WASHINGTON—Video makers, content creators and visual storytellers working at all levels—from enthusiast to expert—are preparing to attend the Video Show Wednesday, Dec. 4, and Thursday, Dec. 5, at the Walter E. Washington Convention Center in the Nation’s Capital.

Offering more than 100 panels, presentations and sessions, the Video Show is built around 16 content streams covering topics from the future of video to business practices, news production, independent filmmaking, live events and weddings, podcasting, social media, sports production, military and government-funded video and more. A full schedule of sessions can be found here. The Studios and sessions are structured to provide a conversational, interactive experience for attendees.

Speakers scheduled to appear at the Video Show include experts from American University, Avid, AVIXA, AVNation, the Baltimore Ravens, CTA, DC Government, Defense Information School, DISH Network, ESPN, Henninger Video, Maryland Dept. of Natural Resources, NASA, National Park Service, PBS, Sinclair Broadcasting, Smithsonian National Zoo, SMPTE, Vimeo, Voice of America, Walters-Storyk Design Group, the World Wildlife Fund and more. For a full rundown on the content streams, with session descriptions and speaker rosters, visit the conference agenda page here.

In addition to the content streams, a range of added features will be available at the Video Show, including on-site VR and AR demos, book signings, live streaming, live podcasting, a visit by the C-SPAN interactive mobile bus, screenings of show-related content and more, as well as a number of networking opportunities.

Rounding out the Video Show’s offering is the hands-on exhibition space, which will boast the latest in production, post production, audio, image capture and lighting technology from almost 100 companies including Sony, Canon, AJA, Nikon and more.

"We’ve created a conference experience and exhibition that’s as informational as it is inspirational," says Content Director Cristina Clapp, "appealing to everyone from professionals working at the broadcast level to people working for small production companies to institutional and corporate users to independent production professionals… even enthusiasts.

"If you’re involved with video, we have training, experts and answers for you at the Video Show. We’re expecting people from across the Mid-Atlantic region to take advantage of this engaging, affordable learning opportunity."

Registration for the Video Show is free through Dec. 3, allowing access to the exhibitors and features on the show floor. At the door on Dec. 4-5, admission to the show floor rises to $25. A one-day Studio Access Pass, allowing admission to the content sessions, is $49, with a two-day Pass costing $75. Attendees can register now at the show’s registration site.

More than a website, Instagram is becoming the go-to platform for creative portfolio work and giving potential customers a real look at who they might consider for their video project. The session “Instagram for Video Producers” will be presented at The Video Show, a two-day event in Washington, Dec. 4–5.

Today’s social media is all about engagement. Are you engaging correctly? Cinematographer Rob Adams will show you how Instagram's features can help you generate new leads, market your “storybrand” and give you an edge over your competition. He will share ways you can leverage Instagram to build your video business.

The Video Show caught up with Adams for just a minute ahead of the show.

The Video Show:What’s the most common misperception that people working in video may have about Instagram and how to use the platform for their business?

Rob Adams: This is a great question because I don’t think many people in the video business have given enough consideration to the power of Instagram overall, let alone form any misconceptions. However, I think the biggest misconception among those who have dabbled with Instagram is that, in terms of image professionals, Instagram is a platform for photographers. They couldn’t be more wrong.

Instagram, and Facebook for that matter, both favor video posts higher over still photo posts in their algorithms. They get more organic reach and better organize engagement than photo-only posts. That is, of course, how the algorithm is active at this point in time. That means these platforms are actually inclined more toward video posts.

Instagram and Facebook each have created video-only platforms with IGTV and Facebook Watch, respectively. Add in the fact that Instagram (and Facebook) Stories allow you to post 15-second videos in an endless string of vertical, temporary posts for instant reach, placement and tagging, and you have what it essentially is a video-centric platform. This creates boundless opportunities for business marketing and letting customers and clients see something video-wise about you and your product(s) 24/7.

TVS:You’ve done a great deal of work in weddings (and are speaking at The Video Show in a separate session on that theme). How has your work in weddings informed your work in other areas of video, and what can others learn from that?

RA: Filming and editing weddings and doing it well is one of the most under-rated, under-valued skills in all of video and filmmaking. Think about it this way: I have no script. I have no actors. No storyboard. I have minimal crew. I have no control over sets, lighting, sound and, most of all, I have zero control over time. And I still have to create an amazing product that people will spend thousands of dollars for.

This places me at a severe disadvantage in trying to create videos that have a Hollywood quality or even look like something more than a run-and-gun mess of footage. Where I’ve excelled in weddings at anticipating action, working and thinking quick on my feet with the deck stacked against me has made my scripted, storyboarded shoots so much easier. They’re a luxury. It’s also made me a far better editor. It’s one thing to be handed a bunch of amazing footage from a nicely scheduled, thoughtful shoot and have a plan for postproduction. But to have to take footage that essentially abides by an “It is what it is...” mentality, I’ve learned to edit sequences that are completely born in post, but surprisingly, work amazingly well in a creative context.

We have been able to formulize some things, but overall, you never know what you’re going to face with every shoot. Good wedding filmmakers have great insight into how to solve problems on-set, how to create beauty and drama where none exist and tend to be amazing storytellers. We also are forced to be people-pleasers and cannot sit back idly and wait for a director to call “Action!” In any business that is valuable knowledge and has helped me tremendously in my small- and large-scale commercial jobs. [Adams will also present the session “How Not to Screw Up a Wedding Video.”]

The Video Show will feature more than 100 sessions on nine presentation stages, as well as a dedicated screening room, demo areas, streaming studio and dynamic exhibit floor. Want to hear more about this topic? Visit thewebsiteto learn more and register.

WASHINGTON D.C. (Nov. 5, 2019) — Video creators from across a range of industries — including broadcast, independent film, sports, news, corporate video, government video, education and event video — will gather at The Video Show, a two-day event launching in Washington, D.C. on Wednesday, Dec. 4, 2019, with more than 100 sessions on nine presentation stages, as well as a dedicated screening room, demo areas and a streaming studio.

• Speakers From NASA, ESPN, PBS, Vimeo, SMPTE, CTA, AVIXA, Smithsonian National Zoo, The Baltimore Ravens, Henninger Video, National Park Service, DC Fire Department and more

• Wealth of content includes conference tracks on the business of video, independent film production and distribution, mobile journalism, editing & post production, podcasting, sports video, news and production in D.C., streaming and VR/AR/360, alongside a dynamic exhibit floor

• Conference and exhibition will be held Dec. 4–5 at Walter E. Washington Convention Center. Admission to exhibit floor is free to all who pre-register before the event date.

Produced by the international media group and leading digital publisher Future PLC (LSE: FUTR), The Video Show (www.thevideoshow.com) covers every aspect of video content creation and distribution, from examining where video technology is heading to showcasing the latest groundbreaking projects to sharing best practices. It will be a must-attend event for anyone working in video content creation, focusing on professionals but also of interest to serious enthusiasts.

Separate content “streams” will focus on specific areas of interest, so attendees can select the sessions that are most relevant to them. In all, 16 premium content streams will be presented in our Studios. The full list includes:

• The Future of Video

• Producing News and Video in Washington, D.C.

• Independent Filmmaking

• Mobile Newsgathering

• Sports Production

• Documentaries: Wildlife and Beyond

• Military, Government & Publicly Funded Video

• The Business of Video

• Editing and Post Production

• AV and Installations

• Weddings & Live Events

• 360 Video & Augmented/Virtual Reality

• Social Video

• Podcasting

• Video for Educators

• Streaming

“We have a truly spectacular list of speakers from every aspect of video creation and delivery,” said Conference Director Cristina Clapp, “all sharing their expertise and helping our attendees advance their careers and build new skill sets.”

A sampling of Studio speakers and sessions:

• NASA’s Sr. Multimedia Producer David Ladd talks about creating out-of-this-world video stories from the Goddard Space Flight Center.

• IBM Watson Media's Tom Ohanian discusses where artificial intelligence will fit into the future of video production.

• DISH Network's David Scott shares the fundamentals of live streaming.

• Vimeo's Derick Rhodes will talk about finding alternate distribution methods for independent films and videos.

• Eddie Coughlan from the Baltimore Ravens reveals what goes into the dynamic video graphics and footage seen at M&T Bank Stadium.

• PBS NewsHour Education Managing Editor Leah Clapman and students share experiences and news videos from the program's Student Reporting Labs.

• Sinclair Broadcast Group Chief UAS Pilot Jeff Rose discusses the best use of drones in newsgathering.

• The Consumer Technology Association's Steven Koenig offers a special preview of technology that will impact video in 2020.

The exhibition space at The Video Show, which offers free admission to those who pre-register before the event dates, will give attendees an opportunity for hands-on experience with the latest products and technologies, showcasing companies including AJA Video Systems, Barbizon, BB&C, Canon, Christie, k5600, Link Electronics, Osprey Video, Quantum, TIVA, Yorktel, and many others.

“Video has become ubiquitous and necessary — from the biggest corporations and brands to the smallest businesses to the one-man or one-woman band,” said Clapp. “This is a show for everyone involved in the area who’s involved with creating video content — we have sessions for almost every type of creator.”

“We've had a fabulous response from all corners of the video industry, as one can tell by the lineup of panelists, presenters and exhibitors who are taking part,” added Jonny Sullens, Head of Events for Future. “The need for a show like this, which presents valuable tips on how to get the most out of your work in video from the professional level all the way to the personal, is obvious.”

Register now at our registration site to save $25 and secure Early Bird rates for The Video Show's premium Studios. Registration for The Video Show is free through Dec. 3, allowing access to the 80+ exhibitors on the show floor. Early Bird rates for premium Studio content streams are $49 for a one-day Studio Access Pass and $75 for a two-day Studio Access Pass. At the door Dec. 4–5, registration for The Video Show goes up to $25, with one-day Studio Passes available for an additional $49 and two-day Studio Passes available for $75.

Media Contact:

Anthony Vagnoni, avagnoni communications, 973-493-8736, anthony@avagnoni.com

Exhibit/Sponsorship Opportunities: Jackie Gospodinoff, jackie.gospodinoff@futurenet.com

Speaker Opportunities and Press Registration: Cristina Clapp, cristina.clapp@futurenet.com

Meetings & Partnerships: Danielle Blanchette, Danielle.blanchette@futurenet.com

About The Video Show

A premier two-day event aimed at video professionals and enthusiasts alike, The Video Show encompasses every aspect of video and content creation, showcasing industry-leading brands and innovative tech startups and allowing attendees to discover and get hands-on experience with the latest gear and software. Serving the education, government, production, AV and broadcast sectors, as well as vloggers, online content creators and more, The Video Show also includes a robust program of seminars, live demos and masterclasses delivered by industry experts and inspirational speakers across 16 dedicated premium studios. The inaugural 2019 event takes place Dec. 4–5 at the Walter E. Washington Convention Center in Washington D.C. Learn more at https://www.thevideoshow.com/.

About Future PLC

Future is a global platform business for specialist media with diversified revenue streams. Its Media Technology group comprises such industry- leading brands as TV Technology, Digital Video, Video Edge, Government Video, Broadcast Engineering Extra, Radio World, College Media Brief and other titles. Future’s wider brand family also includes technology, games, music, home interest, hobbies and B2B, with brands like TechRadar, PC Gamer, Tom's Guide, Homebuilding & Renovating Show, GamesRadar+, The Photography Show, Top Ten Reviews, Live Science, Guitar World, MusicRadar, Space.com and Tom's Hardware. Its magazine portfolio titles also include Classic Rock, Guitar Player, FourFourTwo, Homebuilding & Renovating, Digital Camera, Guitarist, How It Works, Total Film, What Hi-Fi? and Music Week. https://www.futureplc.com/

WASHINGTON—Sports remains TV’s biggest draw and is often at the forefront of the latest broadcast and production technologies, so it’s only natural that it would get a spotlight as part of the 2019 Video Show. The Sports Production stream at the conference will talk with top sports producers about what it takes to provide a top-notch production no matter the field, real or virtual.

The series of sessions, which will all take place on Dec. 4, will kick off with a talk from Gary Jobson of Jobson Sailing, who will provide an insight into the perils of broadcasting in the middle of the ocean, discussing his experience covering America’s Cup, the Volvo Ocean Race and other marquee sailing events.

Following the U.S. women’s victory at last summer’s FIFA Women’s World Cup, IBM Aspera’s Jonathan Solomon will share how they handled remote production and livestreaming to bring the game action from France to fans all over the world.

The popularity of esports only seems to be increasing, and a panel of experts will discuss all of the things that make esports that latest sports craze, and what might be the next step. The panelists will include Trevor Williams, Capitol Underground Gaming; Benjamin “Noskills” Archie, Hashtag Arena; Josh Hafkin, Game Gym; and Cait McGee, 1HP Gaming.

Other sessions will dive deep into some of the production elements of live sports. Topics will include the growing capabilities of sports production at smaller colleges, high school schools and the minor leagues; the demands of the mobile unit market; and producing content for in-arena video boards.

For more information on the Sports Production stream, click here.

The 2019 Video Show will take place from Dec. 4-5 at the Washington Convention Center in Washington, D.C.

WASHINGTON—Taking place at the Walter E. Washington Convention Center in Washington, D.C., from Dec. 4–5, The Video Show is a two-day educational event with more than 100 educational and informational sessions, and an exhibit floor with tutorials and demonstrations, all designed for video professionals and enthusiasts.

Debuting in the United Kingdom in 2018, The Video Show is produced by TV Technology’s parent company, Future Plc.

“We wanted to develop an event that was almost entirely content driven—offering sessions from more than 100 speakers focusing on 16 different areas critical to today’s video professionals,” said Johnny Sullens, Future’s head of events.

Those 16 areas of focus will be explored across eight stages with more than 100 sessions over the two-day conference and cover a variety of topics that are designed to satisfy attendees no matter what field they come from. The full schedule can be found at www.thevideoshow.com.

“More than anything, we really want to support the region’s creative community and help its members develop and evolve,” said Cristina Clapp, content director for the conference. “I’d like the show to teach anyone attending something—hopefully many things—new, useful, constructive, inspiring. We want everyone to leave each day with more skills, more knowledge, more expertise—and head into new projects better equipped.”

CONTENT IS KING

Video has become such an integral part of countless industries, and while the sessions each have their own unique focus, the goal is to have attendees take in any program and learn something that they can apply to their particular area of interest, be that sports production, independent filmmaking, social media or wedding videography.

The Video Show takes over as an expanded version of what was previously the Government Video Expo, so one of the conference content “streams” will focus on the government, military and public sectors and how its members utilize video.

“The people working in public sector jobs have particular needs to deliver their products and get ahead in their careers,” said Paul McLane, managing director of content for Future’s B2B Media Technology brands and coordinator of the Military/Government stream. “For instance, we’ll have a presentation on how a government videographer/ photographer for a massive state agency can produce great work on a small budget.”

With the White House just a few blocks from the convention center, Voice of America’s White House Bureau Chief Steve Herman will discuss its unique position as an editorial service that is an extension of the government; Herman will explain how his team balances those responsibilities.

There’s more to D.C. than just the government, however, and a series of sessions have been developed to highlight producing news and video in the city. Terry Scutt, content director at Future and coordinator for the Producing News and Video in D.C. stream, has lined up individual sessions that will cover local news production, best practices for creating political ads or videos, the waiver process for drone operators trying to enter “no-fly zones” and a profile of unique locations with the D.C. Office of Cable Television, Film, Music and Entertainment. But her personal favorite session satisfies the sweet tooth, as Michael F. Cormier, the director of photography for TLC’s “DC Cupcakes,” will give a behind-the-scenes look at the show filmed in Georgetown.

TECHNOLOGY OF THE FUTURE

Beyond the city limits of the nation’s capital, streams like the Future of Video will offer attendees some advice on how video can be expected to evolve in the coming years.

“Technology is changing all the time, so we’re bringing together as many experts as we can to address different aspects—whether it’s exploring new imaging formats, looking at how to manage 8K content or considering how 5G will impact video delivery,” said Clapp, who is serving as the session’s coordinator.

Other highlights of the Video Show will include a question and answer session with the filmmaking team behind the award-winning documentary “17 Blocks;” a session on the future of mobile journalism as well as a boot camp focused on some of the tricks of the trade; CreativeMediaMatter’s Gail McCabe will offer guidance on how to prepare and reduce stress when shooting solo; and the founder of PBS NewsHour’s Student Reporting Lab will be joined by students currently in the program and creating news for PBS stations.

“Honestly, each time we finalize a session, that’s my new favorite one,” said Clapp.

The exhibit floor will feature industry-leading brands and innovative tech startups so attendees can discover and get hands-on with all of the latest products and software from exhibitors such as AJA, Canon, ENCO, K5600, LAWO, Quantum and many more.

“This year the goal is to establish The Video Show as an exciting platform for the mid-Atlantic video community, and then going forward we really want to grow the event in all aspects—education, visitors, networking sponsors and exhibitors,” Sullens said.

You can get the chance to experience The Video Show yourself Dec. 4–5. For more information on the show or to register, visit www.thevideoshow.com.

ALEXANDRIA, Va.—The call for speakers, panelists and presentations that can educate and inspire the visual storytellers that will attend the 2019 Video Show has been issued. The Video Show is a two-day conference in Washington, D.C., featuring over 200 sessions, tutorials, demos, screenings, user group meetings and networking opportunities.

For potential speakers, the Video Show wants to hear from industry professionals who can share their experiences and expertise covering a wide range of topics related to visual storytelling. Topics include:

• Independent filmmaking
• Live event and streaming production
• Non-fiction, nature and wildlife documentary production
• News and sports production
• Mobile newsgathering
• Web and mobile content
• Corporate communications and internal video
• Social media and social video
• Wedding and event video
• Virtual, augmented and mixed reality
• 360 video
• Cinematography and imaging
• Editing, graphics and postproduction
• Storage and media management
• Video distribution and delivery

Proposals must be submitted for the Video Show by July 26.

The 2019 Video Show will take place from Dec. 4-5 at the Walter E. Washington Convention Center.