic for many in the UAV and adjacent industries. DJI, a drone provider, has drafted a pair of new white papers that address its regulatory approach for the safe growth of drone traffic, which focuses on the use of existing technology and local communication protocols.

“Rather than develop complicated new systems using untested technology, DJI believes industry and government can address these challenges with equipment available today, and without requiring every drone flight to be permanently recorded in a government database,” said Walter Stockwell, DJI director of technical standards.

One of the white papers DJI proposes that unmanned traffic management systems do not require a centralized control center to help establish flight paths and avoid other objects, but instead use on-board anti-collision technologies like obstacle sensing systems and radio transmitters and receivers, which are already found on many drones.

DJI also had an update to a white paper it initially released in March, outlining an electronic identification framework for small drones where drones use their existing command-and-control radio of Wi-Fi link to transmit a registration number and other basic information. This would enable authorities to use local sensors to obtain that information from drones that approach sensitive areas or have been the subject of a complaint.

DJI reports that it has developed a system that operates on these principles and previously tested it in April.

DJI recently presented both of its white papers at the International Civil Aviation Organization Drone Enable conference in Montreal.

SHENZHEN, CHINA—Roger Luo will be taking over as the president of drone manufacturer DJI according to a company press release, effective immediately.

Luo was formerly the vice president of operations for DJI, where he oversaw procurement, production and logistics. He will continue to oversee product development while also developing DJI’s international business.

Past stops for Luo have included time at Apple, Foxconn, Siemens, InnoLux and BenQ Corporation. 

FOSTER CITY, CALIF.—Sling Media is taking to the sky, announcing that its SlingStudio platform is now compatible with DJI drones. The SlingStudio wireless and portable multi-camera video production and live broadcasting system will now be able to work with DJI’s Phantom, Inspire and Matrice series drones.

DJI Matrice

A drone operator can connect with SlingStudio either by plugging into SlingStudio’s HDMI input port or connecting to SlingStudio wireless through the CameraLink wireless adapter. The drone streams live footage to its controller base, which then routes the video to the SlingStudio hub via the HDMI or CameraLink connection. With this, the drone can send high-quality footage to SlingStudio from within its recommended range.

SlingStudio can record, monitor and edit four HD video inputs from up to 10 aerial drone systems. The footage can then be outputted to streaming services like Facebook Live and YouTube, while also recording to a USB hard drive, USB SSD or SD card.

Sling Media, a subsidiary of Dish Network, is offering the SlingStudio starting at $999.

SHENZHEN, CHINA—DJI has launched a mini-drone. The drone-maker describes the Spark as “an easy-to-use, fun-to-fly mini camera drone that lifts off from the palm of your hand.”

Spark is DJI’s first drone that can be controlled by hand gestures. When Spark takes off, it automatically enters “Gesture Mode.” This features new advanced gesture controls like PalmControl, which lets operators control Spark with hand movements. DJI recommends using Spark’s separately available “propeller guards” for hand launching.

Spark weighs 10.6 ounces– less than a can of soda—and can be operated by a remote controller, a mobile device, or hand gestures alone. Spark will be available in five different colors: “Alpine White,” “Sky Blue,” “Meadow Green,” “Lava Red” and “Sunrise Yellow.”
Spark comes with new flight options, e.g., QuickShot Intelligent Flight Mode activates a preset flight path for recording a short video and tracking a subject along the way, DJI said.
DC Drone Film Festival 2017 Now Accepting Submissions
WASHINGTON—The DC Drone Film Festival is returning to the National Drone Show and Government Video Expo for its second year and is now accepting entries. We are calling on drone videographers to share their work with the pilots, producers, equipment manufacturers, drone enthusiasts and other broadcast and AV professionals who will attend the 2017 National Drone Show and GV Expo, which will take place Nov. 29-30.
Submissions are accepted in any or all of the six categories: Narrative, Nature, Sports, Architecture, Corporate/Industrial/Business, and Shorts. Submission must not exceed five minutes—one minute for the Shorts category—and must consist of at least 50 percent drone footage. The entries are judged on originality, technical expertise and cinematography/visuals.
Each winner in the six categories will receive a $250 cash prize and have their video screened throughout the 2017 National Drone Show and across NewBay Media’s broadcast and video network of sites.
To submit your film, please visit DC Drone Film Festival, produced by the National Drone Show and NewBay Media.
Four QuickShots are available: Rocket, sending Spark straight up into the air with the camera pointed down; Dronie, flying up and away from your subject; Circle, rotating around the subject; and Helix, spiraling away from a subject as it flies upward. For each QuickShot, Spark will automatically create a 10-second video from the flight that is ready to share on social media.

Previously introduced Intelligent Flight Modes such as TapFly and ActiveTrack can also be found on Spark. Based on DJI’s vision technology, a new TapFly sub mode called “Coordinate” allows Spark to fly to a location the operator taps on a mobile device screen. TapFly’s Direction Mode allows the operator to keep the drone flying in the direction tapped on the screen. Using ActiveTrack, Spark will automatically recognize and track an object, keeping it at the center of the frame. Spark’s 3D Sensing System will actively sense obstacles in front of the aircraft.

With the remote controller accessory, operators can switch to Sport Mode and reach speeds of up to 31 mph. Sport Mode sets the gimbal to first-person view by default, so the camera moves with operator. Spark will also be compatible with DJI Goggles for an immersive first-person view perspective.

Spark houses a 1/2.3-inch CMOS sensor camera that captures 12-megapixel photos and shoots stabilized HD 1080p videos with the assistance of a 2-axis mechanical gimbal and “UltraSmooth” technology.

Spark includes many previous DJI drone shooting modes with two new additions: Pano and ShallowFocus. In Pano Mode, the camera creates horizontal or vertical panoramas by automatically adjusting its gimbal and heading, taking a series of pictures and stitching them together.

ShallowFocus creates photographs with a shallow depth-of-field shots. An array of filters and automatic editing templates available in the DJI GO 4 app enables operaters to quickly edit videos and share them directly to Facebook, YouTube, Twitter, Instagram, and other social media platforms.

Spark’s FlightAutonomy system consists of the main camera, a downward-facing vision system, a forward-facing 3D Sensing System, dual-band GPS and GLONASS, a high-precision inertial measurement unit and 24 powerful computing cores. DJI says these features allow Spark to hover accurately with vision system assistance at up to 98 feet and sense obstacles from up to 16 feet away.

Like all recent DJI drones, Spark can return to its home point automatically with a sufficient GPS signal. While using the remote controller, if the battery gets too low, connection is lost, or the operator presses the return-to-home button, Spark flies back to the preset home point while sensing obstacles in its path. Spark also integrates DJI’s GEO System or NFZ geofencing to provide up-to-date guidance on areas where flight may be limited by regulations or raise safety or security concerns – helping you fly safely and responsibly.

Spark is powered by a high-energy density LiPo battery and has a maximum flight time of up to 16 minutes. When flying with the remote controller accessory, Spark allows for 720p real-time video transmission from up to 1.2 miles away.

The U.S. retail price of a DJI Spark, including aircraft, battery, USB charger and three pairs of propellers, is $499. The Spark Fly More Combo includes an aircraft, two batteries, four pairs of propellers, a remote controller, propeller guards, a charging hub, a shoulder bag and all necessary cables, with a U.S. retail price of $699. Pricing and availability of other accessories for Spark will be announced at a later date. Spark will be available for pre-order at DJI’s online store plus, four the DJI Flagship Stores as well as authorized dealers. Pre-orders will start shipping in mid-June.

WASHINGTON—As the Unmanned Aircraft Systems Chief Pilot for Sinclair Broadcast Group, I get to combine my love of flying and passion for storytelling as Sinclair leads the industry in bringing drone journalism to our local news stations across the U.S. We have 40 drone journalists operating in our markets today and we expect to double that by the end of 2017.

Our audiences love the new perspective drones bring to their local news reports, from breaking news stories to scenic views. And with so much riding on our UAS effort, it’s imperative for us to have the right equipment in every market. That’s why our stations are among the first flying the DJI Inspire 2 drone, a craft designed for video production that is extremely well adapted to newsgathering operations.

The Inspire 2 drone used by Sinclair features a Zenmuse X5S camera and can be powered via an iPad.IN FLIGHT
The Inspire 2 video feed sends a reliable HD signal back without the need for range extenders, parabolic reflectors or other antenna tricks. Other drones can lose signal as it moves during live shots, forcing camera operators to stop their motion until the signal comes back—making for very disjointed shots for viewers at home. It makes such a difference to make smooth moves while you can see it uninterrupted, while feeding live through the LiveU bonded cellular.

The Inspire 2’s sense-and-avoid capability offers significant safety benefits. While all UAS pilots prioritize safety, this drone’s ability to provide an extra layer of security is an obvious advantage.

In addition, the “spotlight” feature is a natural news camera delight. We use this mode frequently—it’s perfect for positioning the camera on a person, car or even a building and automating the camera’s motion. It works so well it should have been called “news mode.”

DRONE ACCESSORIES
We use the Zenmuse X5S camera with the Lumix 14-42 zoom, which allows us to vary our shots. We use full-size iPads for the majority of our workflow, from checking weather and airspace restrictions before flight, to controlling the Inspire 2 and its camera, to logging flights afterward. In the past, our iPads would not have enough power to last through the day. The new feature of being able to power the iPad from the remote is fantastic.

The Inspire 2’s dual-battery system featuring an extended run time is a huge advantage. We have four sets of batteries at all our stations, and with large inverters in our crew cars charging while we fly, we can feed video easily through an entire newscast and beyond. Even with that power, though, we’re still able to carry these batteries on an airliner—a big help while travelling.

The purchase of 10 Inspire 2 drones in January was an easy sell to our corporate leaders. The safety features alone make it a no-brainer, but combined with the overall package, this is an outstanding newsgathering platform. We are on track to have 45 stations equipped and flying this year and continue the count into the next. In each new market we meet with local authorities to display the equipment and share safety protocols. Officials walk in worried about journalists with drones, and walk out with their fears alleviated.

The Inspire 2 is making the Sinclair UAS program succeed in a big way, and we’re glad that our viewers are the winners.

Jeff Rose is a veteran photojournalist with Sinclair and now serves as Sinclair Broadcast Group’s Chief Unmanned Aircraft Systems Pilot. He can be contacted atJerose@sbgtv.com.

For more information, please visitwww.dji.comor call 818-235-0789.

LOS ANGELES—DJI has introduced the Osmo+, an integration of its Zenmuse X3 Zoom lens and its Osmo handheld camera stabilization system. The Osmo+ offers 7x zoom, with 3.5x optical and 2x digital lossless zoom available at 1080p, which gives the camera a 22mm-77mm focal range.

Key features for the Osmo+ include motion timelapse, advanced stabilization, and the ability to shoot 4K/30fps video and 1080p/100fps for slow motion video. It also has FlexiMac for sound capture and can capture 12 megapixel stills in Adobe DNG RAW.

Some of the camera’s additional features include compatibility with the DJI GO app, and an optional tripod, bike mount or extension rod.

DJI is offering the Osmo+ for $649.

LOS ANGELES—Drone operators are getting ready to test their skills for the annual DJI SDK Challenge, which is set to take place Sunday, Aug. 28, in Rome, N.Y. Hosted by DJI, Ford Motor Company and the United Nations Development Program, the event will feature 10 teams that will compete to see whose software can best launch drones from a bed of a moving vehicle, guide them through a simulated disaster site to identify victims and return to land back on the vehicle. Grand prize will be $100,000.

The finalists, who built their gear with DJI’s Software Development Kit, hail from universities and research groups from around the world. The competition field will be held at Griffiss International Airport in Rome at the FAA-designated drone test site.

The DJI SDK challenge will take place from 9:15 a.m. to 4 p.m. Awards ceremony will take place at 6 p.m. Guests will also have the chance to fly DJI drones in addition to observing the competition, per DJI.

SHENZHEN, CHINA—Koreans will have a new place to learn to fly their drones, as DJI has announced that it is ready to open a DJI Arena in Yongin, Gyeonggi Province. Just about 50 km south of Seoul, this 1,395-square-meter arena will open in mid-August.

The indoor venue will feature safety nets, and adjustable LED-lit circuit, and an LCD TV for first person views. There will also be a maintenance room with charging docks and a workstation for repairs.

The DJI Arena will be available for individual and group bookings, event rentals, and a venue for DJI’s New Pilot Experience program and workshops. It can also be used for advanced flying experiences and drone racing.

This follows DJI’s previous construction of a store in Hongdae, Seoul.

LAS VEGAS—The Matrice 600 is ready for take-off, as DJI unveiled its next-generational aerial platform at the 2016 NAB Show. The new system integrates DJI’s A3 flight controller, features Lightbridge 2 video-transmission technology and can be combined with the Ronin-MX aerial three-axis gimbal.

The M600 is a six-rotor system with a max payload of 6 kg. It is powered by six DJI Intelligent Batteries, all of which can be powered off with a push of a single button. The platform also has a dustproof propulsion system, actively cooled motors and retractable landing gear.

The integrated A3 flight controller uses sine-wave-driven, intelligent electronic speed controllers for M600 performance. The technology also has self-adaptive flight systems that adjust based on payloads. The A3 system can be upgraded to the A3 PRO System, which features diagnostic algorithms to compare sensor data from three Global Navigation Satellite System (GNSS) units and three instrumental measurement units. The A3’s GNSS system can then be optionally upgraded to DJI Real-Time Kinematic technology, which offers centimeter-accurate positioning. The M600 also supports the DJI GO app for live status reports and access to Zenmuse X-series camera features; it is also compatible with DJI Onboard Software Development Kit and Mobile SDK.

When the Ronin-MX is mounted on theM600, the Ronin-Mix’s CANBUS port allows flight controller data to pass through the gimbal, making it aware of its position and able to maintain the horizon level. It can pan 360-degrees, tilt plus-45-degress to negative-135-degrees, has redundant slip rings and features an optional accessory to transmit real-time video from a mounted camera; it is also compatible with DJI Focus.

The M600 starts at a retail price of $4,599. Combined with the Ronin-MX, it sells for $5,999.

SAN FRANCISCO—Social media and UAVs, better known as drones, have hooked up, with DJI using its Phantom 4 model to live stream a video to the Facebook Live video service during the F8 developer conference in San Francisco. The aerial platform captured live footage of the audience during the event and streamed it to Facebook users watching around the world.

This demo was a preview of a new partnership between the companies. As part of the deal, later in April, Facebook Live video streaming functionality will be available for all devices controlled by the DJI Go mobile app, according to DJI.

DJI is a consumer drone manufacturer that is based in Shenzen, China.

SHENZHEN, CHINA—Want to find other drone enthusiasts or drone professionals in your area, there’s an app for that now. DJI has announced the launch of its “DJI+ Discover” app, which allows drone users to start conversations and meetup either socially or professionally. The app also provides access to the DJI Forum, online store, SkyPixel, and provides information on upcoming DJI events.

The app is divided into four sections: Nearby Search, Experience, Store and Forum. Nearby Search shows social and professional users in an area, as well as flying locations and geo-tagged photos from SkyPixel; the search section is separated for social and professional users. The Experience section provides information on nearby DJI stores and upcoming events. Store provides direct access to DJI’s online store and Forum is an integrated version of DJI’s official Forum for discussion.

Users sign up by registering an email address; profiles can be linked to existing DJI accounts.

The “DJI+ Discover” app is available for either iOS or Android users in the U.S., U.K., Germany, Spain and Australia.

LOS ANGELES—Unmanned Aerial Vehicle (UAV) manufacturer DJI has announced that it has filed a patent infringement lawsuit against Yuneec International Co. Ltd. and Yuneec USA, Inc. in the U.S. District Court for the Central District of California. DJI claims that Yuneec products infringe on two DJI patents; the company is seeking injunctive relief to cease sales of the allegedly infringing systems.

According to DJI, Yuneec’s UAV products infringe on DJI’s U.S. Patent Numbers 9,164,506, titled “Systems and Methods for Target Tracking,” and 9,280,038, titled “Interchangeable Mounting Platform.”

In a press release announcing the filing, DJI said: “DJI welcomes competition, but is committed to protecting its intellectual property. Friday’s filing is a response to safeguard that investment, to protect customers and partners and to promote genuine innovation in this promising area.”

DJI is represented by the law firm of Wilson Sonsini Goodrich & Rosait, P.C.

WASHINGTON—The Federal Aviation Administration released an updated list of pilot, air traffic controller and citizen reports of possible encounters with unmanned aircraft systems, or drones. The latest report (an .xlxs download) covers Aug. 22, 2015 through Jan. 31, 2016 and includes 583 reported sightings.

The FAA said reports of unmanned aircraft have increased dramatically since 2014, and now stand at around 100 a month. Safely integrating unmanned aircraft into the national airspace system is a top priority for the FAA, which is under pressure from Congress to produce a set of rules to regulate drones. The FAA reauthorization bill on its way to the full Senate includes several recommendations, including traffic management and classification systems for drones. (See “Drone Delivery, Unlicensed Spectrum Use, Sent to Senate Floor,” March 17, 2016)

Most of the sightings reported in the FAA’s latest list were near manned aircraft and airports. One dated Aug. 21, 2015, involved a helicopter spotting a drone flying between the Wynn and Trump hotels in Las Vegas at an altitude of approximately 500 feet. Another pilot flying at 7,000 feet off of Sandy Hook, N.J., that same day spotted a black and purple drone 30 feet off the right side of the aircraft. Drones are authorized only to 400 feet. On Jan. 31 of this year, a Reston, Va., man reported that a three- to four-foot white quadcopter drone was “sitting on the driveway of his home.” The FAA said it wants to send a “clear message that operating drones around airplanes and helicopters is dangerous and illegal.”

Unauthorized drone operation may be result in “stiff fines and criminal charges, including possible jail time,” the agency said.

“We have a number of educational initiatives with our government and industry partners to teach drone operators how to fly safely, including the drone registry we launched last December,” said FAA Administrator Michael Huerta. “But enforcement goes hand-in-hand with education, and we will take action against anyone who operates irresponsibly to the full extent of the law.”

More than 406,000 people have registered since the registry went live in late December, the FAA said.

For current information on where unmanned aircraft can be flown safely, the FAA has a free app, B4UFLY for iOS and Android smartphones, designed to provide current information on areas where drones are safe to fly.

DJI, the Shenzhen, China-based manufacturer that has thus for cornered the drone market released a statement following the FAA’s sighting report. “Keeping the skies safe is DJI’s top priority, and we firmly believe drones are a valuable addition to the airspace for both commercial and recreational purposes,” said Brendan Schulman, DJI’s vice president of Policy and Legal Affairs. “The FAA’s latest list of unverified reports includes many instances where pilots and people on the ground simply mentioned seeing drones in the air. We want to ensure the public and policymakers put these reports in context with the millions of flight hours that drones safely navigate through airspace for businesses, farms, hobbyists, photographers and government agencies. Many of those drones have helped save lives in situations involving fires, floods, and missing people.”

The FAA anticipates annual drones sales to reach 2.5 million this year and 7 million by 2020.

SHENZHEN, CHINA—Drone operators now have the option for drone insurance, or something of the like, as DJI has announced its DJI Care protection plan. New and existing DJI drone owners have the option to purchase a six-month or one-year DJI Care plan that covers damages to the aircraft, gimbal or camera under normal use and pilot error.

DJI Care provide repair credits that equal the total amount of the aircraft’s retail price. There is no limit to the number of repairs under the plan, but expires when contract is completed or repair credits are used up.

Coverage is available for the Phantom 3 Standard, Phantom 3 4K, Phantom 3 Advanced, Phantom 3 Professional models and Inspire 1, version 2.0 with X3 gimbal camera. DJI Care can be bought with the aircraft, or separately.

DJI care is available for customers in the U.S., parts of Europe and Mainland China.

BUSAN, SOUTH KOREA—DJI will give customers in South Korea a one-stop shop to learn about and buy an unmanned aerial vehicle, or drone. The company announced that it is opening a five-story, 870-square-meter store in Seoul’s Hongdae district. It is expected to be ready in March.

The location will feature the full range of DJI consumer products and provide customers first hand lessons on how to operate the drones. Part of the store will be the Customer Experience Zone, where DJI pilots will perform demos and customers can learn about the specific features of the products. The store will also feature a customer-support staff to provide technical assistance. In addition, a lounge area will be available to customers, offering aerial footage content from around the world.

This will be DJI’s second retail store. It opened its OCT Harbour shop in Shenzhen, China back in December.

FRANKFURT, GERMANY—Aerial platform companies DJI and Lufthansa have comes to terms on a market-development deal that will them collaborate on commercial applications for drone technology. Under the deal, Lufthansa Consulting unit will use DJI drones, integrating hardware and software, and conducting data analysis from drone sensors and systems for key clients.

One example of what the deal can be used for was a recently completed pilot project from Lufthansa that used DJI equipment to inspect roto blades on wind turbines. Other uses include thermal-imaging systems on drones to facilitate inspections on aircrafts, power lines, roads, railways and above-ground pipelines, as well as monitoring construction sites and crops.

YOUTUBE—Let me be clear, here. This is five minutes and 36 seconds of exquisiteness. This guy (I don’t know who actually conjured this up; it just seems like a guy thing) has out-Christmas-lighted every other contender and possibly the North Pole itself. His montage combines rock-and-roll imagery, Christmas, and laser lights perfectly choreographed to the theme music from “Star Wars.”

If you remember Bill Murray singing “Star Wars.” on SNL, then yes, you’re as old as me. Be not afraid. Enjoy this sublime silliness, and be grateful for blessings like not being this guy’s neighbor.

WASHINGTON—Fill out a Web form, get a registration number and mark it on your drone. This was the verdict of the Unmanned Aircraft Systems Registration Task Force Aviation Rulemaking Committee, released today. The Task Force, formed by the Federal Aviation Administration and the Department of Transportation last month, agreed on a simplistic approach in part because that was where the confluence of agreement settled:

“Any registration steps more burdensome than these three simple steps may jeopardize the likelihood of widespread adoption and would undermine the overall registration philosophy that enabled the Task Force to come to consensus,” its report said.

The Task Force was charged with three main objectives: identify which drones need to be registered, how to register them and how to prove certification. Members came together for three days in early November to hammer out the recommendations. The report noted that three days wasn’t sufficient for the Task Force to drill down into how to set up a drone registry and what impact it would have on hobbyists.

Task Force members included Amazon, various pilots groups, robotics makers, consumer electronics representatives and retailers, GoogleX, GoPro, surveyors, the International Association of Police Chiefs and drone makers, including DJI of Shenzhen, Guangdong, China, a “a pioneer in the nascent market for commercial unmanned aircraft,” according to The Economist.

DJI wasn’t all together pumped about drone registration in general.

“We share the concerns of many of the 4,700 people who filed comments that this process was initiated in response to sensational headlines rather than data-based risk assessments, and contradicts the provisions of several federal statutes. Nonetheless, we undertook in good faith the assignment, which was not to argue the law…,” DJI said in a statement.

The Consumer Technology Association—known for 90 years as the Consumer Electronics Association—tiptoed carefully between drone manufacturer agendas and the public safety concerns driving drone registration:

“This is a crucial time for public policy concerning drones,” CTA said in a statement. “For the U.S. to stay competitive, and for drone-related businesses and startups to thrive, we need regulatory as well as non-regulatory solutions that support both safety and innovation. Duplicative or conflicting federal, state and local policies will encumber innovators, confuse the public and limit growth.”

CTA said 400,000 consumer drones would be sold “this holiday season.” Registration would apply to those with a maximum takeoff weight of between 250 grams and 55 pounds, and operated outdoors in National Airspace. The Task Force recommended that registration be free, or “$0.001” if the law requies that the FAA charge. The registry system would pop out a number that owners would mark or affix on their drones, similar FAA “N” numbers for manned aircraft registered in the United States. A second option would be to register the drone by its serial number.

The report includes two-and-a-half pages of math on the velocity, size and probability of a drone falling on someone’s head and killing them. This is how the Task Force concluded that drones 250 grams (a little over half a pound) or less could be excluded from registration. The ground fatality probability of a drone weighing roughly half a pound or less is one for every 20 million hours of flight, or less than those for commercial and general aviation, the report said.

The group reached an uneasy concensus on the 250-gram threshold. Some felt there should be no exemptions, while others said it would diminish the credibiity of the effort to require registration of small drones “generally considered to be in the ‘toy’ category.”

Other recommendations in the report cover what information to collect for registration, drone types, citizenship status, proof of registration and age requirement. The Task Force recommended that owners 13 or older would need to register, and those under 13 would have to be supervised by an adult.

FAA Administrator Michael Huerta thanked the Task Force members for their contribution and said the FAA would take it from there.

“I will work with my team at the FAA to review their recommendations, as well as public comments we received, as we present the recommendations to Secretary [Anthony] Foxx. We will work quickly and flexibly to move toward the next steps for registration,” he said.

See the full report here.

LAS VEGAS—DJI has announced the release of two new entries to its aerial camera platform, the Zenmuse X5 and X5R. Both aerial cameras feature Micro Four Thirds sensors that allow the capture of up to 13 stops of dynamic range, resulting in high-resolution 16 megapixel photos or 4K, 24fps and 30fps videos.

Each camera also features interchangeable lenses and full wireless aperture and focus control. Among the lenses compatible with the cameras are the DJI MFT 15mm f/1.7 ASPH lens, the Panasonic Lumix 15mm G Leica DG Summilux f/1.7 ASPH lens, the Olympus M.ZUIKO DIGITAL ED 12mm f/2.0 lens, and the Olympus M. Zuiko 17mm f/1.8 lens. Operators have the ability to adjust the camera’s focus or aperture in flight via the DJI Go app or DJI’s Follow Focus system.

Zenmuse X5R

The Zenmuse X5R has the ability to record video to both an onboard microSD card as well as a removable 512GB solid state disk on the top plate of DJI’s three-axis Zenmuse gimbal technology. Cinema DNG (RAW) video is recorded to the SSD and opens up lossless 4K video recording in a compact form factor with video bit rates averaging 1.7Gbps; maxes out at 2.4Gbps. DJI will release CineLight later this year, which supports Cinema DNG files by offering offline proxy editing before converting Cinema DNG files to ProRes.The X5R also features a D-LOG mode for more color correction options in post-production.

Both the Zenmuse X5 and X5R are fully compatible with existing DJI Inspire 1 platforms as an interchangeable option for the Inspire 1’s standard Zenmuse X3 camera.

The Zenmuse X5 is available for pre-order and will begin to ship before the end of September at a price of $4,499. The Zenmuse X5R will be available in Q4 2015 for $7,999. 

SHENZHEN, CHINA – DJI is helping everyone take to the skies as the aerial robotics developer has released the DJI Phantom 3 Standard, an aerial video and photography drone that is designed specifically for first-time pilots.

Phantom 3 Standard

Based off the Phantom 3 Professional and Phantom 3 Advanced UAVs, the Phantom 3 Standard features a newly designed and integrated camera that records up to 2.7K HD video at 30fps with a 94 degree distortion free lens. The camera also shoots still images at 12 megapixels in both DNG Raw and JPG formats. The Phantom 3 Standard is connected to Wi-Fi to provide near real-time HD footage for the pilots. The drone comes with an updated remote control and DJI Go app.

The Standard includes GPS-based stabilization and flight times of up to 25 minutes. It is also compatible with Intelligent Flight features like Follow Me, which allows the drone to follow the user based on their orientation; Waypoint Navigation, allowing the user to set a multi-point path the Phantom 3 will automatically follow; and Point of Interest, which allows users to select an object that the Phantom 3 will fly around and keep framed in the center. All these features will be available through a firmware upgrade in the coming weeks.

The DJI Phantom 3 Standard is currently available at a retail price of $799.