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                            <title><![CDATA[ Latest from Tv Technology in Academy-award ]]></title>
                <link>https://www.tvtechnology.com/tag/academy-award</link>
        <description><![CDATA[ All the latest academy-award content from the Tv Technology team ]]></description>
                                    <lastBuildDate>Wed, 26 Apr 2023 12:27:46 +0000</lastBuildDate>
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                                                            <title><![CDATA[ How an Oscar-Winning Film Was Produced Remotely ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Remote production, accelerated by the pandemic, can now do some incredible things.In fact, the animated holiday short film “The Boy, The Mole, The Fox and The Horse” became the first remotely produced film to win an Academy Award. When it had its debut in December on BBC in the U.K., it drew more than 7 million viewers. The film is now available on Apple TV+.</p><p>To make the film, 120 people in 15 countries were tied together over LucidLink.</p><p>The Main Stage session “How to Win an Oscar With a Fully Remote Creative Team,” sponsored by LucidLink at last week&apos;s NAB Show in Las Vegas, featured two of the creative managers on the film, Mike McCain, an art director and visual development artist, and Ben Wood, animation senior support specialist.</p><p>Moderator Dave Leopold, LucidLink’s strategic development director, noted that this show was creating a playbook for remote productions going forward.</p><p>Being in charge of technology for the film’s art department, Wood said one of the first things he needed to do was to access the people working on the project and the electronic equipment they had to work with.</p><p>One important factor was bandwidth, he said, “because we were still deep in the COVID pandemic and it was important to know if I’d be able to remotely get into their system while they were on the machine.”</p><p>While the people hired had amazing creative abilities, he added, they did not have the best machines at home. “In about two or three cases people had to buy new iMacs because it can support the latest OS.”</p><p>“The remote aspect to leading this team was incredibly daunting,” McCain added. The team had some early Zoom calls to demonstrate techniques. “The early phases were laying the track for the train,” he said. “By the end of the project, we had a lot of momentum.”</p><p>The author of “The Boy, The Mole, The Fox and The Horse,” Charlie Mackesy, used his own unique watercolor style to illustrate the book. That style would prove tricky to translate to film until they found the right kind of brushes to use in Photoshop.</p><p>“I think with any adaptation of a book, especially something that’s so beloved as Charlie’s book had become, I felt there’s always that sort of initial trepidation,” McCain said. But to the credit of the film’s producers, “pretty much as soon as I saw some of the early story animatics and storyboards, I was just excited and hopeful that we could make it through this whole thing and stick the landing.”  </p><p>© NAB 2023</p> ]]></dc:content>
                                                                                                                                            <link>https://www.tvtechnology.com/news/how-an-oscar-winning-film-was-produced-remotely</link>
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                            <![CDATA[ ‘The Boy, The Mole, The Fox and The Horse’ lined up 120 people in 15 countries ]]>
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                                                                        <pubDate>Wed, 26 Apr 2023 12:27:46 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Events]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jon Lafayette ]]></dc:creator>                                                                                    <dc:source><![CDATA[ null ]]></dc:source>
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                                                                                                                                                                        <media:description><![CDATA[The Boy (voiced by Jude Coward Nicoll) and The Mole (voiced by Tom Hollander) in “The Boy, the Mole, the Fox and the Horse,” now streaming on Apple TV+.]]></media:description>                                                            <media:text><![CDATA[NAB]]></media:text>
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                                <p>Remote production, accelerated by the pandemic, can now do some incredible things.In fact, the animated holiday short film “The Boy, The Mole, The Fox and The Horse” became the first remotely produced film to win an Academy Award. When it had its debut in December on BBC in the U.K., it drew more than 7 million viewers. The film is now available on Apple TV+.</p><p>To make the film, 120 people in 15 countries were tied together over LucidLink.</p><p>The Main Stage session “How to Win an Oscar With a Fully Remote Creative Team,” sponsored by LucidLink at last week&apos;s NAB Show in Las Vegas, featured two of the creative managers on the film, Mike McCain, an art director and visual development artist, and Ben Wood, animation senior support specialist.</p><p>Moderator Dave Leopold, LucidLink’s strategic development director, noted that this show was creating a playbook for remote productions going forward.</p><p>Being in charge of technology for the film’s art department, Wood said one of the first things he needed to do was to access the people working on the project and the electronic equipment they had to work with.</p><p>One important factor was bandwidth, he said, “because we were still deep in the COVID pandemic and it was important to know if I’d be able to remotely get into their system while they were on the machine.”</p><p>While the people hired had amazing creative abilities, he added, they did not have the best machines at home. “In about two or three cases people had to buy new iMacs because it can support the latest OS.”</p><p>“The remote aspect to leading this team was incredibly daunting,” McCain added. The team had some early Zoom calls to demonstrate techniques. “The early phases were laying the track for the train,” he said. “By the end of the project, we had a lot of momentum.”</p><p>The author of “The Boy, The Mole, The Fox and The Horse,” Charlie Mackesy, used his own unique watercolor style to illustrate the book. That style would prove tricky to translate to film until they found the right kind of brushes to use in Photoshop.</p><p>“I think with any adaptation of a book, especially something that’s so beloved as Charlie’s book had become, I felt there’s always that sort of initial trepidation,” McCain said. But to the credit of the film’s producers, “pretty much as soon as I saw some of the early story animatics and storyboards, I was just excited and hopeful that we could make it through this whole thing and stick the landing.”  </p><p>© NAB 2023</p>
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                                                            <title><![CDATA[ Grass Valley’s Viper FilmStream Camera Earns Technical Oscar ]]></title>
                                                                                                <dc:content><![CDATA[ <p><strong>MONTREAL—</strong>Grass Valley will now have an Oscar on its mantel piece, as the company has announced that it will receive a Scientific and Technical Award from the Academy of Motion Picture Arts and Sciences for its Viper FilmStream camera.</p><figure class="van-image-figure pull-" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' ><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="eRyNkaHTcNcUYtXrUXBFEU" name="" alt="" src="https://cdn.mos.cms.futurecdn.net/eRyNkaHTcNcUYtXrUXBFEU-1920-80.jpg" mos="https://cdn.mos.cms.futurecdn.net/eRyNkaHTcNcUYtXrUXBFEU.jpg" align="" fullscreen="" width="" height="" attribution="" endorsement="" class="pull-"></p></div></div></figure><p>The Viper FilmStream was first introduced in 2002 and was among the first digital cameras utilized by the industry. It allowed directors to immediately review footage following a scene and was able to be used for longer shooting times than traditional film cameras.</p><p>The camera was used for both film and TV productions and has served as an influence in the development of current HD, 4K/UHD and HDR cameras.</p><p>Grass Valley will receive its award at a ceremony in Beverly Hills, Calif., on Feb. 11.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.tvtechnology.com/news/grass-valleys-viper-filmstream-camera-earns-technical-oscar</link>
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                            <![CDATA[ Grass Valley will now have an Oscar on its mantel piece, as the company has announced that it will receive a Scientific and Technical Award from the Academy of Motion Picture Arts and Sciences for its Viper FilmStream camera. ]]>
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                                                                        <pubDate>Thu, 02 Feb 2017 10:55:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Scripted Production]]></category>
                                                    <category><![CDATA[Production]]></category>
                                                                                                                    <dc:creator><![CDATA[ Michael Balderston ]]></dc:creator>                                                                                                        <dc:description><![CDATA[ null ]]></dc:description>
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                                <p><strong>MONTREAL—</strong>Grass Valley will now have an Oscar on its mantel piece, as the company has announced that it will receive a Scientific and Technical Award from the Academy of Motion Picture Arts and Sciences for its Viper FilmStream camera.</p><figure class="van-image-figure pull-" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' ><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="eRyNkaHTcNcUYtXrUXBFEU" name="" alt="" src="https://cdn.mos.cms.futurecdn.net/eRyNkaHTcNcUYtXrUXBFEU-1920-80.jpg" mos="https://cdn.mos.cms.futurecdn.net/eRyNkaHTcNcUYtXrUXBFEU.jpg" align="" fullscreen="" width="" height="" attribution="" endorsement="" class="pull-"></p></div></div></figure><p>The Viper FilmStream was first introduced in 2002 and was among the first digital cameras utilized by the industry. It allowed directors to immediately review footage following a scene and was able to be used for longer shooting times than traditional film cameras.</p><p>The camera was used for both film and TV productions and has served as an influence in the development of current HD, 4K/UHD and HDR cameras.</p><p>Grass Valley will receive its award at a ceremony in Beverly Hills, Calif., on Feb. 11.</p>
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