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                            <title><![CDATA[ Latest from Tv Technology in Digitization ]]></title>
                <link>https://www.tvtechnology.com/tag/digitization</link>
        <description><![CDATA[ All the latest digitization content from the Tv Technology team ]]></description>
                                    <lastBuildDate>Wed, 05 Sep 2018 18:19:27 +0000</lastBuildDate>
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                                                            <title><![CDATA[ Multicom Entertainment Group Employs Cintel Scanner for Film Restoration ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/the-wire-blog/bmd-multicom</link>
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                            <![CDATA[ Blackmagic Design today announced that Los Angeles based distribution company Multicom Entertainment Group is using a Cintel Scanner, DaVinci Resolve Studio, UltraStudio 4K and DaVinci Resolve Mini Panel as part of its film restoration workflow. ]]>
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                                                                        <pubDate>Wed, 05 Sep 2018 18:19:27 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Business]]></category>
                                                                                                                    <dc:creator><![CDATA[ nick@zazilmediagroup.com ]]></dc:creator>                                                                                                        <dc:description><![CDATA[ null ]]></dc:description>
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                                <p><strong>Fremont, CA - September 5, 2018</strong> - Blackmagic Design today announced that Los Angeles based distribution company Multicom Entertainment Group is using a Cintel Scanner, DaVinci Resolve Studio, UltraStudio 4K and DaVinci Resolve Mini Panel as part of its film restoration workflow.</p><p>As an independent distribution company, Multicom Entertainment Group owns more than 1,500 titles, with more than 200 of them on film. According to Executive Director Andrew Baritz, “When looking at our entire workflow it became obvious that building our own post workflow would be more time and cost effective than partnering with an outside post house to do it for us. The costs and wait times of using outside labs for HD and UHD film scans were too high, especially with a library of our size.”</p><p>Since purchasing the Cintel Scanner in mid 2017, Multicom Entertainment Group has completed more than 20 film restorations, including Academy Award winning documentary “The Long Way Home,” horror film “Slaughterhouse Rock," the classic tale “The Adventures of Pinocchio” and romantic biopic “The Whole Wide World,” which is slated for BluRay release in September 2018.</p><p>“We’ve already restored around two dozen films using the Cintel Scanner and currently have another five in progress. With most films using five reels, and occasionally capturing release prints along with original negatives (ON) for color reference, somewhere between 100 to 200 reels have already been captured, creating close to 100TB of RAW scanned data,” said Baritz.</p><p>Multicom Entertainment Group scans 35mm and 16mm film using a Cintel Scanner with a Cintel Audio and KeyKode Reader, and then does its restoration work using DaVinci Resolve Studio and a DaVinci Resolve Mini Panel. Additionally, the team uses an UltraStudio 4K, Teranex 2D Processor and multiple DeckLink capture cards as part of its workflow.</p><p>“Once assets are scanned and move to our edit bay, we use DaVinci Resolve Studio for all color correction, grain removal, audio extraction and stabilization,” said Baritz.</p><p>Lead Editor Meni Philip described working with DaVinci Resolve Studio as exercising muscle memory, since he first worked with it more than 10 years ago in Berlin. Philip cited using multiple facets of both DaVinci Resolve Studio and the DaVinci Resolve Mini Panel, including how the knobs on the control panel, specifically RGB, keyboard and color wheels, have helped improve his workflow. “I rarely use the mouse as the panel makes post faster and more precise,” he said.</p><p>According to Philip, the system gives him the opportunity to go beyond correcting color and grain, since DaVinci Resolve Studio divides colors into RGB and Luminance separately with full individual control of each, which provides much more control in the overall restoration of a film’s color. Philip employed this exact technique to overcome grading issues in his recent restoration of the 1982 film, “The Retrievers.”</p><p>“Even if you have a very faded film, you can still achieve very high quality results with DaVinci Resolve Studio, tackling challenging footage with ease,” he noted. “We also work with the Cintel Scanner to create the stabilization and master files from the scans. The quality is great, especially with the cost of the machine, and the ability to scan in real time allows for fast replacements of scanned assets, creating fast and efficient scans."</p><p>“We have scanned film stock ranging all the way from 35mm ON, interpositives (IP), internegatives (IN) and release prints to 16mm ON, IP, IN and even A, B prints. Our films live in all formats from all years of production,” concluded Baritz. “Having the flexibility to capture most professional film in house has allowed us to bring back films from the past that could not afford to shoot on 35mm.”</p><p><strong>Press Photography</strong></p><p>Product photos of Cintel Scanner, DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Cintel Audio and KeyKode Reader, UltraStudio 4K, Teranex 2D Processor, DeckLink and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images</p><p><strong>About Multicom Entertainment Group</strong></p><p>Multicom Entertainment Group is an independent distribution company focusing on the worldwide television, digital media, publishing, licensing and merchandising marketplaces. With countless episodes of acclaimed classic television series, hundreds of movies and new theatrical films, Multicom's expansive catalog boasts a powerful portfolio of global superstars in every format and genre. Multicom has established itself as an industry leader, cultivating strong relationships with partners worldwide, delivering broadcast quality content wherever, whenever and however it is consumed. For more information, you can visit www.Multicom.tv, for blog updates, www.Multicom.tv/blogs, and to learn more about the library, www.Multicom.tv/Library/</p><p><strong>About Blackmagic Design</strong></p><p>Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com</p>
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                                                            <title><![CDATA[ Library of Congress to Digitize PBS NewsHour Collection ]]></title>
                                                                                                                                                                                                <link>https://www.tvtechnology.com/news/library-of-congress-to-digitize-pbs-newshour-collection</link>
                                                                            <description>
                            <![CDATA[ If you’ve missed out on the past 30 years of PBS NewsHour you’re in luck, 32 years of broadcasts will be persevered  and available online through the American Archive of Public Broadcasting ]]>
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                                                                        <pubDate>Fri, 29 Jan 2016 10:35:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Business]]></category>
                                                                                                                    <dc:creator><![CDATA[ Michael Balderston ]]></dc:creator>                                                                                                        <dc:description><![CDATA[ null ]]></dc:description>
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                                <p><strong>WASHINGTON—</strong>If you’ve missed out on the past 30 years of PBS NewsHour you’re in luck, 32 years of broadcasts will be persevered and available online through the American Archive of Public Broadcasting. The Library of Congress, public media producer WGBH and WETA, Washington D.C., will handle the digitization of PBS NewsHour programs from 1975 to 2007. Funding for the endeavor is coming from the Council on Library and Information Resources.</p><figure class="van-image-figure pull-" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' ><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="EhQuGyFDvu7Mf7u6iWVsQP" name="" alt="" src="https://cdn.mos.cms.futurecdn.net/EhQuGyFDvu7Mf7u6iWVsQP.png" mos="https://cdn.mos.cms.futurecdn.net/EhQuGyFDvu7Mf7u6iWVsQP.png" align="" fullscreen="" width="" height="" attribution="" endorsement="" class="pull-"></p></div></div></figure><p>The project will digitize around 10,000 programs with more than 8,000 hours of interviews and reports on major American and foreign affair issues and events. Interviews feature every secretary of state since 1976, presidents, supreme court justices and members of congress, as well as a number of world leaders. The collection will also include coverage of election campaigns, African-American history, end of the Cold War, terrorism and other national issues.</p><p>With the addition of the PBS NewsHour collection, the AAPB website will have more than 20,000 programs as part of its online collection. The AAPB is a collaboration between WGBH and the Library of Congress.</p>
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